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The Local Radio Freedom Act is a bipartisan resolution that underscores the critical importance of locally owned radio stations to families, small businesses, and our communities, and it declares that Congress should not impose any new performance fee, tax, royalty, or other charges for locally-owned radio stations. It is cosponsored by Senators John Boozman (R-AR), Mike Braun (R-IN), Shelley Moore Capito (R-WV), Susan Collins (R-ME), Kevin Cramer (R-ND), Mike Crapo (R-ID), Steve Daines (R-MT), Martin Heinrich (D-NM), John Hoeven (R-ND), Ron Johnson (R-WI), Angus King (I-ME), Cynthia Lummis (R-WY), Markwayne Mullin (R-OK), Jeanne Shaheen (D-NH), Kyrsten Sinema (I-AZ), Dan Sullivan (R-AK), Jon Tester (D-MT), Roger Wicker (R-MS), and Todd Young (R-IN).

Whereas, for nearly a century, Congress has rejected repeated calls by the recording industry to impose a performance fee on local radio stations for simply playing music on the radio, as such a fee would upset the mutually beneficial relationship between local radio and the recording industry;

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Whereas local radio stations provide free publicity and promotion to the recording industry and performers of music in the form of radio airplay, interviews with performers, introduction of new performers, concert promotions, and publicity that promotes the sale of music, concert tickets, ring tones, music videos, and associated merchandise;

Whereas local radio broadcasters provide tens of thousands of hours of essential local news and weather information during times of national emergencies and natural disasters, as well as public affairs programming, sports, and hundreds of millions of dollars worth of time for public service announcements and local fund raising efforts for worthy charitable causes, all of which are jeopardized if local radio stations are forced to divert revenues to pay for a new performance fee;

Whereas there are many thousands of local radio stations that will suffer severe economic hardship if any new performance fee is imposed, as will many other small businesses that play music, including bars, restaurants, retail establishments, sports and other entertainment venues, shopping centers, and transportation facilities; and

Whereas the hardship that would result from a new performance fee would hurt businesses in the United States and ultimately the consumers in the United States who rely on local radio for news, weather, and entertainment, and such a performance fee is not justified when the current system has produced the most prolific and innovative broadcasting, music, and sound recording industries in the world: Now, therefore, be it

I purchased two HomePod Minis, and I love them for playing music from my Apple Music library. But I'm at a complete loss when trying to get them to play local radio stations. Any help is greatly appreciated.

If your advertising strategy is focused on digital ads and social media, you might be missing out on a highly effective advertising option: radio. Radio advertising has several benefits for small business:

Local Radio Networks revolutionizes the delivery and localization of 24/7 programming. RVC is a real-world-tested internet/VPN-delivery system designed by industry-leading engineers and programmers with input from local radio operators. RVC eliminates the shortcomings of current delivery technologies. The RVC is all centered around localized content and station-owner control.

Local Radio Networks answers the call of local radio owners and operators who seek improved quality, technical, and locally focused 24/7 formats from a company that is more concerned about its partners on Main Street than those on Wall Street.

I am sitting in a hotel room in New Orleans right now, with my headphones on. Instead of hearing audio from my computer, I am hearing local radio stations, such as the Spanish station I am hearing right now. There are no open programs, so this audio can't be coming from an app.

Either your sound card or the headphones themselves are picking up the RF energy from a local AM or shortwave radio station. The wave is being rectified in the headphones and the audio is reproduced.

Expansion of the AM or FM radio bands is Unlikely. The FM band is constrained from expanding above 107.9 MHz by the presence of aeronautical operations on 108 MHz to 136 MHz, and is also prevented from expanding below 88.1 MHz by Channel 6 television operations on 82.0 through 88.0 MHz. The AM band was expanded from 1600 to 1700 kHz in the 1990s after years of international negotiations. However, those frequencies are reserved for existing stations that were causing significant interference in the lower part of the band.

