Critic Danny Bowes of RogerEbert.com called it "[o]ne of the most ambitious gangster films ever made, and quite possibly one of the best", writing that it is "worthy of discussion alongside Coppola's first two Godfather films, or Leone's Once Upon a Time in America."[13] Salon's Andrew O'Hehir wrote: "As a rich and exuberant character-driven crime saga in an idiom you absolutely have not encountered before, and a dense, unsentimental portrayal of the collision between democracy, capitalism, and gangsterism on the frayed margins of the post-colonial world, Gangs of Wasseypur is a signal achievement in 21st-century cinema."[14] Martin Scorsese, one of Kashyap's influences on the films and personal heroes, sent a letter to Kashyap, offering praise, stating that he "loved them", even expressing a desire to meet him. Director Anurag Kashyap had revealed twice that Tamil-language period action film Subramaniapuram was an inspiration for the Gangs of Wasseypur series.

The movie chronicles the journey of the saga associated with coal mines. It portrays the gang lords of Wasseypur like Shafi Khan, Faheem Khan and Shabir Alam.[37] The film has also been inspired from the story of rivals Shafi Khan and Surya Dev Singh.[38] Rajeev Masand of CNN-IBN calls the movie, a gang warfare and notes that "On the surface, Gangs of Wasseypur is a revenge saga, a tableau of vengeance between generations of gangsters. Scratch that surface and you'll discover more than just a grim portrait".[39]While some of the critics noted that the film, is a powerful political film, which underlines the party politics system (at that time) allowing the growth of illegal coal trading and mafias in the region (Bihar) and their use as a political tool, thus making the allotment of coal blocks, one of the most powerful expressions of controlling power in the region.[40] Despite its grim theme, the film also has an inherent sense of humour that comes quite naturally to it from its series of events. The scene where Reema Sen is charmed by Manoj Bajpai over her daily chores or the one where Nawazuddin goes on a formal date with Huma Qureshi are outrageously hilarious.[41]The household politics is one of the many subplots rendering layers to the story. You realise Sardar's family is emerging into a Corleone set-up of sorts. His sons - the brooding Danish and the doped-out Faizal (Nawazuddin Siddiqui) from Nagma, and the enigmatic Definite Khan (Zeishan Quadri) from Durga - will become key players in this revenge story.[42] Violent as his screenplay is, Kashyap reveals wit while narrating his tale. Ample black comedy is used to imagine the gang war milieu. The humour lets us relate to the intrinsic irreverent nature of men who live by the gun.[42] Character development can best justify the length of Part 1.[43]


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The film mainly draws its story from the real life gang wars that took place in the region of Dhanbad, Jharkhand. There are several differences in the film which contradict actual documented events most notably the character of Faizal Khan (based on Faheem Khan) who dies in the climax. Faheem Khan is currently in jail in Hazaribagh and has been sentenced to life imprisonment.[70] In the film, Sardar Khan marries the Bengali girl but in real life, the woman was maintained as a keep. Most of the gang wars were between the gangs of Wasseypur, not with the Singhs, who had been instrumental in instigating these wars, but never participated in them.[70] There was no character akin to Shahid Khan.

The film begins with a continuous four-minute take thatstarts on a television screen showing a Hindi soap opera and pulls out into thestreet, where armed gangs are furiously searching for a man, gunning downanyone in their path who might be his ally. They bomb his house. When thepressure becomes too much to bear, there is a cut, and with it, an exhale. Butthere is no loss of tension. The film powers forward, relentless, for the nextfive hours.

Locals tend to shy away from any reference to the violence that rules their lives, though, dig a little, and you will 1notice a sense of proprietarial pride in the knowledge of who killed whom in this endless cycle of retributions. The film tells the story of three generations of three familiesof the butcher Sultan Qureshi (played by Pankaj Tripathi), mafia don-turned-politician Ramadhir Singh, and the Pathan Shahid Khan (played by Jaideep Ahlawat). The saga starts with the murder of Shahid by Ramadhir, and the cycle of revenge unleashed by Shahid's son Sardar, and Sardar's son Faisal. In real life, Shahid's was one of the earliest in a long list of assassinations that blots the history of these badlands. Santosh Sengupta of the 1Forward Bloc, Mukul Dev of RJD, and union leader S.K. Rai were all found murdered in its dusty lanes. Gangster Samin Khan was shot dead on the steps of Dhanbad court. Goon Sakel Dev Singh was shot to death on the bypass road, while his brother was shot dead at Shakti Chowk. Railway contractor Mohammad Irfan and ward commissioner Najeer Ahmed were also shot dead. Superintendent of Police (SP) Randhir Prasad Verma was killed while resisting a bank robbery in 1991. On April 14, 2000, Gurudas Chatterjee, Marxist Coordination Committee (MCC) MLA, was gunned down near Deoli. And in case you thought this was all in the past, Faheem Khan, now INTUC leader and recently released from jail, and his friend Shahid, barely managed to escape an attack by a hit squad on the night of July 30, 2012, that left his bodyguard Binod dead and his brother-in-law Seraj battling for life.Click here to EnlargeThe attempt to avoid any reference to gangs and violence may have been heightened since the release of the film. The smell of an invisible but ever-present threat hangs over the area, mingling with acrid fumes of coking coal. Iqbal indirectly acknowledges it all when he says, "There are two laws in Dhanbad-one to arrest Faheem Khan's family, another to investigate denizens of Singh Mansion." It's a reference to Suraj Deo Singh's palatial house.

