Two years in the making, Rooted in Nature: Collecting Histories at UVM presents a wide variety of global art and material culture objects that engage with notions of nature and our living world. I co-curated this exhibition with Margaret Tamulonis, the Fleming's collection manager, and Zoe Alpert, our collections and curatorial intern. Our goal throughout the project was to empower students to take an active role in co-creating exhibition content.
To realize that aim, we collaborated with Nicole Phelps, UVM Professor of History, and seven graduate students enrolled in her World's Fairs seminar on an object-based and archival research project. In addition to co-authoring a gallery booklet, the students shared their research with members of the UVM community at a public forum.
Charting the growth of the Fleming's collections since the 1880s, Rooted in Nature presents objects that were collected because of their perceived connection to nature. Together the works ask us to consider how artists engage with the natural world, how collections shape knowledge, and how categories like “nature” have been applied to people. And contemporary works demonstrate a new focus of the Fleming’s collecting: art that amplifies diverse perspectives on our living world.
Wilson A. Bentley (U.S., 1865–1931), George William Perry (U.S., 1846–1928), Lantern Slides of Snow Crystals (Snowflakes), 1915–16, glass lantern slides. Gift of George A. Perry 1962.26
Wilson A. Bentley's snowflake and cloud studies (left and center) and Saya Woolfalk's Encyclopedia of Cloud Divination (Plate 3), 2018 (right).
Morston Constantine Ream (U.S., 1840–98), Peaches, 1875–81, oil on canvas. Gift of Dr. George L. Peaslee, in memory of Ellen Fletcher 1885.1.4
“View in Art Gallery” [Park Gallery of Art], University Cynic, vol. XIII, no. 6, November 26, 1895, Silver Special Collections Library, University of Vermont.
Graduate students holding their gallery booklet at the Spring Open House, February 2025.
© Fleming Museum of Art (Leah Schulz)
Unrecorded Artist (Massim region, Papua New Guinea, active early to mid-1800s), Club, before 1893, dark wood, white pigment. Museum purchase 1893.1.39 LA © Fleming Museum of Art (Jenna Rice)
Professor Nicole Phelps (second from right) and students enrolled in her World’s Fairs course study objects in the Fleming’s Learning Studio, September 2024.
© Fleming Museum of Art (Rachel Lynne Moreau)