Set in 17th-century France, Tous les matins du monde follows two central figures, Marin Marais and Monsieur de Sainte-Colombe, who actually existed; the former was a Versailles court musician, the latter was a talented violist. The historical verity ends there.
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Le Monde Song Download Mp3
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"Un Monde parfait" ("A Perfect World" in English) is a 2005 song recorded by French young artist Ilona Mitrecey. Based on a traditional Neapolitan song,[1] it was the first single from her debut album Un Monde parfait and was released on 28 February 2005. It was immediately a very big hit in France and Belgium (Wallonia), where it remained for several months atop of the chart, thus becoming one of the biggest-selling singles there. It was also released in many other European countries and achieved success, in Switzerland, Austria, Portugal and Germany where it was a top three hit. It was the best-selling single of the 21st century in France, with 1.5 million copies sold. Ilona was only 10 years old when she sang the song.
During an interview, Ilona explained that, before "Un Monde parfait", she sang just for fun with her friends. She confided that she recorded "Un Monde parfait" completely by chance and she did that only for play. Her father's society had asked whether she could sing this song from Italy. As she had already sung for some advertisements, she accepted, saying to herself that it could be funny to try.[2]
The French charts specialist Elia Habib explains that this song "mixes an involving sonority resembling Daddy DJ with a text in the spirit of a nursery rhyme". It created "the major surprise of the beginning of spring 2005".[3]
The music video is computer-animated and shows a little girl who will feature in all the other videoclips of the singles from the album Un Monde parfait. Ilona features only in the first seconds. She explained that the producers had decided to make most of the video a cartoon because it tallied well with the lyrics and that would preserve her anonymity.[2]
Ilona says in this song that when she starts to draw, she imagines a perfect world populated of technicolor flowers and animals. Six of these animals also appear in Ilona's all other music videos and on every cover of the singles from Un Monde parfait.
In France, "Un Monde parfait" entered the chart to number two on 27 February 2005 and climbed to number one the following week, a position it hold for 15 weeks. It remained on the top ten for 28 weeks and on the top 100 for 41 weeks, becoming the single's longest chart run in France in 2005. It was the best selling single that year and was certified Diamond disc by Syndicat National de l'dition Phonographique,[4] and eventually became the best best-selling single of the 21st century in France, with 1,500,000 units sold.[5] According to author and expert of French charts Elia Habib, Ilona, who was 11 years old in 2005, remains "the first native of the Nineties to reach number one of the [French Singles Chart]. Through her age, she now appears in Record books, [because she is] the second youngest artist to peak at the top position, behind Jordy (four years old)".[3] "Un Monde parfait" was also cited as the most lucrative song of 2006 at the time of a conference given by the SACEM.[6]
In Belgium (Wallonia), the single remained on the Ultratop 40 Singles Chart for 32 weeks and topped the chart for 12 weeks. It was certified Silver disc and ranked second on the 2005 year-end chart, behind Crazy Frog's "Axel F". On the Swiss Singles Chart, the single went to number 16 on 3 April 2005, reached a peak of number three on 1 May and fell off the chart after 34 weeks. It appeared on the Austrian Top 75 Singles Chart for 22 weeks and reached number three twice. One year later, in July 2006, the single made a short appearance of two weeks on the Dutch Mega Top 100, peaking at number 92.
The song was covered by Les Enfoirs on their album 2011: Dans l'il des Enfoirs, and included in the medley "Un monde Parfait". The song was performed by Alize & Claire Keim, with additional vocals from Grgoire, Christophe Ma & Pascal Obispo.[8]
A mondegreen (/mndrin/) is a mishearing or misinterpretation of a phrase in a way that gives it a new meaning.[1] Mondegreens are most often created by a person listening to a poem or a song; the listener, being unable to hear a lyric clearly, substitutes words that sound similar and make some kind of sense.[2][3] The American writer Sylvia Wright coined the term in 1954, recalling a childhood memory of her mother reading the Scottish ballad "The Bonnie Earl o' Moray" (from Thomas Percy's 1765 book Reliques of Ancient English Poetry), and mishearing the words "laid him on the green" as "Lady Mondegreen".[4]
"Mondegreen" was included in the 2000 edition of the Random House Webster's College Dictionary, and in the Oxford English Dictionary in 2002. Merriam-Webster's Collegiate Dictionary added the word in 2008.[5][6]
In a 1954 essay in Harper's Magazine, Sylvia Wright described how, as a young girl, she misheard the last line of the first stanza from the seventeenth-century ballad "The Bonnie Earl o' Moray". She wrote:
People are more likely to notice what they expect rather than things that are not part of their everyday experiences; this is known as confirmation bias. A person may mistake an unfamiliar stimulus for a familiar and more plausible version. For example, to consider a well-known mondegreen in the song "Purple Haze", one may be more likely to hear Jimi Hendrix singing that he is about to kiss this guy than that he is about to kiss the sky.[7] Similarly, if a lyric uses words or phrases that the listener is unfamiliar with, or in an uncommon sentence structure, they may be misheard as using more familiar terms.
