"Shoo Shoo Baby" is a popular song written by Phil Moore. The song was made famous by The Andrews Sisters,[1] as they sang it in the 1943 film Three Cheers for the Boys. "Shoo, Shoo Baby" was a big hit for the trio in 1944, reaching No. 2 in the chart. Their version features a jazzy vocal pop arrangement typical of the time, with a key hook provided by the horns, and has appeared on many compilation albums of 1940s music.

Ella Mae Morse also recorded this song in 1943, with Dick Walters and His Orchestra.[1] Released on Capitol Records, the single went to number four on the pop chart and number one on the R&B charts for 2 weeks in December 1943.[2]


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The R&B girl group Mis-Teeq covered the song for the soundtrack to the Vanguard Animation film Valiant in 2005. It was the last track Mis-Teeq recorded before they split to pursue solo careers.

"Baby" is a song by American R&B recording artist Brandy, taken from her debut studio album, Brandy (1994). It was penned by Keith Crouch, Kipper Jones, and Rahsaan Patterson and produced by the former. Released as the album's second single on December 24, 1994, in the United States, it reached number four on the Billboard Hot 100 and spent four weeks atop the Billboard Hot R&B Singles chart. It also reached number four in New Zealand, number 16 in Australia, and number 68 in Canada. The single sold 1,000,000 copies in 1995 in the United States.[3]

"Rock Me Baby" is a blues standard that has become one of the most recorded blues songs of all time.[2] It originated as "Rockin' and Rollin'", a 1951 song by Lil' Son Jackson,[1] itself inspired by earlier blues. Renditions by Muddy Waters and B.B. King made the song well-known. When B.B. King's recording of "Rock Me Baby" was released in 1964, it became his first single to reach the Top 40 in Billboard magazine's Hot 100 chart.

B.B. King's "Rock Me Baby" is based on the 1951 song "Rockin' and Rollin'" by Lil' Son Jackson.[1] King's lyrics are nearly identical to Jackson's, although instrumentally the songs are different: "Rockin' and Rollin'" is a solo piece, with Jackson's vocal and guitar accompaniment, whereas "Rock Me Baby" is an ensemble piece.

Muddy Waters' song "Rock Me", recorded in 1956,[2] is also based on Jackson's song. Some of Jackson's lyrics were used, but Waters incorporated a couple of verses from his 1951 song "All Night Long" (that is also based on "Rockin' and Rollin'").[2] Muddy Waters' version also uses Jackson's guitar figure and the starting of the vocal on the IV chord and he interpreted it as an unusual fifteen-bar blues (an uneven number of measures, rather than the traditional twelve bars or somewhat less common eight or sixteen bars). Muddy Waters recorded a second version of "Rock Me" for his 1978 album I'm Ready.[4]

Lil' Son Jackson's "Rockin' and Rollin'" was inspired by earlier blues songs.[5] Many songs from the 1920s through the 1940s have some combination of rock, roll, baby, and mama in the title or lyrics, although instrumentally they are different than "Rock Me Baby", "Rock Me", or "Rockin' and Rollin'".[5] Big Bill Broonzy's 1940 song "Rockin' Chair Blues" serves as the basis for several renditions[5] and makes frequent use of the phrase "rock me baby" as in "Rock me baby now, rock me slow ... now rock me baby, one time before you go". Arthur Crudup's 1944 song, "Rock Me Mama", is also based on Broonzy's song[5] and repeats the same refrain, but uses "mama" in place of "baby". "Roll Me Mama", a 1939 song by Curtis Jones[6] shares a couple of phrases ("like a wagon wheel", "ain't got no bone") with "Rockin' and Rollin'".

"Rock Me Baby" is a medium-tempo twelve-bar blues notated in the key of C in common or 4

4 time.[7] King's guitar fills are a key feature of the song, leading to its appeal to guitarists.[8] The piano part is also prominent. Kent part-owner Joe Bihari recalled the pianist as King's frequent collaborator Maxwell Davis, although others have been suggested, such as Lloyd Glenn and Jimmy McCracklin.[1]

There is some confusion as to when B.B. King recorded "Rock Me Baby". Although King had signed to ABC-Paramount Records on January 14, 1962, his former label, Kent Records, continued to release singles (and albums) well into the 1970s.[8] Recording dates have been estimated as "about 1958"[8] to before 1962.[1] The song was released shortly after King's Paramount release "How Blue Can You Get" in 1964 and reached number 34 in the Billboard Hot 100.[9][a] "Rock Me Baby" was the first of six B.B. King records to reach the Top 40.[9] In 1997, King re-recorded the song with Eric Clapton for the album Deuces Wild.

