The gods fell. The system woke. Now they rise.
“CODE: ELYSIUM” tells the story of six divine beings — once gods — who were exiled from their celestial realm after a betrayal. Stripped of immortality, they awaken in the modern world as covert operatives, each possessing a fragment of their former power. As they search for a way back to Elysium (a symbolic mythic paradise), they realize they’ve been marked as threats by the very system that created them.
The album blends mythic lore with futuristic tech-noir aesthetics. Think: neon-lit temples, encrypted prophecies, fallen statues with cybernetic scars, and voices whispering forgotten names in the dark.
“FALLEN CODE” (Intro)
Instrumental cinematic opener. Heavy synth, ambient whispers. Each member’s symbol flashes in sequence.
“The gods fell, not in shame — but in silence.”
“ΞION”
Genre: Dark Pop x Trap x Orchestral
Powerful, sensual, and commanding. Chant-driven chorus.
Lyrics about reclaiming power, breaking fate, becoming legends again.
“They called us myths. We became the myth.”
“GHOST PROTOCOL” (Title Track)
Genre: R&B x House
Smooth and seductive — like a spy seducing someone for information but catching feelings.
Fans will love the dance break.
“I disappeared in your touch, call it code blue.”
“SYMBOL”
Each member’s verse reveals their personal motif and past life.
Genre: Mid-tempo trap ballad.
“I carved my soul into stone — now you wear it like a crown.”
“HAVOC”
High-energy dance track. Club banger with heavy bass.
Theme: Chaos following their reawakening.
“We don’t break rules—we erase them.”
“AEON” (Fan Song)
Genre: Cinematic Pop Ballad
Dedicated to their fanbase. Lyrics about finding light in the abyss.
“Even gods need stars to follow.”
“ELYSIUM.EXE” (Outro)
Glitchy outro that hints at future lore.
One line spoken: “The gate is opening. Are you ready to remember?”
SYX –
"This album is a war cry in velvet."
“From the first beat of ‘ΞION,’ you know we’re not here to follow. That track gave me room to go raw and relentless—it’s seductive but violent underneath. ‘SYMBOL’ was personal. It’s like opening your past life to the world, scar by scar. And ‘Ghost Protocol’? That was dangerous in all the best ways. Smooth, sharp, intoxicating. Like you don’t know if you’re falling for someone or being played.”
Taeoh –
"It feels like we stepped into a myth we wrote ourselves."
“‘ΞION’ was pure adrenaline. It let us be gods on stage—unapologetic. But ‘Ghost Protocol’ was my favorite to record. There’s this cool restraint to it, like seduction as strategy. The rap in that one came out smooth and dark. ‘AEON’ hit me the hardest emotionally. I don’t cry often, but… yeah, that one gets to me.”
Minjae –
"I was smiling through recording but the lyrics are all knives."
“‘HAVOC’ was mine, 100%. That chaos, the swagger—it fits. I remember finishing the verse and thinking, ‘This one’s gonna wreck the stage.’ But ‘SYMBOL’—that surprised me. It’s more poetic, more emotional, and I had to dig a little deeper. Kind of like laughing while the world ends. That’s my energy.”
Raehyun –
"This album let me flirt with darkness. I liked it."
“I love how ‘Ghost Protocol’ lets me seduce and vanish at the same time. My vocal lines feel like secrets—soft, but with impact. ‘AEON’ was a beautiful challenge too. I toned down the drama and just… sang. No tricks, no games. That track is like holding hands in the dark.”
Ian –
"Every track let me tell a different story from the same soul."
“‘SYMBOL’ made me feel like I was singing across lifetimes. I wanted every note to sound like a memory breaking the surface. ‘ΞION’ gave me power, while ‘AEON’ gave me purpose. That one’s for the fans—for the ones who waited, believed, carried us here. I wanted my voice to say, ‘Thank you, you matter.’”
Jaeon –
"CODE: Elysium is like waking up mid-dream and knowing you're someone else."
“‘ΞION’ hit me like a heartbeat I’d forgotten. My tone’s rougher, so I used it to ground the chaos. In ‘HAVOC,’ I leaned into that rhythm—fast, reckless, alive. But ‘Ghost Protocol’ was probably my favorite. It’s so cool-toned and dangerous. It felt like walking a wire between desire and deception.”