Kem I 39;ll Never Hurt You Again Mp3 Download

Throughout time, there have been many things to which "never again" would be applicable. For this fairly common stock motivation, characters who have been abused, betrayed, mistreated, or otherwise persecuted in the past are acting to make sure that this sort of thing never happens to them again. This can encompass anything from taking a few levels in badass to ensure they'll be able to defend themselves against future threats, to attempting to Take Over the World and overthrowing the oppressive institutions that made them miserable, to refusing to care enough about anyone or anything to be hurt. The characters may also wish to spare others from suffering like they did, but there needs to be at least some element of preemptive self-protection involved to fit the trope.

It's a common motivation for the behavior of the Broken Bird. May lead to Had to Be Sharp. See also Safety in Indifference, Freudian Excuse, May It Never Happen Again, and My Greatest Failure. If the hurt is romantic in nature and new relationships are avoided for this reason, it's The First Cut Is the Deepest and Commitment Issues. See also Hope Is Scary, where recovering from despair is feared because it doesn't allow this, and We Are Not Going Through That Again for a (usually) more comedic take on the same sentiment.

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Comic Books Some portrayals of Poison Ivy in Batman - she got mutated when she fell for a guy Playing with Syringes - now she is obsessed with controlling men. In the Cacophony storyline, this is Batman's justification for saving The Joker's life at the end, in spite of Gordon's protests. He tells Joker that he became Batman so he could save people from dying, no matter what. Some portrayals of Batman himself suggest that his tendency to remain emotionally distant is a defense against feeling the kind of pain he experienced watching his parents gunned down. In The Death of Superman, Doomsday's motivation for killing everything he sees is that he was created via a horrific experiment that involved dying multiple times (we're talking hundreds if not THOUSANDS of deaths). He thinks everything in the universe is a threat to his life and he's terrified of dying again. In the ElfQuest: Siege at Blue Mountain arc, this seems to be Winnowill's motivation for wanting to take all of the pure-blooded elves somewhere they can never be hurt again. For many of them, it doesn't end well. The Life and Times of Scrooge McDuck: After Scrooge humiliates and arrests Flintheart Glomgold, Glomgold vows to become rich enough to avoid being humiliated again. Magneto, when he's given sympathetic motivations. He's a Holocaust survivor who doesn't want mutants to face the kind of genocidal bigotry he endured in his youth. Though it does kind of go against him when he has no qualms about doing that to humans. Supergirl story arc Red Daughter of Krypton starts out when Supergirl, who feels she's been manipulated and betrayed by everyone since she showed up on Earth several months ago, promises herself that she'll not be hurt again, and if life tries to hit her again, she's hitting back.Supergirl: Dad. Kal. H'el. Siobhan. They ALL let me down. They all broke my heart. And now THIS. No more. Nobody gets away with hurting me ever again. Not THIS time!

Live-Action TV On The 100, Lexa's response to the torture and murder of the girl she loved was to stop caring about anyone on an individual level and devote herself entirely to the well-being of her people as a whole.Lexa: I thought I'd never get over the pain, but I did.

Clarke: How?