"Baby" is a song by British electronic music group Clean Bandit featuring Welsh singer Marina and Puerto Rican singer Luis Fonsi, released as the fifth single from Clean Bandit's second album, What Is Love?, on 2 November 2018.[2]

The song has a tempo of 117 beats per minute, and has a time signature of common time. It also features a complete descending circle of fifths, which propels the music forward throughout the circle of fifths and back to C minor.

Mike Wass of Idolator called the preview of the song a "sultry banger that already sounds like a hit", saying Marina "coos" the line "But I'm already someone else's baby" over Clean Bandit's "seductive, Latin-tinged house beats".[3] Billboard labelled "Baby" a "flamenco-infused track", opining that Fonsi's verse in Spanish provides it with a "distinctive Latin flare".[4]

I feel the breath of the summer night,

 Aromatic fire:

The trees, the vines, the flowers are astir

 With tender desire.


The white moths flutter about the lamp,

 Enamoured with light;

And a thousand creates softly sing

 A song to the night!


But I am alone, and how can I sing

 Praises to thee?

Come, Night! unveil the beautiful soul

 That waiteth for me.

"I do realize that when the song was written in 1944, it was a different time, but now while reading it, it seems very manipulative and wrong," host Glenn Anderson wrote on the station's web site. "The world we live in is extra sensitive now, and people get easily offended, but in a world where #MeToo has finally given women the voice they deserve, the song has no place."

But he told NPR that he had no idea of the "tornado" he would face: hundreds of emails demanding the song be put back in rotation, more than ten times the number of requests he said he fielded asking him to yank it.

A feminist defense of the lyrics points out that when they were written a woman with a good reputation had to protest a man's advances, even if she actually welcomed them, and the song's figurative woman is actually expressing her sexuality in a veiled era-appropriate way.

Furthering the ambiguity, KOSI in Denver has done an about-face, first banning the song on Monday, then opening up a poll to put the decision to listeners. The results were unequivocal: the vast majority of the 15,000 respondents demanded the song's return, the station said.

"While we are sensitive to those who may be upset by some of the lyrics, the majority of our listeners have expressed their interpretation of the song to be non-offensive," Program Director Jim Lawson said in a statement.

A lullaby is a soothing song you can sing to help calm and comfort your baby. Lullabies are often used as part of a bedtime routine to encourage your baby to sleep.Can I make up my own lullaby for my baby? Of course! You can make up a special lullaby just for your baby or family. Your personal lullaby can create a unique and meaningful moment in your daily routine.When should I start singing lullabies to my baby? You can sing or play lullabies for your baby from birth, or you can add a lullaby to your routine at any time.{"@context":" ","mainEntity":[{"acceptedAnswer":{"@type":"Answer","text":"A lullaby is a soothing song you can sing to help calm and comfort your baby. Lullabies are often used as part of a bedtime routine to encourage your baby to sleep.

At Baby Squids we use a lot of songs in our swimming lessons to help children feel at ease in the water, but also to make the lessons enjoyable for both parents and children. Along with some of the traditional songs and nursery rhymes, we also have some of our own songs and adapted versions of traditional songs that we use.

This traditional lullaby is thought to have been composed in the Southern area of the U.S., but its author is unknown. Parents love the cheeky nature of the lullaby lyrics: promising all types of fun rewards, as long as the baby stays quiet. We love that this baby lullaby lends itself to ad lib verses, so start singing your own and have fun with it!

Our baby music consultants came back to the lab and listened to two slightly different sketches of the full song. This time we found that slightly slower seemed to work better (163 vs 168 beats per minute). Perhaps because it gave parents and babies a little more time to respond to the lyrics. We also found that the chorus was the most effective part of the song and determined which lyrics and sound effects worked better or worse.

Baby song was first set up over 7 years ago at Sale Corps. It was started with just a few Mums and babies who would meet to spend time singing nursery rhymes with their babies in a friendly, welcoming environment. Seven years on, we have grown so much that we now have three babysong classes running every Tuesday! Each class has babies that are of a similar age or stage of their growth, so we have the babies who are learning to sit up, babies who are crawling and the toddlers.

Music is something magical that you can share with your child and a way of communicating even before they can talk. Singing can also calm you as well as your child, if you are feeling stressed and can provide a distraction if they are crying.


Music is the perfect vehicle for learning, for instance repeating rhymes to your child can help develop their language. Research has shown that music & song can help to develop communication, listening, concentration, sharing and social skills for babies. 17dc91bb1f

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