Now you can create a massive broadcast set, even in small apartments or a basement! That's because all Ultimatte 12 models have frame stores so you can load pre rendered still frames from a 3D modeled broadcast set. This is a revolution in live production because you can now use a virtual set even if you don't have the space for a physical broadcast set! Plus without any external equipment! Just use multiple cameras, each with an Ultimatte 12 and a background frame loaded. As the backgrounds are pre rendered, they can be more photorealistic than a traditional virtual set. If the cameras don't move, the backgrounds will look perfect! Plus Ultimatte 12 is low cost, so you can use more cameras!
The world's most advanced chroma keyer with Quad Link 12G-SDI for HD, Ultra HD and 8K! The future proof design has full Ultimatte 12 processing in 8K for next generation broadcast and film production.
Magic Green Screen Video Download
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When it comes to live production, you need to work fast. Ultimatte 12 features one touch keying technology that analyzes a scene and automatically sets over a 100 parameters so you get great keys without having to do a lot of extra work! The first step is to ensure your scene is well lit and that the cameras are properly white balanced, then you simply activate the auto key and Ultimatte will do all the work for you! Plus all models include Screen Correction to compensate for unevenly lit green/blue screens. One touch keying is dramatically faster and helps you accurately pull a key with minimum effort. That leaves you free to focus on the program, while Ultimatte 12 takes care of the rest!
Ultimatte 12 features up to 7 different input connections, depending on the model, that are used for compositing different source elements together. These include foreground and background, along with holdout and garbage mattes, as well as additional layer inputs for superimposing additional images over the composited image. Ultimatte 12 even lets you use sources that are not synchronized when working with static shots! With the new Ultimatte 12 models, you can even operate without video sources because the internal frame stores let you load backgrounds and other elements internally! That dramatically lowers the cost of building Ultimatte based broadcast systems!
All Ultimatte 12 models feature a monitor cascade feature that lets you view the monitor output from up to eight Ultimatte units on a single SDI display. Simply connect up to eight Ultimatte units via an SDI daisy chain using the monitor input and monitor output connections, with the last Ultimatte unit then plugged into an SDI monitor. Then when you switch to monitor any specific Ultimatte unit using the Ultimatte Software Control or the Smart Remote 4, the monitor output will then clean switch, with almost zero latency, and be passed down the chain for display on the monitor. This greatly simplifies monitoring, even when working with lots of Ultimatte equipped cameras.
The unique Ultimatte 12 HD Mini model has a special feature that allows conversion of SDI camera control to HDMI. This means an ATEM SDI switcher can control a HDMI connected Blackmagic Pocket Cinema Camera. All ATEM switchers send camera control over SDI, and this Ultimatte model can translate it to HDMI for the camera. Just connect SDI from the Ultimatte out to the switcher input, the switcher program out to the Ultimatte SDI input, and then the HDMI connects to the camera. Now add a camera number in the Ultimatte utility to get control of the camera color corrector, tally and even remote record trigger! Plus you also get camera control with HDMI when used with switchers such as ATEM Mini!
Tap the menu buttons along the top of the window to select the different input sources you want to adjust. You can also select the matte for making adjustments to the primary matte, and configure your Ultimatte 12.
The functions section provides specific Ultimatte settings that can be selected, enabled or disabled. For example, one of the most common controls is reset, which is located in this section if you need to restore a particular setting to its default state.
This section of the interface contains the majority of the settings menus. For example, if you want to adjust the foreground flare controls, then simply click the foreground button, then click the Flare 1 button. The flare controls will now be visible on the main window side controls for adjustment.
This section lets you save preset files and configure some of the settings on your Ultimatte. Simply click the folder icon to save a preset! Plus settings can be copied between different models of Ultimatte 12. You can also view status and configuration by clicking on the small information icon.
You can see all the Ultimatte units being controlled by the Ultimatte Software Control by looking at the status bar on the bottom of the main window. The status of each unit icon will illuminate green when identified on your network. When a unit is selected for control the icon will illuminate blue.
The Ultimatte Smart Remote 4 is a touchscreen remote that connects via Ethernet to control up to eight Ultimatte 12 units. Combined with the monitor cascade, this means you can view up to eight Ultimatte 12 units without adding a video router. Smart Remote 4 also features physical buttons and knobs for finer control of the Ultimatte 12 parameters. There are also buttons for quickly loading and saving presets, and a touchscreen that gives you full control over every Ultimatte parameter. Plus the front panel of the Ultimatte rack unit also has buttons to allow recall of custom presets! You can also create custom control solutions with the easy to use text based Ultimatte control protocol.
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With this exciting news we decided to do some testing. Scott was kind enough to send me some green screen. Normal Screen Magic is 9:1. Since we knew straight Screen Magic concentrate, 1:1 worked, it was just a matter of finding the right mix ration that would still work but bring the price down as using just straight concentrate would be to expensive.
We tested every ration and found the magic number seems to be 7:1. To give you an idea of what this means normally a 1/2 gallon of Screen Magic makes 5 gallons at 9:1. 7:1 makes 4 gallons. If you have some REALLY REALLY moldy screens you can mix it down to a 5:1 ration (which makes 3 gallons) or treat the screen twice. I would also recommend to dry brush the screens first to get off the big stuff.
How can you make your lessons more meaningful? How can your students use Green Screen to demonstrate their learning? Using Green Screen in the classroom is easy, economical, and appropriate for all grade levels and subject areas!Ā
If your students are studying the Pyramids of Egypt, they can create a video report with the Pyramids in the background. What about a weather report from the banks of the Nile River or on top of Mt. Everest? The possibilities are endless, so let's get started!
Mrs. Fuglestad, the art teacher at Dryden, has an incredible website that includes tons of ideas for using green screen. Yes, it is an elementary site, but students of all ages would enjoy many of her lessons. She shares the downloads for the lessons, step-by-step directions, and student examples. View her STEAM Art Lessons and iPad Ideas for green screen activities.
]You and your students can always use pictures and videos from your camera or device, but you might not always be able to find what you need. The following are resources for images that can be used by you and your students. Always check the license agreement when using these in projects.
One of the new features in the 2019 update is the Prop Library. When you open it up, you will find many objects that you can add to your video and animate. Pair your Green Screen video with a creative writing assignment.
The Green Screen Animation & Drawing App allows students and teachers to create advanced animations. These can then be imported onto the top layer of the Do Ink Green Screen project. The drawing editor can be used to create vector artwork and frame-by-frame (flipbook) animations. The composition editor can be used to combine your artwork and props from the Do Ink prop library into more detailed scenes.
This week I set up rotational stations for my students to experiment with various green elements to use as green screen props. We experimented with green and blue food coloring in water, green play dough, green magnetic letters, green blocks, and green paper. I had each station set up for 4 people and when the bell rings, they switch to another station. The goal for this was to play with the features to see how they worked and then talk about ways we could use these tools in deepening our learning for different content areas.
iMovie is the magical tool you need to achieve any green screen videos! The important part is making sure you have great lighting and no other random green objects in the movie frame itself. Also, no green clothing unless you want that to be intentional. Students will need to create a bottom layer (this is the layer that will show through the green) and then create a video layer on top. At the end of this post, I will also show you how to line up photos and videos by using Keynote to achieve the perfect balance and alignment. 152ee80cbc