18 Harmonious Pieces

Binary form with coda, common time

For band (B-flat major): see Symphony No. 1, 1st movement

Binary form with introduction, common time

For band (B-flat major): see Symphony No. 1, 1st movement

Binary form, cut time

For clarinet quartet and keyboard

Sonata form, common time.

The same theme can be found in The Competitors, 2nd movement

For clarinet, alto sax, bassoon, and cello (score and parts)

For viola and piano: Piano accompaniment Viola part

This piece is essentially a short concerto for the top 2 voices of a quartet:

I. Moderato (sonata form) II. Chorale (binary form) III. Fugue

For woodwinds (score and parts)

Compound ternary form, with the main theme (D minor) inverted to create the middle section (D major).

For piano and strings (score and parts)

Song form with introduction. The intro is restated as a coda in some arrangements.

Vocal (Quarantine Dance)

For TTBB quartet

For SATTBB (with extended coda): see #3 of The Tangled Trio

Instrumental

For clarinet, alto sax, and cello (with extended coda)

For band (modulating to G minor): see Symphony No. 1, 2nd movement

Compound ternary form with coda, cut time

For clarinet quartet (chorale only)

For band (F minor and B-flat major): see Symphony No. 1, 3rd movement

Vocal (From James to Lucas), first Andante only

For solo voice and piano: see #4 of The Tangled Trio

Instrumental

For band (score and parts)

Vocal (Here with Me)

For TTBB (men's choir)

For SATBB: see #5 of The Tangled Trio

Instrumental

For band (Pop theme, E-flat major): see Symphony No. 1, 2nd movement

For clarinet, alto sax, and cello (score and parts)

Binary form with coda, cut time

This theme also appears in Symphony No. 1, 1st movement