Embedded Files
About
Born and raised within the concrete jungle of Jakarta, my fascination for the natural world has always been second nature to me, and being confined within the walls of my room throughout this pandemic has only further kindled my admiration for flora and fauna. Through these rough and uncertain times, I found comfort in the subtle motions and comforting colours I saw in my garden. With this exhibition, I present to you a kaleidoscopic account of my coming of age experience in solitude, bringing together my journey through self-discovery, spirituality, and my secret garden.
The distorted caterpillar has failed to progress to the next stage of its life cycle, continuing to grow in size, maxing out the canvas, expressing how living in isolation has distorted my perception of time. Kegencet, translated as squished, reflects the pressure I feel to conform to “normal” routines and habits. The rounded shapes picture the moment before the caterpillar bursts, symbolising the mental strain resulting from this distortion.
Kegencet
Acrylic on canvas
50 x 60 cm
"Metamorphosis"
Cardboard automata
10 x 10 x 38 cm
Its title alluding to Kafka’s novella, “Metamorphosis”, this interactive butterfly flaps its wings to depict the sudden changes to my lifestyle at the beginning of the COVID-19 pandemic. Its circular hand-powered motors represent continuity in spite of change. The variety of pointed shapes on its wings pictures the various aspects of my life which have fragmented into imperceptible versions of what I once called my life.
Anggrek Bulan
Oil pastel on paper on cardboard
50 x 50 cm
"Into the
Looking Ball"
Spray paint, glass, and artificial flowers
40 x 40 x 40 cm
"Me - I - Moo"
Graphite on paper
series
10 x 15 cm each
"Windowsill Basil"
Acrylic on canvas
50 x 50 cm
A painting of the basil I grew on my windowsill. This pot of basil means a lot to me, as my commitment to caring for this plant dragged me out of a phase of mental instability. The tiny sprouts represent hope, or the growth of Lebensbejahung. The point of view and realistic style was used to replicate the view I look forward to every morning as accurately as possible.
"Here Comes the Sun"
Plaster, digital illustration
The card, an appropriation of Pamela Colman Smith’s illustration of “The Sun” tarot card, is lightly held by the plaster hand, symbolising my gradual acceptance of the uncertainty of the future. The scattered cards at the base, with illustrations inspired by the free-spirited lines of Art Nouveau, represent the unpredictable nature of life. Above it, a plaster cast of my hand holding “The Sun” tarot card, often interpreted as a sign of hope, represents the importance of having an optimistic outlook.
Behind the scenes!
Acknowledgements
(the people I couldn't have done this without)
My Mom - for allowing me to pursue art. Mr Raden Ricky - for always responding to my panic texts, and never losing his patience or belief in me. Allytha Choula - for her continuous support and wonderful advice. Kemal Rifky and Livia Anastasya - for making me feel special, even when I feel like i'm not. Karren Kahrissa - for being a lucky charm. Stephen Sutanto and Valerie Irawan - for being great listeners and helping hands. Mr and Mrs Athens - for always looking out for me. Pak Peno - for always driving me to Artemedia. Moka - for being the bestest friend I could ask for.
Page updated
Google Sites
Report abuse