Instructions: Please enter the bot security code and click the GET REGISTRATION KEY button to generate your own license code for TypingMaster 11. After you receive your personal registration code on screen, please enter the key very carefully into product to activate the full versions of touch typing course and speed building course. 

Are you looking for a license to activate TypingMaster Pro 7 or Typing Master 10? Get your free registration key here to activate a newest TypingMaster 11 today instead of searching a license id or product key for such an old discontinued software versions. 

There are many versions TypingMaster 99, TypingMaster 2001, TypingMaster 2002, TypingMaster 6, TypingMaster pro 7.01 that have been discontinued over the last 25 years. It's best to always use the newest (safe and legal) software versions and avoid dangerous hack and crack download links hosted by 3rd party websites. Please get a license key for the product version 11 from above. You can click Download from the top if you need to securely install and activate the latest TypingMaster version 11.

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My fascination with typewriters and typing goes back a ways. I took a course in typing when I was in my early teens -- but I didn't learn to touch type. My teacher, Mrs. Woodruff, didn't feel there was any point in forcing me not to look at my hands when I could type as fast as the fastest people in the class even withlooking (I was fast because my manual dexterity had been given a head start: six years of piano lessons).My parents bought a used typewriter when the local high school sold their old machines, and I loved using it. But it wasn't until the early 1970s, a few hours after I ate the huge mushroom Reuben gave me, that I started practicing touch typing. I was at the home of a friend of Marianne's, waiting for Marianne to show up; they had an electric typewriter, and I decided to play with it while I waited for her. The frantic typing practice session which ensued (and which produced the stream of consciousness piece "Exercises in Typing") was the best one I've ever had.The IBM Executive typewriter I found at a garage sale was magnificent, and (having been long since replaced by the Selectric), dirt cheap. Only somebody with a PhD in secretarial skills could operate it. It was a proportional spacing machine: an 'm' was five spaces wide, an 'i' was two. There were two separate space bars (two and three spaces respectively). To correct a mistake, you had to know the width of all the characters involved so that you could backspace the appropriate amount (backspace was the only single-space key on the machine). There was an arcane procedure for producing justified type which involved typing a page a first time (while using a special guide to measure where the lines ended), noting the extra spaces that needed to be added, marking the copy to show where two-width spaces would be replaced with three-width spaces (or, in the worst case, two 2-width spaces), and typing the page a second time. Even loading the ribbon (it was one of the first carbon ribbon machines on the market) was a major challenge: its rimless reels would spill their contents at the slightest mishandling, and the thin (less than 1/2" wide) tape had to be threaded through bewildering series of slots, grooves, carriers, and guides. It was a machine only a fanatic could love, and I did. I made regular trips to Santa Barbara's IBM parts center, and spent hours with tweezers, probes, hooks, needle-nosed pliers and other fine tools, getting it working right.But my best preparation for thinking about learning (and teaching) typing was learning to play the piano. Though I started fairly young, I didn't get even marginally serious about it until I was in my late teens. This meant that I did things more consciously (and, being older and less flexible, spent longer working out my problems), so I have a better idea of how I learned to play than if I'd been a wunderkind. Playing the piano is the hardest skill I've learned, and I think it's one of the harder physical skills tolearn: to read music expressively at sight requires dexterity, coordination, and analytical and interpretive skills. Compared to playing the piano, learning to type is a cinch; there is no problem in typing that learning to play the piano didn't over-prepare me to solve.When I first got involved with computers (in the early 1980s), I started thinking about typing from a different perspective, and wrote the first notes for what was eventually to resurface as Typing Master Class. In the first version, my concept of it was "Typing The Classics" -- the idea being that typing practice was boring, and would be more interesting if you had something good to practice with. So you'd type Moby Dick, the Bible, etc.A few years ago, I bought my brother a computer so I could exchange email with him. Since he was pretty much a beginning typist, I started looking around for some typing software that would help him learn the basics. That search turned up the well-known commercial packages (e.g. Mavis Beacon Teaches Typing 17), many lesser-known commercial offerings, and dozens of pieces of shareware and freeware software. Although many of these were perfectly adequate for helping my brother get started, I was dismayed that all software focused on the problems of beginners -- or dealt with the problems of advanced typists as if they were beginners. There was no typing software for experts.So, when I went through my files a few weeks ago looking for projects that I hadn't completed (to add to the "incompleted projects" section of my web site), I found Typing Master Class, made another pass through it, added it to my site, and sent out bulk email to makers of typing software.What do I want to do with Typing Master Class?I am a software designer (and programmer), so I know how programs are conceived, structured, and implemented. I am a pianist (though I don't do it professionally any more), so I know what's involved in a complex, high-level manual skill. I have been a teacher (that too was another life!), so I know what's involved in teaching and learning. And I'm also a good enough typist that the bottleneck is my brain (that is, thinking up things to type), not my fingers.Given these skills, I'm in a good position to think about how high-level typing software might work. However, other projects, especially music-related ones, are more important to me; I am not interested in building or marketing a piece of typing software. I figured that there was probably enough of a market for typing software that a high-end program along the lines I was imagining would be worth developing (especially for a company that already had a successful product for beginning typists), and I thought that if I put up the Typing Master Class page and sent out a few emails, somebody might read it, either be inspired to think about high-end typing software in a more comprehensive way (or at all!), or perhaps steal a few ideas for their existing product. However, if you're working on typing software and would like to talk about it, I'd enjoy corresponding with you.A related idea is to redesign the typewriter keyboard so that it's less awkward; the DVORAK keyboard is one attempt; here's another. be457b7860

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