The creation of mondegreens may be driven in part by cognitive dissonance, as the listener finds it psychologically uncomfortable to listen to a song and not make out the words. Steven Connor suggests that mondegreens are the result of the brain's constant attempts to make sense of the world by making assumptions to fill in the gaps when it cannot clearly determine what it is hearing. Connor sees mondegreens as the "wrenchings of nonsense into sense".[a] This dissonance will be most acute when the lyrics are in a language in which the listener is fluent.[8]
On the other hand, Steven Pinker has observed that mondegreen mishearings tend to be less plausible than the original lyrics, and that once a listener has "locked in" to a particular misheard interpretation of a song's lyrics, it can remain unquestioned, even when that plausibility becomes strained (see mumpsimus). Pinker gives the example of a student "stubbornly" mishearing the chorus to "Venus" ("I'm your Venus") as "I'm your penis", and being surprised that the song was allowed on the radio.[9] The phenomenon may, in some cases, be triggered by people hearing "what they want to hear", as in the case of the song "Louie Louie": parents heard obscenities in the Kingsmen recording where none existed.[10]
James Gleick claims that the mondegreen is a distinctly modern phenomenon. Without the improved communication and language standardization brought about by radio, he believes there would have been no way to recognize and discuss this shared experience.[11] Just as mondegreens transform songs based on experience, a folk song learned by repetition often is transformed over time when sung by people in a region where some of the song's references have become obscure. A classic example is "The Golden Vanity",[12] which contains the line "As she sailed upon the lowland sea". British immigrants carried the song to Appalachia, where later generations of singers, not knowing what the term lowland sea refers to, transformed it over generations from "lowland" to "lonesome".[13][b]
The national anthem of the United States is highly susceptible to the creation of mondegreens, two in the first line. Francis Scott Key's "The Star-Spangled Banner" begins with the line "O say can you see, by the dawn's early light".[14] This has been misinterpreted (both accidentally and deliberately) as "Jos, can you see", another example of the Hobson-Jobson effect, countless times.[15][16] The second half of the line has been misheard as well, as "by the donzerly light",[17] or other variants. This has led to many people believing that "donzerly" is an actual word.[18]
Religious songs, learned by ear (and often by children), are another common source of mondegreens. The most-cited example is "Gladly, the cross-eyed bear"[4][19] (from the line in the hymn "Keep Thou My Way" by Fanny Crosby and Theodore E. Perkins: "Kept by Thy tender care, gladly the cross I'll bear").[20] Jon Carroll and many others quote it as "Gladly the cross I'd bear";[3] also, here, hearers are confused by the sentence with the unusual object-subject-verb (OSV) word order. The song "I Was on a Boat That Day" by Old Dominion features a reference to this mondegreen.[21]
"Blinded by the Light", a cover of a Bruce Springsteen song by Manfred Mann's Earth Band, contains what has been called "probably the most misheard lyric of all time".[32] The phrase "revved up like a deuce", altered from Springsteen's original "cut loose like a deuce", both lyrics referring to the hot rodders slang deuce (short for deuce coup) for a 1932 Ford coup, is frequently misheard as "wrapped up like a douche".[32][33] Springsteen himself has joked about the phenomenon, claiming that it was not until Manfred Mann rewrote the song to be about a "feminine hygiene product" that the song became popular.[34][c] 152ee80cbc
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