Lovely Song Download !!TOP!!

"Lovely" is a song by American singers Billie Eilish and Khalid. Darkroom and Interscope Records released it as the lead single from the Netflix drama series 13 Reasons Why's second season soundtrack. The artists wrote the song with Eilish's brother and producer Finneas O'Connell. The song has been described as a chamber pop ballad whose lyrics recount Eilish and Khalid trying to overcome serious depression together. The song also appears on the deluxe version of Eilish's EP Don't Smile at Me.

Upon its release, "Lovely" received positive reviews from music critics. The song reached number 64 on the US Billboard Hot 100 chart and peaked within the top 40 in several other countries. "Lovely" has been awarded several certifications, including six times platinum by the Australian Recording Industry Association (ARIA). The track was accompanied by a music video released on April 26, 2018, depicting Eilish and Khalid walking around a glass case, interacting with each other, and trying to overcome their depression. Eilish included the track on the setlists of her 2019 When We All Fall Asleep Tour and her 2020 Where Do We Go? World Tour.

Lovely Song Download

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Claudia Willen of Insider describes "Lovely" as beginning with "Khalid's voice echoing Eilish's vocals." The pair "come together to harmonize in the chorus, singing about the feeling of being trapped inside of one's own mind".[14] The duo sings in a melancholic tone.[10][15] The song becomes more dramatic as the pair move into the chorus, as Eilish sings: "Isn't it lovely, all alone?/Heart made of glass, my mind of stone/Tear me to pieces, skin to bone/Hello, welcome home."[4] Eilish and Khalid's voices sound hopeless as the song is coming to an end. "But I know someday I'll make it out of here/Even if it takes all night or a hundred years/Need a place to hide, but I can't find one near/Wanna feel alive, outside I can fight my fear", as backdrop piano and two chord strings accompany the lyrics.[16]

Jon Blistein writing for Rolling Stone magazine called "Lovely" a "smoldering ballad".[11] The Times' Raisa Bruner described the song as "somber" and "haunting", writing "[there] [is] little to celebrate in the dark, brooding lyrics, but still 'Lovely' finds beautiful sounds in that pained place".[10] Mike Nied of Idolator commended the production, describing the strings as "heartrending" and the production "atmospheric".[4] Robin Murray writing for Clash described the track as an "internet-shattering single", and a "bold, defiant gesture".[17] The Evening Standard's David Smyth described Eilish's and Khalid's vocals in "Lovely" as a "grandiose duet".[18]

Graham Corrigan writing for Complex magazine praised the song as an "intensely dramatic offering", and described Eilish's vocals as "smoky" acting "as quicksand, dragging the listener down to a dark place". He described Khalid's vocals as an "interesting counterpoint" to Eilish's.[19] Variance's Tyler Schmitt called "Lovely" a track that "lives up to its name".[5] NME's Hannah Mylrea called the song one of the best from the official soundtrack for the second season of 13 Reasons Why, saying, it has "lush strings", "interweaving vocals", and a "sizzling duet is properly gorgeous".[20] Earmilk's Tanis Smither was similarly positive, saying "Lovely" is "dramatic and orchestral, with "heart-wrenching strings".[13] Adrien Begrand from PopMatters affirmed the song shows Eilish's maturity "that makes the listener forget just how young she is".[21]

Consequence of Sound ranked "Lovely" at number 15 on their list of 2018's best songs. Lake Schatz remarked that "Lovely" was "one of the most fragile offerings of [2018]", and comments that the song "showcases [Eilish's] versatility as an artist".[22] The song placed at number four on Billboard's All 27 of Khalid's Collaborations, Ranked: Critic's Picks list, with the staff calling the song "beautiful" and "sorrowful".[23] "Lovely" ranked at number 17 on Australia's Triple J's Hottest 100.[24]

I'm at a Korean bakery right now and they're playing the loveliest song-- I wish I knew what it was! I don't know Korean, but the song is extremely soft/gentle with female vocals and it sounds like the verse is saying "kikkee bo-a kikkee-pang, kikkee bo-a kikkee pang, paree-pang" (or something? Sorry, it's loud in the cafe!). The chorus is mostly just one word repeated ("sah-rang"?) and has some gentle xylophone notes behind it. I would love to hear it again-- many thanks for any help!

EDIT: It occurs to me that "K-Indie" might be a better description for the song than "K-Pop," if that helps: the background music is just a very soft acoustic guitar and that pretty xylophone that comes in during the chorus. It has a very "coffeeshop" vibe!

EDIT 3: OH MY GOD THIS IS THE SONG!!!!!!!!!!!! u/glxhal found it!! THIS IS THE SONG!!!!!! THANK YOU SO MUCH!!!!!!!! Reddit is absolutely amazing. I love this song, and now I've got the whole beautiful album!!!

