Title is a doo-wop, pop, blue-eyed soul, and R&B record, with elements of Caribbean, hip hop, reggae, and soca music. Inspired by past relationships and her insecurities about body image, Trainor wrote songs she wished existed before she attended high school. The songs on the album explore themes such as female empowerment, self-respect, and self-awareness. Trainor promoted it with several public appearances and televised performances.
Trainor found songwriting affinity with American songwriter Kevin Kadish, whom she met in June 2013, due to their mutual love of pop music from the 1950s and 1960s.[8][9] Kadish had wished to create a "'50s sounding record of doo-wop-inspired pop" for three years, but could not find any artist that was interested.[10][11] He shared the idea with Trainor after the two bonded over Jimmy Soul's 1963 single "If You Wanna Be Happy", and they decided to create the extended play (EP) Title (2014) with the same sound, "just for fun".[10][11] They wrote the song "All About That Bass" (2014) in July 2013, and had completed three songs before Kadish started producing a rock album for the rest of the year.[10] Trainor and Kadish pitched it to several record labels, who said it would not be successful because of its retro-styled composition and wanted to rerecord it using synthesizers, which they refused.[12] Trainor performed the song on a ukulele for L.A. Reid, the chairman of Epic Records, who signed her with the label 20 minutes later.[5]
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Trainor immediately began working on more songs with Kadish as Epic wanted her to record an entire album.[8] The label briefly suggested that Trainor work with other producers, such as Pharrell Williams or Timbaland, but she insisted on continuing with Kadish. Her artists and repertoire called Kadish and said, "whatever you did on 'Bass,' do it 10 more times. Don't bring in any more writers. Don't bring in any other producers. Whoever you used on that song."[10] While recording Title, Trainor took a two-month break because polyps were developing on her vocal cords. She recounted that Kadish would "calm [her] down, [they would] dim the lights, so [she] wouldn't get frustrated", and had to use demo vocal takes Trainor had recorded as guides.[13] Some of the album's material was recorded while Trainor laid on a bed Kadish made in the studio.[13] In September 2014, she told Billboard that it was "pretty much done" and she only had one more song left to realize.[14] Following the initial completion of Title, Trainor and Kadish had an additional day to work together and went into the studio. They wrote the song "Lips Are Movin" (2014) within eight minutes.[15] Trainor told USA Today in mid-August, "It was done until we wrote this smash in eight minutes, literally. I calculated it: eight minutes. We were like, we have to add this now."[16]
Trainor wrote "Like I'm Gonna Lose You" (2015) with fellow songwriters Justin Weaver and Caitlyn Smith while working in Music Row, and intended to pitch it to Kelly Clarkson.[17] Initially reluctant to include it on the album, her manager and uncle convinced her otherwise.[18] Title's sound was inspired by Trainor's love of throwback-style records, and music from the 1950s and 1960s.[19] She wanted to continue the doo-wop vibe of the album's preceding singles, and simultaneously showcase influences of Caribbean music, rapping, and Fugees.[20] Trainor considered it distinctive and disparate from popular music at the time: "it's got the throwback in there, but I snuck some reggae in there and clever fun lyrics and catchy melodies".[21] According to her, the writing on Title reflects on the changes in her life and artistic process.[22] Trainor intended the album to be a source of empowerment for young people; she wished some of its songs existed before she attended high school.[23] She gravitated towards discussing unemployed men she had dated in the past, who made her pay for them and only texted her instead of taking her out.[5] When Time's Nolan Feeney asked Trainor what she wanted listeners to hear on it, she said, "I want to help myself. I want to make sure guys take me on a date and treat me right because I didn't do that in the past. I want to love my body more. I just hope younger girls love themselves more, and younger people in general."[24]
The standard edition of Title includes 11 tracks; the deluxe edition contains four additional original songs.[25] The album predominantly has a doo-wop,[26] pop,[27] blue-eyed soul,[28] and R&B sound.[29] Kadish and Trainor drew from their mutual interest in retro-styled music, as they were tired of penning hackneyed electronic dance music catered to contemporary hit radio's tastes.[10] AllMusic's Stephen Thomas Erlewine thought it balanced old-fashioned girl-group pop and old-school hip hop.[30] Title comprises three-part harmonies, handclaps, finger-clicks,[31] acoustic bass guitar,[9] bubblegum pop melodies,[32] and reggae and soca riddims.[33] According to Jim Farber of the New York Daily News, the album's Caribbean music tracks were inspired by Trainor's Tobago-born uncle, and Millie Small's song "My Boy Lollipop" (1964). He wrote that it roots itself in the same style as "All About That Bass" and "Lips Are Movin", and recalls "girl groups in all their glory".[34]
