The concert on the evening of Friday 29 September 2023 at the Hatfield House Chamber Music Festival in the house's Marble Hall brought together players from Orsino Winds and Kaleidoscope Chamber Collective for music by Germaine Tailleferre, Darius Milhaud, Francis Poulenc, George Walker and Ernst von Dohnanyi. It was an evening that delighted in playing together in somewhat unusual combinations, Poulenc's sextet for piano, flute, oboe, clarinet, horn and piano being balanced by Dohnanyi's sextet for clarinet, horn, strings and piano.

It was very much a concert of two halves. In the first, pianist Tom Poster (co-founder of the Kaleidoscope Chamber Collective) performed with Adam Walker, flute, Nicholas Daniel, oboe, Matthew Hunt, clarinet, Alec Frank-Gemmill, horn and Amy Harman, bassoon, in music by members of Les Six. For the second half, four string players from Kaleidoscope including Elena Urioste and Braimah Kanneh-Mason, violins and Tony Rymer, cello, were joined by Poster, Frank-Gemmill and Hunt for Walker and Dohnanyi.

Milhaud Flute Sonatine Pdf 22

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Jolene Harju is a flutist and flute teacher in Austin, Texas providing Skype flute lessons, online audition coaching, and tutorials. Her blog Practice Room Revelations provides resources and tips on practicing flute, improving breathing, awareness, musicianship, as well as guidance for musicians' wellness and performance anxiety. Lessons are available in Austin, Cedar Park, Round Rock, Lakeway and Pflugerville, Texas.

My high school flute teacher was absolutely right to have me listen and play as much as possible, and ultimately, I developed a genuine love for the repertoire and was overjoyed to play as often as possible.

(This list is by no means complete, and narrows in primarily solo flute repertoire. There are countless other flutists, pieces, orchestral recordings, chamber works, and non-flute recordings that inspire me, too!)

Ultimately this did not spoil a terrific performance, where sinewy strings and percussive outbursts were complemented by outstanding, colourful woodwind playing. The first of the two scherzos brought this out, with pairs of bassoons, flutes, clarinets and oboes outstanding in their delivery, balanced by the trumpets. The finale danced energetically, bathed in a luminous glow which proceeded to leave its spell on the audience.

THE NEW YORK FLUTE CLUB was founded in 1920 by the late great Flutist Georges Barrere, regularly attracts some 150 loyal flute lovers to its Sunday afternoon concerts at Carl Fischer Hall. At each concert a different well-known flutist is invited to perform, either solo or in chamber-music ensembles, e.g., last week Claude Monteux, son of the conductor, accompanied by Composer Henry Brant at the piano, in a program of new and traditional works, including Milhaud's Sonatine, a Haydn Sonata in G and Brant's own Partita in C. Why there should be such a persistent demand for a flute club—as opposed to clarinet clubs or bassoon clubs—not even the club officers have been able to determine. Says one: "There's just something about the flute, I guess."

Kent Perry, violin; Howard Karp, piano; Paul Zonn, conductor; Charles DeLaney, alto flute; William Magers, viola; Arthur Maddox, piano; University of Illinois Brass Quintet; University of Illinois Woodwind Quintet; Jazz Ensemble be457b7860

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