Since joining the Fleming Museum of Art, in August 2022, I have curated new presentations of global art and material culture in several key galleries. These spaces, connected by the overarching title Art for Everyone, articulate the Fleming's commitment to being a welcoming and inclusive space for all. The Central Gallery (right) features artworks, an interactive, and a reading area, where visitors can explore the theme of belonging. Art for Everyone continues upstairs with works curated around the themes of care, place, and people.
Art for Everyone: Belonging, Central Gallery, spring 2025.
© Kristan M. HansonThis interactive invites visitors to examine the history of the Central Gallery (formerly the Wilbur Room), which was built in 1931 to house a library of Vermontiana. Today the room bears only the names of settlers, then celebrated as founding fathers of the state, on its upper walls. Visitors are encouraged to ponder the presence and absence of certain names and figures and, through a lens of belonging, and share their thoughts on response cards.
Art for Everyone: Care, Place, People, 2 West Gallery, spring 2025.
Charles Louis Heyde (U.S., 1820–92), Mount Mansfield, ca. 1857, oil on fabric relined with linen and wax. Gift of Mabel G. Bailey 1944.3
Art for Everyone: Care, Place, People, 2 West Gallery.
© Fleming Museum of Art, UVM (Lee LeMay)Unrecorded Artist (Waiwai, Amazon, Guyana or Brazil, mid- to late 20th c.), cassava grating board (left), cassava sifter (center left), Cassava squeezer (center right), cassava grating board (right). Gift of Dr. David Nalin 2006.4.13; .16; .15; .14
Paul Sample (U.S., 1896–1974), Haircut, mid-20th c., acrylic on canvas. Museum purchase 1975.14.1