Labrinth Songs Mp3 Download

Labrinth continued composing for Euphoria in 2022, and the Season 2 Official Score was released in April. The score earned him an additional two Primetime Emmy nominations, for the songs "I'm Tired" and "Elliot's Song", both written alongside Zendaya.

Following the release of his single "Miracle" in June 2019, Labrinth made his scoring debut when he was announced as the lead composer for season 1 of the HBO drama series Euphoria.[62][63] Inspired by some of the music that Labrinth's manager Adam Leber had shared with him, the show's creator Sam Levinson approached Labrinth to contribute music for the series while he was working on his second solo album.[63][64] Several of Labrinth's original songs are also featured throughout the series, including "Mount Everest" and "All For Us" featuring vocals from the show's lead actress Zendaya.[65] The show's score was released on 4 October 2019 via Milan Records and Sony Masterworks. Characterized as "a mash-up of electronic, R&B, dance and hip-hop sounds", Labrinth's score was positively received and received praise for "perfectly complementing the journey of the main character."[66][64] The following year, Labrinth received two Primetime Emmy Award nominations for his work in Euphoria; Outstanding Music Composition for a Series for the episode "03 Bonnie and Clyde" and Outstanding Original Music And Lyrics for the song "All for Us",[67] winning the latter as well as an Ivor Novello Award for Best Television Soundtrack.[68][69]

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Looking for something calm, collected, and powerful. I want the feeling of being sharply dressed with a whiskey in my hand, successful and confident. Not sad but passionate for the dark, Hot but not sexual, Slow because I have time. A few other similar songs are: Lost my way -Sickick, Living Proof- Des Rocks, Broken bones- Kaleo.

New Music Friday is finally here, and it's the best day of the week for a reason. Ready to dive into this week's best new songs and releases? Keep scrolling to find out more about the latest must-have tracks for your weekend playlist.

Jack Harlow may be starring in the upcoming reboot of White Men Can't Jump, but this week he wants to remind you that he's a rapper first and an actor second. Harlow released his third studio album, a 10-track solo project titled Jackman. Labrinth has released his first album since 2019, Ends & Begins, which has some writing and vocal assists from none other than Zendaya. There's also impressive and exciting new releases from around the globe, from K-pop titans SEVENTEEN, rapper Teezo Touchdown, and reggaeton's Jhayco (the artist formerly known as Jhay Cortez). Tap in to all the best new songs and releases of the week below, and thank us later.

It makes sense that the "king of pain" is attracted to Dowland. The composer is perhaps best known for hypnotic songs that are full of anguish, with titles including "Flow My Tears," "In Darkness Let Me Dwell" and "Come, Heavy Sleep."

The instrumentals vary greatly between songs, and the lyrics capture attention and call into question the best way to interpret them. Both elements could not stand on their own because neither are incredibly complex, but together they blend to transport listeners away from reality for about 30 minutes.

Though each song in the album deals with differing themes, the trio managed to make them mesh instead of clash by tying them together with a unifying dreamlike, wistful tone. Such diverse themes could be a result of the differences in musical style of the artists. Diplo produces genres like electronic dance music, Sia creates lyrically intriguing pop songs, and Labrinth makes slower tracks that showcase his voice. The result is music in a genre that incorporates all of these styles and allows for a cohesive album.

Singer, actress and star of HBO's "Euphoria" Zendaya drove the crowd at Coachella wild when she took to the stage with the singer Labrinth in a surprise performance of two songs from the show. It was her first live performance in seven years, reported Yahoo.

The search for the ever-elusive "bop" is difficult. Playlists and streaming-service recommendations can only do so much. They often leave a lingering question: Are these songs really good, or are they just new?

Zendaya made a rare live appearance at Coachella this weekend, performing two songs with Labrinth during the British artist's set at the California festival. Labrinth, who writes the music for Euphoria, the hit show starring Zendaya, brought the actress and singer out to perform their songs "I'm Tired" and "All For Us." Scroll down to see footage from the weekend below.

Sumner's Tales: Sting talks...

"Dowland, for me is the music of self reflection. Self reflection is a much undervalued concept in modern society. Self reflection leads to melancholy and that's a good emotion. It's not like depression which is a serious clinical problem. Melancholy leads to reflection, it leads to a sense of humility, a sense of kindness, of compassion - so we need it."

BBC2 'The Culture Show', 09/06

"I wanted to try and present the songs within a context that might help them - which is why I decided to read the extracts from the letter. It was important for me to put the songs within this historical and political context of a man struggling to make a living as an artist in a very difficult time."

BBC Music Magazine, 10/06

"For me, they're pop songs written in 1603 or whatever - beautiful melodies, fantastic lyrics, great accompaniments. Pop music is very conservative - you're not really allowed to have flattened fifths and you've got to have a certain length of intro and chorus. But the rules are there to subvert in order to maintain your integrity as a musician. I feel that my job as a pop artist is to develop as a musician and bring into my sphere elements that aren't necessarily pop - more complex intervals, complex time signatures..."

