Dive into the shadowy underworld with host Tristan Hughes and guest Prof Sarah Iles Johnson of Ohio State University. Together, they unearth Hades' origin, define the enigmatic underworld, and what it reveals about Ancient Greek perceptions of life and beyond. Plus, delve into iconic myths like Orpheus & Eurydice, Achilles and the Trojan War and the Labours of Heracles.

HAIDES (Hades) was the king of the underworld and god of the dead. He presided over funeral rites and defended the right of the dead to due burial. Haides was also the god of the hidden wealth of the earth, from the fertile soil with nourished the seed-grain, to the mined wealth of gold, silver and other metals.


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Haides was devoured by Kronos (Cronus) as soon as he was born, along with four of his siblings. Zeus later caused the Titan to disgorge them, and together they drove the Titan gods from heaven and locked them away in the pit of Tartaros. When the three victorious brothers then drew lots for the division of the cosmos, Haides received the third portion, the dark dismal realm of the underworld, as his domain.

Haides desired a bride and petitioned his brother Zeus to grant him one of his daughters. The god offered him Persephone, the daughter of Demeter. However, knowing that the goddess would resist the marriage, he assented to the forceful abduction of the girl. When Demeter learned of this, she was furious and caused a great dearth to fall upon the earth until her daughter was returned. Zeus was forced to concede lest mankind perish, and the girl was fetched forth from the underworld. However, since she had tasted of the pomegranate seed, she was forced to return to him for a portion of each year.

Haides was depicted as a dark-bearded, regal god. He was depicted as either Aidoneus, enthroned in the underworld, holding a bird-tipped sceptre, or as Plouton (Pluton), the giver of wealth, pouring fertility from a cornucopia. The Romans named him Dis, or Pluto, the Latin form of his Greek title Plouton, "the Lord of Riches."

Hades is a son of Cronus and Rhea, and a brother of Zeus and Poseidon. He was married to Persephone, the daughter of Demeter. In the division of the world among the three brothers, Hades obtained "the darkness of night," the abode of the shades, over which he rules. (Apollod. i. 1.  5, 2.  1.) Hence he is called the infernal Zeus (Zeus katachthonios), or the king of the shades (anae enern, Hom. Il. ix. 457, xx. 61. xv. 187, &c.). As, however, the earth and Olympus belonged to the three brothers in common, he might ascend Olympus, as he did at the time when he was wounded by Heracles. (Il. v. 395; comp. Paus. vi. 25.  3; Apollod. ii. 7.  3; Pind. Ol. ix. 31.) But when Hades was in his own kingdom, he was quite unaware of what was going on either on earth or in Olympus (Il. xx. 61, &c.), and it was only the oaths and curses of men that reached his ears, as they reached those of the Erinnyes. He possessed a helmet which rendered the wearer invisible (Il. v. 845), and later traditions stated that this helmet was given him as a present by the Cyclopes after their delivery from Tartarus. (Apollod. i. 2.  1.) Ancient story mentions both gods and men who were honoured by Hades with the temporary use of this helmet. (Apollod. i. 6.  2, ii. 4.  2.) His character is described as fierce and inexorable, whence of all the gods he was most hated by mortals. (Il. ix. 158.) He kept the gates of the lower world closed (whence he is called Pularts, Il. viii. 367; comp. Paus. v. 20.  1.; Orph. Hymn. 17. 4), that no shade might be able to escape or return to the region of light. When mortals invoked him, they struck the earth with their hands (Il. ix. 567), and the sacrifices which were offered to him and Persephone consisted of black male and female sheep, and the person who offered the sacrifice had to turn away his face. (Od. x. 527; Serv. ad Virg. Georg. ii. 380.)

The ensign of his power was a staff, with which, like Hermes, he drove the shades into the lower world (Pind. Ol. ix. 35), where he had his palace and shared his throne with his consort Persephone. When he carried off Persephone from the upper world, he rode in a golden chariot drawn by four black immortal horses. (Orph. Argon. 1192, Hymn. 17. 14; Ov. Met. v. 404; Hom. Hymn. in Cer. 19; Claudian, Rapt. Proserp. i. in fin.) Besides these horses he was also believed to have herds of oxen in the lower world and in the island of Erytheia, which were attended to by Menoetius. (Apollod. ii. 5.  10, 12.) Like the other gods, he was not a faithful husband; the Furies are called his daughters (Serv. ad Aen. i. 86); the nymph Mintho, whom he loved, was metamorphosed by Persephone into the plant called mint (Strab. viii. p. 344; Ov. Met. x. 728), and the nymph Leuce, with whom he was likewise in love, was changed by him after her death into a white poplar, and transferred to Elysium. (Serv. ad Virg. Eclog. vii. 61.) Being the king of the lower world, Pluton is the giver of all the blessings that come from the earth: he is the possessor and giver of all the metals contained in the earth, and hence his name Pluton. (Hes. Op. et Dies, 435; Aeschyl. Prom. 805; Strab. iii. p. 147; Lucian, Tim. 21.) He bears several surnames referring to his ultimately assembling all mortals in his kingdom, and bringing them to rest and peace; such as Polydegmon, Polydectes, Clymenus, Pankoits, &c. (Hom. Hymn. in Cer. 9; Aeschyl. Prom. 153 ; Soph. Antig. 811; Paus. ii. 35.  7.) Hades was worshipped throughout Greece and Italy. In Elis he had a sacred enclosure and a temple, which was opened only once in every year (Paus. vi. 25.  3) ; and we further know that lie had temples at Pylos Triphyliacus, near Mount Menthe, between Tralles and Nysa, at Athens in the grove of the Erinnyes, and at Olympia. (Strab. iii. p. 344, xiv. p. 649 Paus. i. 28.  6, v. 20.  1.) We possess few representations of this divinity, but in those which still exist, he resembles his brothers Zeus and Poseidon, except that his hair falls down his forehead, and that the majesty of his appearance is dark and gloomy. His ordinary attributes are the key of Hades and Cerberus.

