BiographyProfessor Katrin Böhm works across interdependent realms of cultural production, including the art world. Her research, writing, organising and constructing supports collective forms of (re-)producing public space, taking back the economy for more-than-capitalist futures, and enabling a new trans-localism that acknowledges the rural. Kathrin is a co-founder of the trans-local arts organisation Myvillages and has initiated cultural enterprise Company Drinks. As a researcher she contributes to the wider topics of New Economy, Usership of Art and the Production of Public Space, and currently holds an art professorship at the Economics Department at Alanus University. In 2020 Kathrin stopped initiating new projects and engaged in a process of 'composting' of her work to date, in order to make 'fertiliser' for evolving long-term infrastructures such as The Centre for Plausible Economies c/o Company Drinks and Myvillages' Rural School of Economics. Recent contributions to art events and exhibitions include Municipal Kitchens at nGbK, Berlin (2024), Artists and Peasants, Les Abbaotoirs (2023), Toulouse, Kassels' Rural Undercurrents for Lumbung documenta fifteen (2022), and Compost at the Showrom (2022), London. Co-edited publications include Icebergian Economies of Contemporary Art (2020), The Rural (2019), Learn to Act (2017) and The International Village Show (2015).Dr Kuba Szreder is a researcher, curator, and lecturer at the Academy of Fine Art in Warsaw. He cooperates with artistic unions, consortia of postartistic practitioners, clusters of art-researchers, art collectives and artistic institutions in Poland, UK, and other European countries. He is an editor and author of several catalogues, books, readers, book chapters, articles and manifestos, in which he scrutinizes the social, economic, and theoretical aspects of the expanded field of art. Current research interests include conditions of artistic labor, new models of artistic institutions, artistic self-organization, artistic research, postartistic theory and practice. His book "The ABC of the projectariat: living and working in a precarious art world" was published in 2021 by the Manchester University Press and the Whitworth.