Lexa: By recognizing it for what it is: weakness. The Narn from Babylon 5, in the early seasons. Their motivation, which prompts their bullying, their expansion, their desire to crush the Centauri, is largely about ensuring that they'll never again be at the mercy of the Centauri. Commander Sinclair even explicitly compares them to abused children who have learnt to hit back and now abuse others in turn. Ironically, the Centauri themselves: they used to be a peace-loving race before the Xon, the other sentient race from their homeworld, literally showed up from nowhere to enslave the Centauri and kill anyone who opposed. After the invasion (and a brief alien invasion), the Centauri killed every last Xon, took the stars as conquerors, and invented the mass drivers (whose use is considered a war crime). Also, the reason many Humans despise aliens and/or are obsessed with acquiring overwhelming military force: during the Earth-Minbari War, Mankind was brought to the verge of extinction by the Minbari, and Earth's allies deserted them out of fear of the Minbari, and no Human want that to repeat. It's also the reason Babylon 5 exists at all: the Earth-Minbari War started due to a formidable case of Poor Communication Killsnote When EarthForce encountered the ship of the Grey Council, the Minbari ship opened the gunports as a sign of respect. The Minbari leader, fearing this would be misinterpreted, ordered to close the gunports as soon as he found out, but a power spike was mistaken for the weapons being charged, and, as the Minbari had not replied to earlier attempts at communication (mainly because they didn't understand English), the Human captain ordered to open fire right as the Minbari were being ordered to close the gunports, killing their leader, and after the war, the Humans built the Babylon Stations as a meeting point where all races would be able to meet in peace and learn about each other. Bridgerton: This is what motivates Anthony Bridgerton to go against marrying for love. All because he's so traumatized over witnessing his mother fell into a great depression to the point of suicidal following his dad's tragic sudden death and heartbroken after his longtime mistress, Siena Rosso, unexpectedly dumped him for another man just as he was ready to go public with her. Thus, he vows to get married soon but NOT falling in love again. Nevertheless in season 2, upon meeting Kate Sharma and realized to have fallen for her, he spends the entire season trying his best to deny and fight his feelings for her until he eventually gives in by marrying Kate. Cobra Kai: Hawk initially joins Cobra Kai for this very reason. Having been much abused simply for his lip, he was one of the original students of the Order Reborn and, transforming himself into "Hawk," proved himself to be a solid Determinator despite a rocky second season. Best exemplified in the third season, when Brucks (one of his tormentors) shows up at Kreese's tryouts and ends up on the other side of his No-Holds-Barred Beatdown without getting in so much as a single hit to Hawk. Doctor Who: John Lumic, who has some undisclosed and presumably painful terminal illness, decides to enforce Unwilling Roboticisation upon himself and humanity in order to eradicate death and emotion. Professor Lazarus from "The Lazarus Experiment" tried to create a device to avoid death due to his experiences during World War II. It didn't quite work out. The Doctor had periods (most notably after losing Rory and Amy) wherein he refused to take on companions or even go on adventure or rescue people (before of course doing exactly that) The Gua in First Wave were once enslaved by another race but eventually drove their oppressors off their world. They even renamed their entire race based on their victory: "Gua" means "the power to overcome". They pre-emptively conquer other worlds to ensure no one else is ever able to threaten them again. One of their leaders, Joshua, eventually sides with humanity when he realizes that humans also possess "Gua". House in House seems to be like this at times. His relationship with Stacy sent him into one period of emotional disengagement. Then when after his relationship with Cuddy goes bad, he refuses the affections of his green-card wife, apparently out of fear that sex with anyone who actually likes him (rather than hookers) might lead to attachment which will hurt him again. Of course, if you showed him this page on TV Tropes and said that it applied to him, he'd probably give you a Breaking Speech about what a moron you are for thinking it. Once Upon a Time: Several characters, but special mention goes to Cora, who, after being forced to kneel and apologize to Eva, decides not to stop until everyone else is on their knees. Star Trek: Deep Space Nine: The Founders (a race of changelings) use this as justification for running the Dominion. They tell Odo that millennia earlier, they were peaceful, but were met with brutal distrust and were hunted down. Thus, they founded the Dominion to ensure they would never be in a position of weakness ever again, breeding the remorseless Jem'Hadar to do their bidding on lesser species. However, there are subtle hints throughout the show that the prejudice against changelings did not start until after the Founders started their empire-building. The Bajorans suffered a brutal fifty-year occupation at the hands of the Cardassians and ex-freedom fighters like Major Kira make it quite clear they will never suffer such an indignity again. Indeed, this is what kick starts the series, as the first step to guaranteeing the Cardassians stay away is the Bajoran provisional government requesting Starfleet establish a naval presence at Bajor, so any attacks on Bajor will be an automatic act of war against the Federation. Star Trek: Strange New Worlds episode "Subspace Rhapsody" explains Spock being the logic machine Vulcan that he is with the song "I'm The Ex" as Christine Chapel rather harshly breaks up with him (in song!) and, hurt by that, decides to never let his emotions guide his decisions.

Music "Snowflakes" by Just Jack seems to be about a combination of this and depression in general: Do you count the flakes when it snows,

And can you feel the heat or only the afterglows?

Do you count the flakes when it snows

And do you count the leaves when they fall?

And can you feel anything at all?

Do you count the leaves when they fall? "How to Be a Heartbreaker" by Marina Diamandis espouses this attitude:Girls, we do

Whatever it will take

'Cause girls don't want

We don't want our hearts to break

In two

So it's better to be fake

Can't risk losing

In love again, babe Mary J. Blige's song, aptly titled "Hurt Again." At the end of "Ruiner" by Nine Inch Nails the narrator denies even having been hurt declaring:you didn't hurt me nothing can hurt me

you didn't hurt me nothing can stop me now The Simon & Garfunkel song "I Am A Rock" seems to describe the feelings of someone who doesn't want to love anymore because they were hurt by it once.Don't talk of love,

But I've heard the words before,

It's sleeping in my memory.

I won't disturb the slumber of feelings that have died.

If I never loved I never would have cried. In "Kaltes Herz" ("Cold Heart" in German) by Subway to Sally, the narrator says he changed his old heart, so it is cold and hard as stone and doesn't hurt anymore. The Wall: Pink gradually builds a wall throughout his life to protect him from being hurt emotionally, ultimately culminating in "Another Brick in the Wall (Part III)", where he decides that he doesn't need anything at all. Unfortunately, the instant he actually completes the wall, he realizes that it wasn't such a good idea, as this basically isolates him from everyone and drives him mad. 17dc91bb1f