Our karaoke nights are a long-standing tradition in Sarasota, Florida. For years, locals and tourists have flocked to our outdoor bar to sing their hearts out, enjoy our seafood, and sip on our fresh daiquiris, cocktails, and beer. Check out our Events Calendar to stay updated on our karaoke nights and other exciting live music events.
Add some musical fun to your next family gathering or backyard barbecue with our brand-new addition to the Try It Out library of things: karaoke machines! You can keep the kids entertained, elevate your game night or prepare for your next American Idol or The Voice audition!
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Along with GoPros, ukuleles, Book-A-Bikes, hotspots and laptops, you can now also check out a karaoke machine for one week across all 13 of our branches,, opens a new window starting on Thursday, July 13. These will be available on a first come, first served basis as an In-Luck item.
There are a variety of ways to stream music through our karaoke machines: you can play CDs or stream karaoke songs via Bluetooth using Spotify, Apple Music, YouTube or your preferred music platform. You can also access a wide variety of karaoke music using our online resource, Hoopla., opens a new window
Sponsored by the Centennial Student Union, Serendipity Karaoke offers friendly fun for those who love the pure joy of singing! With an online songbook and sign-up, two giant projection screens, an awesome sound system, and a growing library of 7,000 songs, students find an on-campus site for night-time karaoke fun with their friends.
SCOTT DETROW, HOST: We recently received news out of Japan that the inventor of the karaoke machine died. Shigeichi Negishi was 100 years old. He prototyped and released the world's first commercially available karaoke machine in 1967. It was branded the Sparco Box. And today we are honoring the cultural footprint of that invention, because even if you say you hate karaoke, you have probably gotten behind the mic at some point and belted out your favourite song to a crowd of friends and strangers. In case you were wondering, in my karaoke days, I often went with "Against All Odds" by Phil Collins.(SOUNDBITE OF SONG, "AGAINST ALL ODDS")PHIL COLLINS: (Singing) Now take a look at me now.DETROW: Now, choosing the perfect karaoke song - and I would argue that one is pretty close - it could be daunting. So we are bringing you a snippet of a classic episode of the NPR Podcast Pop Culture Happy Hour. Aisha Harris sat down with NPR Music's Stephen Thompson to discuss their top three karaoke picks.(SOUNDBITE OF ARCHIVED NPR BROADCAST)STEPHEN THOMPSON: There are two kinds of karaoke singers. There is the karaoke singer for whom karaoke equals open mic night and it's your opportunity to sing a song you sing well as best you possibly can. And then there are people who go into karaoke like it's a party, where your job is to kind of keep the party rolling and moving. And so it kind of leads me in to the first song I picked for this segment.(SOUNDBITE OF SONG, "FRIENDS IN LOW PLACES")GARTH BROOKS: (Singing) I got friends in low places where the whiskey drowns and the beer chases my blues away...THOMPSON: This is Garth Brooks, of course, from his album "No Fences." As you can hear, the song is constructed to be sung along with. It is a song that knows that there is a beer sloshing around in one of your hands, and that makes "Friends In Low Places" kind of a perfect karaoke song.AISHA HARRIS: That is a great choice, Stephen, and it's funny that you broke it down into two different types of karaoke singers because I have a theater background, a musical theater background. And I like to sing. I like to belt out the songs that make my voice sound good. So for me, what makes a good karaoke song is, yes, something that others can sing along to. And then your ability to not just sing the song but also perform and have the theatrics, which is why my pick is like a mixture of ballad - you have to sing it, you have to belt it out - but also, you need to perform that song. You need to act it out and convey the lyrics. Let's hear a little bit of that song.(SOUNDBITE OF SONG, "IT'S ALL COMING BACK TO ME NOW")CELINE DION: (Singing) When you touch me like this, when you hold me like that. It was gone with the wind, but it's all coming...HARRIS: Oh, man.THOMPSON: I wish listeners at home could just see how much your head moved.HARRIS: Yes. I love this song. Of course, this is Celine Dion's "It's All Coming Back To Me Now." It's a Meatloaf song but with Celine Dion instead. And it is just amazing. Stephen, what is your final pick for our recommended karaoke songs?THOMPSON: This song is a belter, but it also falls into the category of karaoke for newbies. It's a duet. And you're going to know where I'm going with this the second we hear one second of the song.(SOUNDBITE OF SONG, "SHALLOW")LADY GAGA: (Singing) I'm off the deep end. Watch as I dive in. I'll never meet the ground.(LAUGHTER)HARRIS: I love it. That, of course, is Lady Gaga and Bradley Cooper duetting on "Shallow" from "A Star Is Born."THOMPSON: This song eases the karaoke newbie in by having that person perform the Bradley Cooper part, which is basically a range of about an 80th of an octave. I like karaoke that makes room for wallflowers, and I think that this song does that.DETROW: That's Pop Culture Happy Hour's Stephen Thompson and Aisha Harris. You can listen to their full karaoke episode and all the other installments of the Pop Culture Happy Hour podcast wherever you get your podcasts.