Results: The mean age of patients in group 1 was 6.8 2.1 years, group 2: 8.15 2.27 years, group 3: 7.5 2.3 years, and group 4: 7.27 1.68 years. The intragroup comparisons of heart rate and facial image scores have shown a significant difference in before and after dental treatment procedures. Marked reduction in heart rate and facial image scale scores were found in patients belonging to group 1 (mobile applications) and group 2 (dental video songs). An increase in heart rate and facial image scale scores was seen in group 3 (tell-show-do) and the control group.

Conclusion: The paediatric dental anxiety is a common finding in dental clinics. Behavior modification techniques like smartphone applications, "little lovely dentist," and "dental songs" can alleviate dental anxiety experienced by paediatric patients. The "tell-show-do" technique although most commonly used did not prove to be beneficial in the reduction of the anxiety levels.

Quincy Jones almost nabbed this slice of loved-up electrofunk for Michael Jackson, but it ended up becoming a signature tune for R&B diva Khan when she sang it with her old band Rufus in 1983. When Frankie Knuckles gave it a piano house remix in 1989, a new generation went crazy for the song: now artists ranging from Mary J. Blige to KT Tunstall have recorded versions, but none of them reach the thrilling heights of Chaka as she hits the final chorus.

A group show conceived as a mixtape of songs gifted to a lover, Love Songs features photographic projects about love and intimacy from 16 contemporary photographers, including Nobuyoshi Araki, Ergin avuolu, Motoyuki Daifu, Fouad Elkoury, Aikaterini Gegisian, Nan Goldin, Ren Groebli, Herv Guibert, Sheree Hovsepian, Clifford Prince King, Leigh Ledare, Lin Zhipeng (No. 223), Sally Mann, RongRong&inri, Collier Schorr, and Karla Hiraldo Voleau.

lovely (song)ReleasedApril 19, 2018Length3:20Music ByBillie Eilish

KhalidLabelInterscope RecordsLovely (styled as lovely) is a song performed by Billie Eilish and Khalid. The song is featured on the soundtrack for the second season of 13 Reasons Why. The song played in "Bye" during the scene where Clay talks with Hannah for the last time before the funeral and finishes his semicolon tattoo.

Eilish talked about the song in an interview stating, "Me and my brother hung out with Khalid in our house and it was literally 'this is us hanging out as friends' and we ended up writing a song." The song is called "lovely" since it is "freaking depressing". The song is about getting out everything horrible after feeling miserable.(taken from the billie eilish wiki)

Both male and female sing, a lovely series of sweet, liquid notes that descends and slows, trailing off in a series of doubled notes, often finished with a mewling call note or two. Female songs are often shorter and less rich sounding than male songs. Males sometimes sing in winter.

First, we live in a time of unprecedented wealth of Christian music. There is no shortage whatsoever of older songs, newer songs, and fresh renditions of older songs that are rock-solid in their biblical content and creative, fresh, and powerful both in their lyrics and in their tunes.

Third, a word to the congregation. The concern that Tim is raising for us here is this: What does a congregation or an individual in the congregation do if a song has defective lyrics, especially if we think the song is theologically or biblically defective, not just poetically defective?

Back to the pastors and lead worshipers. Please do your job, and do not ask too much of the sheep. As we sit in service, give us songs whose original meaning we can joyfully affirm because they are fully biblical.

Among ancient Egypt manuscripts, love songs survive from only one time and place: the Ramesside Period community of elite craftsmen working on the tomb of the king (Deir el-Medina, 13th-12th centuries BC). The contents of the songs have been taken to indicate an even more elite setting, the palace and court of the king: the centres of power of Ramesside Egypt were all in the north, at Per-Ramses, Memphis and the palace of the court women at Gurob. These may be the places where the songs were composed and sung originally. Although no manuscripts survive from the palace sites themselves, the songs seem to echo the figures of singing women on late Eighteenth Dynasty and Nineteenth Dynasty cosmetic equipment and vessels produced for the highest level of society.

There are three papyri with sets of long songs, and one fragmentary pottery jar covered in another set; in addition there are about twenty ostraca that bear compositions that have been identified as love songs (Mathieu 1996: 27, with list and reference to different opinions of modern commentators). The songs are written in the Late Egyptian phase of the Egyptian language, a formal version of the spoken language of New Kingdom Egypt. No Middle Egyptian equivalent survives, although parts of the Middle Egyptian composition now known as Kemyt seem to present a man justifying his absence to a griefstruck woman. There are no later manuscripts containing love songs, but other written sources indicate that the genre continued in use or was revived; the inscription on a stela of about 700 BC describes the owner, a woman named Mutirdis, in terms close to the Ramesside love songs (Mathieu 1996: 36 n.34, 87 n.276). ff782bc1db