Trainor's love of songwriting inspired the 24-second interlude "The Best Part", which Billboard's Carl Wilson compared to the 1954 song "Mr. Sandman".[37] "All About That Bass", a bubblegum pop,[42][28] doo-wop,[2][43] hip hop,[9][44] Italo-Latin soul,[45] and retro-R&B pop song,[46] encourages embracing inner beauty, and promotes positive body image and self-acceptance.[47][48][49] Trainor stated that "Dear Future Husband" was inspired by doo-wop standards like Dion's "Runaround Sue" (1961), and Beach Boys songs that possess big choruses with intentionally low-pitched melodies;[50] its lyrics are about chivalry and dating,[51][52] and list the things a man needs to do to be Trainor's life partner.[53][54] "Close Your Eyes" is a contemporary ballad on which Trainor gives a soulful and "nuanced, fluttery vocal performance" over an acoustic guitar and pitch-shifted background vocals.[35][55][56] The song features lyrics about Trainor's body image insecurities.[33] "3am" is a "quieter and more vulnerable" song,[57] on which Trainor succumbs to an ex-boyfriend and drunk dials him.[27][39][40]
The soul ballad "Like I'm Gonna Lose You" features guest vocals from John Legend.[59][60] In the song's lyrics, Trainor parlays her fear of losing a loved one into determination to relish and savor every moment spent with them.[61] "Bang Dem Sticks" is a raucous, suggestive,[39] and thematically ribald song,[9] about her attraction to drummers.[40] It has a simple percussion rhythm,[57] horn and drum instrumentation,[40] and a patois-inflected rap verse from Trainor.[28] On "Walkashame", she details a hangover,[27] and expresses embarrassment[57] while defending someone returning home nonchalantly after an unintended one-night stand.[38][39] Trainor wrote the title track and "Dear Future Husband" as a reaction to issues with contemporary dating and hookup culture, like women basing their self worth on social media likes and whether their partner replied to their texts.[62] The former is a doo-wop song with Caribbean music influences and a ska-inflected bridge,[5][28][55] on which she refuses to be friends with benefits and pushes her partner to define their relationship more clearly.[63][64]
The penultimate track of the standard edition is "What If I", a 1950s-style ballad with string instrumentation,[39] which contemplates the dangers of first-date sex and is lyrically reminiscent of The Shirelles's 1960 single "Will You Still Love Me Tomorrow".[37] The final track, "Lips Are Movin", is a bubblegum pop, doo-wop,[65] and Motown bounce song,[30] with lyrics inspired by Trainor's frustrations with her record label.[15] Reviewers including The Tennessean's Dave Paulson and MTV News' Christina Garibaldi deemed it a song about leaving a significant other after being cheated on, an interpretation Kadish is open to.[15][66][67] It received widespread comparisons to "All About That Bass" from critics;[28][68][69] Trainor admitted they "followed the [same] formula".[66] "No Good for You", the first of the four bonus songs on the deluxe edition, contains elements of ska,[37] with Trainor offering her opinion about a troublesome man in its lyrics.[70] "Mr. Almost" and "My Selfish Heart" are about being in an unhealthy romantic relationship.[70] In "Credit", Trainor demands credit from her ex-boyfriend's new partner, for the positive qualities and habits he developed during his time with her.[40][70] "I'll Be Home", a seasonal ballad,[71] appears on the Japanese edition of the album.[72][73]
Trainor marketed Title as her debut studio album.[74] She pulled her independent albums from circulation in the build-up to its release.[1] Upon his first meeting with Trainor, Reid thought she had "lightning in a bottle" with "All About That Bass" and "was going to explode",[75] but was unsure about what her next step should be: "All I knew is that I had one in my hand, I didn't even think about what would come behind it."[9] Trainor felt pressured to retain her look from the song's music video after it gained popularity.[2] In March 2015, she partnered with plus-size retailer FullBeauty Brands as a consultant for the creation of clothing for women with varying body types.[76] Trainor's 2014 EP of the same name, which included "All About That Bass", "Dear Future Husband", "Close Your Eyes", and the title track, was released on September 9, 2014.[77] Epic announced Title's release date in October 2014, and replaced the EP with its pre-order.[78] The album's standard and deluxe editions were released digitally on January 9, 2015.[25] Its special edition, consisting of music videos and behind-the-scenes footage, was released on November 20, 2015.[79] be457b7860
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