BBC Music Magazine, 10/06

"Having listened to a lot of Dowland records, I thought that no one was doing what I could do: I don't have that trained operatic voice, but this music was composed around 1600 and the bel canto style wasn't invented until 100 years later when they had a full auditorium which encouraged a certain vocal technique. I imagine people would have sung without that technique. I feel there is an intimacy to this music and I can do something that's really me - and still, I hope, respect the music."

BBC Music Magazine, 10/06

"For me it's all about development - becoming a better musician, a better singer, a better songwriter... a better person. And you improve by putting yourself at risk creatively or entering a milieu that may seem uncomfortable at first. If you think you know about arranging, listen to Ravel. If you think you're a composer, then listen to Bach and be humbled; but know you can get better. I didn't think the disc was worth releasing until the last minute. I was thinking 'I can't see this becoming a record, and me taking this risk'."

BBC Music Magazine, 10/06

"If people like it, public or critics, then that's the cream on the cake. If I was doing a Dowland record to make money, you'd shoot me! I did it out of love, I did it out of curiosity, a sense of adventure... I can't really explain why. My instinct told me it was right for me."

BBC Music Magazine, 10/06

Liner Notes

CD 06025 170 3139

Produced by Sting & Edin Karamazov

Engineered & Mixed by Donal Hodgson

Sound Designer: Kipper Eldridge

Recorded at Steerpike Studios, Il Palagio, Italy

Additional Recording & Mixing at Metropolis Studios

Assistant at Metropolis Studios: Iain Gore

Mastered by Ian Cooper

Lutes provided by Cezar Mateus and Klaus Jacobsen

SONGS FROM THE LABYRINTH

This autumn Sting ventures into "new" musical territory with an album featuring the music of acclaimed Elizabethan songwriter, John Dowland (1563-1626). Sting is joined on this recording by much-admired lutenist Edin Karamazov, in what he describes as "a soundtrack to Dowland's life in words and music". 'Songs from the Labyrinth' will appear on Deutsche Grammophon, the world's most celebrated classical-music record-label.

In the early 1980s, Sting was first introduced to the music of John Dowland and has confessed that his music has been "gently haunting" him for more than twenty years. "About two years ago my long-time guitarist, Dominic Miller, gave me a gift that he'd had made for me, a lute - a sixteenth-century instrument with lots of strings. I became fascinated with it and immersed myself in lute music. It rekindled an interest I've had for a long time in the works of John Dowland, who wrote a number of fantastic lute songs. Dowland was really the first English singer/songwriter that we know of and so many of us owe our living to this man."

John Dowland's life was a colourful one. Before becoming court lutenist to James I in 1612, he had spent most of his career abroad in the service of kings, dukes, and princes throughout Europe, where he was recognized as one of the greatest musicians of his day. In 1595 Dowland wrote a letter to Queen Elizabeth I's Secretary of State, Sir Robert Cecil, pleading his allegiance to the English throne in the hope of an invitation back to England and into the Royal Court. He would have to wait a further seventeen years before his wish came true. It is extracts from this extraordinary letter which Sting incorporates into this album as short recitations, re-creating a flavour of Dowland's life and times.

"This project was never really meant to be a record. It was a labour of love. I wanted to learn these songs, and out of curiosity, Edin and I just kept going. I think it only became a record when we decided to put extracts of this letter in. Those that are familiar with John Dowland normally think of him as being this melancholy, doom-laden character; but he can write songs that are absolutely joyful - full of passion and happiness. He has it all."

Sting continues, "I'm not a trained singer for this repertoire, but I'm hoping that I can bring some freshness to these songs that perhaps a more experienced singer wouldn't give. For me they are pop songs written around 1600 and I relate to them in that way; beautiful melodies, fantastic lyrics, and great accompaniments."

Review from The Newark Star Ledger by Bradley Bamburger

John Dowland, virtuoso lutenist and writer of timeless songs, was a master of melancholy, channeling both his own dark personality and that of the Elizabethan/Jacobean age (as unstable as our own) into his music.

In his way, Sting is an inheritor of this English songwriting tradition; this disc sees the 55-year-old rock singer paying ambitious, heartfelt tribute to his predecessor.

With his plangent tone and idiomatic diction, Sting has the measure of this music's soul as well as any early-music singer (although he might have sung "straighter" to even better effect). His versions of such doleful songs as 'Flow My Tears' are deeply moving. And the way he multi-tracks his vocals for consort passages is ingeniously musical, with the upbeat songs sounding more persuasively modern than usual. He includes a rarely heard ringer, too, the sweetly sad 'Have You Seen the Bright Lily Grow?' by Robert Johnson, a Dowland contemporary.

With ambient music behind him, Sting also reads a clutch of Dowland's absorbing letters, mostly beseeching or despairing of a position in the Queen's ensemble. (His Catholicism likely ruled him out.) While the readings may strike some as overly "thespian," they take on real drama with repeated listens. Sting's lutenist partner, the Sarajevo native Edin Karamazov, provides tangy flair. This is a brave, beautiful album. 2351a5e196