A lot of gangs fight over the scraps of urbanisation. 'Agenty', a term for extortion from private bus services, was the apparent cause of conflict between Faheem and gangster Babla, but this is denied by Faheem's family. Faheem had meanwhile instigated a conflict with businessman Shabir, who rebuffed an extortion bid by him. This led to Shabir and Babla cosying up. Faheem struck the first blow, allegedly murdering Shabir's brother Wahid, after Wahid led an attack on Faheem's home that left one dead. Shabir was also allegedly responsible for the murders of Faheem's mother Nazma Khatoon (Nagma in the film, played by Richa Chadda), who led the gang after Shafiq Khan's death.

The violence is at times so flamboyant that you gasp: when Faizal dispatches a betrayer, the killing is seen in silhouette from behind, amid sprays of gore, accompanied by a soundtrack of hacking, slicing, and a final heart-stopping thunk, before Faizal lifts a severed head aloft. This is where gangster cinema shades into the amplified register of gods-and-demons myth, or Jacobean tragedy.

It's during Sardar Khan's first meal after his jailbreak that he sets his eyes firmly on Durga, the Bengali woman brought to Wasseypur to be "pimped" by the local butcher. As the gangster savours his first taste of freedom after a spell in prison, he's also trying to feed another form of hunger. 'Womaniya' starts playing in the background and there's a wordless exchange that begins between them with lust being the overpowering emotion. Their first conversation (although only Sardar speaks) is as poetic as any double meaning pick-up line can ever be. He grabs her wrist and asks if she's married, and, later, if she's ever been touched. She's holding onto a metal bucket when this interruption takes place and Sardar asks, "thumhara bojh uttale?". "Bojh", as in the weight of her entire life and not just a baalti or bucket. What makes this scene worth revisiting is also the tone in which Sardar says "Suno", with the tenderness of a teenage lover-boy, as she walks away. Their romance progresses pretty quickly and the lustful gaze gets reversed when we start seeing it through Durga's eyes as she stares at Sardar's bear body through the gaps of the haystack. The sexual tension here can power all the coal mines of the area.

A clash between Sultan and Shahid Khan leads to the expulsion of Khan from Wasseypur and ignites a deadly blood feud spanning three generations. Covering a period of 70 years, more than five hours go by in the blink of an eye as we delve into the chaotic world of warring families, amateur gangsters, politicians and small-time crooks.

A son returning to exact the death of his father from an all-powerful enemy. Are we talking about Agneepath or Gangs of Wasseypur? While the 1990 film remains a classic, we have no complaints with the 2012 remake either. The film tells the tale of Vijay, who comes back to his hometown to take revenge from a vicious gangster called Kancha who had mercilessly killed his father. In the process, he is rekindled with family members he thought he had lost.

Another great film from all the classic movies on Netflix is Goodfellas. It was helmed by Martin Scorsese and features Robert De Niro, Ray Liotta and Joe Pesci. It is said to be an adaptation of the 1985 book Wiseguy by Nicholas Pileggi, who even co-wrote the screenplay. The film revolves around Henry Hill, his rise as a mob boss, his brutal fall from the position, his personal life and his equation with mob partners Jimmy Conway and Tommy DeVito. Goodfellas is till date regarded as one of the greatest gangster movies ever made in the history of the genre.

Ek tha shahid khan, aur ek sultana daku. sultana ne shahid ko gaand pe laat maar ke wasseypur se bahar phenk diya aur wo dhanbad aa gaya. Wahan jaake wo ramadhir singh ke liye kaam karne laga. ramadhir ne shahid ko tapka diya aur shahid ka bhai* uske bete sardar ko leke wahan se bhaag gaya.. Simple as that. be457b7860

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