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Many musical artists present their song lyrics as poetry. This reflects not a commercial move on their part, but a desire for the words they write to be taken seriously. It is certainly true that poems are taught (for better or worse) in classrooms and made a part of the canon of literature, whereas songs, especially popular ones, usually are not. If song lyrics are studied in school, often it is ethnographically or anthropologically, to learn something about a culture, not as literature per se. What I suppose some musicians want is not to be considered poets, but for their lyrics to be read with the same respect they imagine poems are.

The biases inherent in such a widespread distinction do a disservice to both poetry and song. By holding poetry to a literary standard, and either granting or denying that standard to song lyrics, we locate the worth of an artistic endeavor in the most superficial qualities of language, ones that are actually peripheral to what makes a poem worthwhile.

As for the question of whether poems can function as song lyrics, the answer seems to be, in the right hands, absolutely yes. Just to take a few recent examples, Gabriel Kahane, Michael Zapruder, AroarA, Jason Collett, Eric Moe, and Missy Mazzoli (Victoire) have all set poems by contemporary poets to music, with exciting and gorgeous results. These composers recognize, it seems to me, the essential qualities of language in poetry. These musical artists use their considerable skill and sensitivity to design music that moves around and with the poems, never overloading them with musical information or tormenting them into overly strained forms to serve a musical structure, two of the most noticeable qualities of failed musical-poetic collaborations.

To say that this means song lyrics are less literary than poems, or require less skill or intelligence or training or work to create, is patently absurd (and, in the case of rap music, patronizing). But that does not mean that song lyrics are poems. They might sometimes accidentally function like poems when taken out of a musical context, but abstracting lyrics from musical information is misleading and beside the point. It seems to me far more productive to ask how lyrics in songs relate to musical information, and how poems relate to the silences (cultural and actual) that surround them, and to recognize that lyrics and poetry, while different genres with different forces and imperatives, have both more and less in common than we might think, and are endeavors of equal value.

Francis Scott Key was a gifted amateur poet. Inspired by the sight of the American flag flying over Fort McHenry the morning after the bombardment, he scribbled the initial verse of his song on the back of a letter. Back in Baltimore, he completed the four verses (PDF) and copied them onto a sheet of paper, probably making more than one copy. A local printer issued the new song as a broadside. Shortly afterward, two Baltimore newspapers published it, and by mid-October it had appeared in at least seventeen other papers in cities up and down the East Coast.

This 19th century version (MP3) of the Star-Spangled Banner was performed on original instruments from the National Museum of American History's collection. Arranged by G. W. E. Friederich, the music is played as it would have been heard in 1854.

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As of version 8.8.20.544 and the version prior to that has caused the lyrics from my personal playlist in my device 'Samsung-SMJ250F' to disappear, at first I thought it was brcause the songs were old but way older songs still had lyrics

The playlist is a private playlist featuring all songs of 'DragonForce' 

and after the update none of the songs had lyrics.

Middle of last week, probably Wednesday, a whole bunch of songs that had lyrics now do not have them. Somebody at Spotify knows the answer as to why lyrics to so many songs and artists were removed at once, but I'm predicting a form response...

Spotify is partnered with Musixmatch, which provides lyrics to the Spotify platform. Spotify does not control the content of the lyrics, just the formatting of the lyrics on Spotify (background color, font, etc).

They've been missing on my end for weeks. Lyrics of many other artists I listen to don't seem to be affected all at. I'm just going to start listening on YouTube Music. My kid can pay for Spotify if she must have it. That's the only reason I use it anyway.

It seems that you still don't get what's going on here. Literally every single one of Eminem song lyrics went missing for the last couple of weeks. Not only for me, but for a lot of people. I tried clearing caches, reinstalling, but nothing works. We hope you address this issue as soon as possible.

The 2024 Outlaw Music Festival Tour features an unprecedented lineup including headliners Willie Nelson & Family, Bob Dylan, Robert Plant & Alison Krauss, and John Mellencamp with Brittney Spencer, Celisse, and Southern Avenue. Billy Strings will also join the tour for one special night at The Gorge in Washington.

Greetings to my fans and followers with gratitude for all your support and loyalty across the years.

This is an unreleased song we recorded a while back that you might find interesting.

Stay safe, stay observant and may God be with you.

Bob Dylan

Foster is reported to have chosen the term "Swanee" because its two-syllable cadence fit nicely into the music he had composed. The composer was not familiar with the Florida section of the Suwannee River, because he never visited the state. A memorial center at White Springs, Florida, honors Foster, who authored about 200 popular songs during his prolific career.

Representative S. P. Robineau of Miami introduced House Concurrent Resolution No. 22 in 1935, designating "Swanee River" as the official state song. It replaced "Florida, My Florida," which had been adopted as the state song in 1913. In 2008, the Legislature designated that a revised version of the lyrics be the official version.

Violent song lyrics increase negative emotions and thoughts that can lead to aggression, according to a study published in the May issue of the Journal of Personality and Social Psychology (Vol. 84, No. 5).

The study challenges the ancient Greek "catharsis hypothesis" that claims that expressing aggressive emotion will later decrease aggressive behavior. Instead, researchers from Iowa State University and the Texas Department of Human Services found that aggressive music lyrics increase aggressive thoughts and feelings, which might perpetuate aggressive behavior and have long-term effects, such as influencing listeners' perceptions of society and contributing to the development of aggressive personalities.

In five experiments, Anderson and his colleagues asked more than 500 college students to listen to such violent songs as "Shoot 'Em Up" by Cypress Hill and "Hit 'Em Hard" by Run DMC, and such nonviolent songs as "Finger Lickin' Good" by the Beastie Boys and "Love vs. Loneliness" by the Suicidal Tendencies. Researchers also included the lyrics of humorous violent and nonviolent songs like "A Boy Named Sue" by Johnny Cash and "Hello Mudduh, Hello Fadduh" by Allan Sherman.

After listening to the songs, the students performed various word-association tasks to test whether they linked more non-aggressive words with aggressive words or filled incomplete words with vowels to make aggressive words. They also reported their feelings of hostility as measured by the State Hostility Scale, ranking sentences based on their emotions after hearing the songs.

The results indicate a relationship between violent song lyrics and increased aggressive thoughts and feelings of hostility. Humorous violent songs also increased aggression levels, relative to humorous nonviolent songs, according to Anderson. The findings held even after the researchers controlled for the listeners' gender and personality differences, as well as their reactions to the different performing artists and musical styles.

While more research on effects of violent lyrics must be done, says Anderson, yet another type of entertainment media, when referring to violence, "now has been demonstrated to have some negative effects."

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Emotions that are shared by a large number of people could broadly impact affective experiences at the individual level. Here, we used text mining on popular song lyrics-a cultural product that has been suggested to mirror emotions that many members of a society value and prefer-to track the changes in emotions over time. Morpheme frequency analysis and structural topic modeling on 2,962 hit K-pop songs from 1990 to 2019 showed converging evidence for increased positive emotional content and decreased negative emotional content embedded within the lyrics. This pattern of temporal shift in emotions aligned with rapid changes in South Korea in the past 30 years, notably a rise in individualism and ego orientation in a traditionally collectivistic culture, as well as economic growth. More generally, this study illustrates a strategy for tracking emotions that people value and prefer from large natural language data, supplementing existing methods such as self-reported surveys and laboratory experiments. (PsycInfo Database Record (c) 2023 APA, all rights reserved). 152ee80cbc

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