"When we got into the studio, Ritchie showed up and he had a cold, a pretty bad cold," recalls Keane. "So I couldn't cancel the date and they couldn't get the musicians back, and I had to pay for the studio. So I had him stand off-mic and sing along with the track as we cut the track to make sure that the tempo was right and that the breaks were right and all that kind of stuff. And then later on we brought him and we had a two-track machine and we dubbed him in. There's a break and then, you know, the band goes silent, and he comes in, `Ba-la-ba-la, la bamba.' And right there he comes in just a little bit early on the off mic. So we didn't wipe it because we figured well nobody's gonna be playing this record anyway. So we didn't clean it up."

The biggest step forward on the new record lies in how Y La Bamba uses Luz Elena Mendoza's voice: It's employed like a musical instrument, as part of an ensemble sound. That may sound easy, but it's difficult to pull off. Singing delicately in her upper register, she seems enmeshed in the instrumental arrangements, which gives her bicultural storytelling an almost otherworldly feel.


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There is a distinct Latin feel to Ritchie Valens's rendition of "La Bamba." In addition to singing the song in Spanish, he builds the song on a Chicano beat and laces the instrumental with mariachi-type vocal shouts. But the song also has a distinct rock and roll feel. This is largely due to the heavy electric guitar riff that introduces the song and maintains a persistent presence even after the start of the vocals. It was a successful fusion; the rock and roll feel of the song made it a success on the pop charts, and the strong Latin feel made the song important within the history of rock and roll.

N1 - Funding Information:We gratefully acknowledge the financial support for this study from the JST-CREST Program (JPMJCR15G4) in Japan Science and Technology Agency (JST). We also appreciate the support for scanning electron microscopy from the center of advanced instrumental analysis in Kyushu University, and the technical support for the 1 nL-UV capillary cell by GL Sciences.Funding Information:We gratefully acknowledge the financial support for this study from the JST-CREST Program (JPMJCR15G4) in Japan Science and Technology Agency (JST). We also appreciate the support for scanning electron microscopy from the center of advanced instrumental analysis in Kyushu University, and the technical support for the 1 nL-UV capillary cell by GL Sciences. Publisher Copyright: 2019 2351a5e196

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