Unlicensed Operation is Prohibited. A very common question asked of the FCC is whether broadcasting at very low power requires a license. Please be aware that unlicensed operation of radio broadcast stations is prohibited, even at low powers such as 1 watt or less. The only unlicensed operation that is permitted on the AM and FM broadcast bands is covered under Part 15 of the FCC's rules, and is limited to a coverage radius of approximately 200 feet. (See the Commission's July 24, 1991 Public Notice, which is still in effect.) Unlicensed operation is not permitted in the television bands (including 87.9 MHz, which falls within the 82.0 to 88.0 Channel 6 television band). Fines and/or criminal prosecution may result from illegal operation of an unlicensed station (see a sampling of recent enforcement actions).

FCC Rules. FCC rules pertaining to radio and television broadcast stations are contained in Parts 73 and 74 of the Code of Federal Regulations (CFR). The CFR is available through the Government Printing Office both online and in book form. For your convenience, here is a link to the Part 73 radio broadcast station rules. These rule lists are updated once a year, after the Code of Federal Regulations website is updated to reflect rule changes from the previous year.

All applicants for new broadcast stations, and all applicants to change an existing station's community of license, must give local notice in a newspaper of general circulation in the community in which the station is to be licensed. They must also give to the public an opportunity to file comments on these applications with the Commission. Copies of the application must be maintained in the station's public files or at a location accessible to the public in the community where the station is proposed, for example a public library or post office. Licensees who submit a license renewal application must give local public notice of the filing by broadcasting announcements over their stations. See rule section 47 CFR Section 73.3580.

The popularity of pirate radio was to challenge a change within the at the time very "stiff" and blinkered management at the BBC. The most prominent concession by the BBC was the creation of BBC Radio 1 to satisfy the ever-demanding new youth culture with their thirst for new, popular music. The other, however, was that these pirate radio stations were, in some cases, local. As a result, BBC Local Radio began as an experiment.

Initially, stations had to be co-funded by the BBC and local authorities, which only some Labour-controlled areas proved willing to do. Radio Leicester was the first to launch on 8 November 1967, followed by Leeds, Stoke, Durham, Sheffield, Merseyside, Brighton, and Nottingham. The local authority funding requirement was dropped by the early 1970s, and stations spread across the country; many city-based stations later expanded their remit to cover an entire county.[4]

Independent Local Radio (ILR) launched nationally in 1973, with nineteen stations; more followed in subsequent years. As a result, many of the BBC Local Radio stations found themselves in direct competition with commercial competitors that utilised many of the popular DJs from the pirate radio stations, and that gained, in most cases, large audiences. Despite this, BBC Local Radio continued to flourish, with the current network in place by the early 1990s. The complement of stations has remained unchanged since that time.[6]

The radio stations are operated from locations around the country that usually share with the BBC regional TV news services, and their news gathering bureaux. The stations are operated by the region in which the station is based and are the responsibility of the BBC English Regions department, a division of BBC News.

Each station produces local programmes on weekdays from 6am until 2pm. Depending on location and population, afternoon, evening and weekend schedules will vary from shared regional programmes to being fully local although sports coverage continues to remain local. Since October 2023, all stations take the all England Late Show which originates in London or Manchester.[7] and since November 2023, the Sunday evening show is also carried on all stations,[8] All stations simulcast BBC Radio 5 Live overnight.

Since July 2020, all local BBC radio stations broadcast the networked early breakfast show presented by Jason Rosam (Monday to Friday) and Claira Hermit (Weekends) from BBC Radio London between 5am and 6am although this is set to end at the end of the year.[9]

All of the BBC Local Radio stations broadcast on FM, Digital radio, Freeview and BBC Sounds in their respective areas across England, but BBC Radio London is also available on Freesat and Virgin Media.

A list of the forty local radio stations by region. In addition to these stations, BBC Radio Solent operates an opt-out service covering Dorset.[2] There were also opt-out services covering Milton Keynes (BBC Three Counties Radio), Peterborough and the Fens (BBC Radio Cambridgeshire), Plymouth (BBC Radio Devon), and Swindon (BBC Wiltshire);[2] but these ceased in 2012 due to cutbacks as part of the BBC's "Delivering Quality First" programme.

Dave and Sue are two fictional radio listeners created as marketing personas. Descriptions of the characters, created by the BBC, were given to all their local radio presenters as representative target listeners during the 2000s. They were later superseded by the "BBC Local Radio 2010" strategy. ff782bc1db