In Homer Aides is invariably the name of the god; but in later times it was transferred to his house, his abode or kingdom, so that it became a name for the lower world itself. We cannot enter here into a description of the conceptions which the ancients formed of the lower world, for this discussion belongs to mythical geography.

Pseudo-Hyginus, Fabulae 139 :

"After Opis [Rhea] had borne Jove [Zeus] by Saturnus [Kronos (Cronus)], Juno [Hera] asked her to give him to her, since Saturnus and cast Orcus [Hades] under Tartarus, and Neptunus [Poseidon] under the sea, because he knew that his son would rob him of the kingdom."

Nonnus, Dionysiaca 31. 56 ff (trans. Rouse) (Greek epic C5th A.D.) :

"Lord Zeus holds the starry hall on Olympos; he has given the briny sea to his brother [Poseidon] the water king for his prerogotive; he has given the cloudy house of darkness to your [Persephone's] consort [Haides]."

R. E. Bell, Women of Classical Mythology (sourced from Servius on Virgil's Eclogues 4. 250) (C20th Mythology encyclopedia) :

"Leuke (Leuce) was a nymph, a daughter of Okeanos (Oceanus), who was carried off by Hades. After her death she was changed into a white poplar in Elysium. The white poplar was sacred to Hades. When Herakles returned form the underworld, he was crowned with poplar leaves."

Pseudo-Apollodorus, Bibliotheca 2. 125 (trans. Aldrich) (Greek mythographer C2nd A.D.) :

"[Herakles (Heracles) on his journey to the underworld] Desiring to supply the souls with blood, he slaughtered one of Haides' cattle. Their keeper Menoites (Menoetes), son of Keuthonymos (Ceuthonymus), challenged Herakles to a wrestling match. Herakles hugged his torso and broke his ribs, but set him down at the request of Persephone . . .Herakles asked Plouton (Pluton) [Haides] for Kerberos (Cerberus), and was told to take the hound if he could overpower it without using any of the weapons he had brought with him."

Pseudo-Hyginus, Fabulae 79 (trans. Grant) (Roman mythographer C2nd A.D.) :

"When Hercules came to lead out the three-headed dog, they [Peirithoos and Theseus, trapped in the underworld] begged his promise of protection. He obtained the favor from Pluto [Haides], and brought them out unharmed."

Seneca, Hercules Furens 830 ff :

"Eurystheus . . . had bidden thee [Herakles]explore the world's foundations; this only was lacking to thy tale of labours, to despoil the king [Haides] of the third estate."

Seneca, Hercules Furens 888 ff :

"He [Herakles] has crossed the streams of Tartarus [i.e. Haides], subdued the gods of the underworld [Haides and Persephone], and has returned. And now no fear remains; naught lies beyond the underworld."

Seneca, Hercules Furens 559 ff (trans. Miller) (Roman tragedy C1st A.D.) :

"He [Haides] who as king lords it o'er countless peoples, what time thou [Herakles] wast making war on Pylos, Nestor's land, brought to combat with thee his plague-dealing hands, brandishing his three-forked spear, yet fled away, with but a slight wound smitten, and, though lord of death, feared he would die."

Aeschylus, Sisyphus the Runaway (lost play) (Greek tragedy C5th B.C.) :

Weir Smyth (L.C.L.) discusses the plot of this lost play : "Sisyphos drapets (the Runaway) was satyric; its theme, the escape from Haides of the crafty Korinthian (Corinthian) king. According to the fabulous story told by Pherekydes (Frag. 78 in Mller, Fragmenta Historicum Graecorum) . . . [Zeus] sent Thanatos (Death) against the babbler [Sisyphos]; but Sisyphos (Sisyphus) bound Thanatos (Death) fast, so that men ceased to die, until Ares came to the rescue, released Thanatos, and gave Sisyphos into his power. Before he died, however, Sisyphos directed his wife Merope to omit his funeral rites, so that Haides, being deprived of his customary offerings, was persuaded by the cunning trickster to let him go back to life in order to complain of his wife's neglect. But, once in the upper world, he refused to return, and had to be fetched back by Hermes.--The Satyroi (Satyrs) forming the Chorus were probably represented as initiates if the play was a parody of the Dionysiac-Orphic mysteries. Sisyphos petrokylists (the Stone-Roller) is probably identical with the Sisyphos drapets; and the conclusion of the single drama may have been the famous punishment inflicted on the 'craftiest of men.'" ff782bc1db

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