Its musical content is an instrumental rendition of a well-known popular song. In recent times, lyrics are typically displayed on a video screen, along with a moving symbol, changing colour, or music video images, to guide the singer. In Chinese-speaking countries and regions such as mainland China, Hong Kong, Taiwan and Singapore, a karaoke box is called a KTV. The global karaoke market has been estimated to be worth nearly $10 billion.[2]
From 1961 to 1966, the American TV network NBC carried a karaoke-like series, Sing Along with Mitch, featuring host Mitch Miller and a chorus, which superimposed the lyrics to their songs near the bottom of the TV screen for home audience participation.[3] The primary difference between karaoke and sing-along songs is the absence of the lead vocalist.
Sing-alongs (present since the beginning of singing) fundamentally changed with the introduction of new technology. In the late 1960s and into the 1970s, stored audible materials began to dominate the music recording industry and revolutionized the portability and ease of use of band and instrumental music by musicians and entertainers as the demand for entertainers increased globally. This may have been attributable to the introduction of music cassette tapes, technology that arose from the need to customize music recordings and the desire for a "handy" format that would allow fast and convenient duplication of music and thereby meet the requirements of the entertainers' lifestyles and the 'footloose' character of the entertainment industry.
The karaoke-styled machine was developed in various places in Japan. Even before the invention of the first machines, the word "karaoke" had long been used in Japan's entertainment industry to refer to the use of instrumental recordings as backing tracks in situations when a live band could not be arranged for a singer.[4] Japanese engineer Shigeichi Negishi, who ran a consumer electronics assembly business, made the first prototype in 1967;[5][6][7] He subsequently began mass producing coin-operated versions under the brand name "Sparko Box," making it the first commercially available karaoke machine. For media, it used 8-track cassette tapes of commercially available instrumental recordings. Lyrics were provided in a paper booklet.[8] However, he ran into distribution troubles and ceased production of the Sparko Box shortly thereafter.[9] Despite being credited as the first to automate and commercialize the karaoke singalong, Negishi, who died in 2024, never patented his invention.[10] Another early pioneer was Toshiharu Yamashita, who worked as a singing coach, and in 1970 sold an 8-track playback deck with microphone for sing-alongs.[7]
In 1971, nightclub musician Daisuke Inoue[11] independently invented his own karaoke machine in the city of Kobe.[12][13] His biggest contribution was understanding the difficulty amateurs had in singing pop songs, recording his own versions of popular songs in keys that made them easier for casual singers.
As such he also included a rudimentary reverb function to help mask singers' deficiencies. For these reasons, he is often considered to be the inventor of the modern business model for karaoke, even though he was not the first to create a machine and did not, like Negishi or Yamashita, file a patent.[14] Music has long been part of Japan's nightlife, and particularly so in the postwar era, when a variety of establishments such as cabarets and hostess clubs emerged to serve the needs of salarymen unwinding and entertaining clients. Music, whether performed for listening or singing along, played a key role.[15] Inoue, a bandleader, drummer, and Electone keyboardist, specialized in leading sing-alongs at nightclubs in Sannomiya, the entertainment district of the city of Kobe.
He grew so popular that he became overbooked, and began recording instrumentals for clients when he could not personally perform for them. Realizing the potential for the market, he commissioned a coin-operated machine that metered out several minutes of singing time. Like Negishi's, it was based on an 8-Track cassette deck, and Inoue called it the "8 Juke."[16] Inoue loaned the machines to establishments for free in exchange for a portion of the monthly earnings from the machines.[17] He placed the first 8 Jukes in Sannomiya's "snack bars," but they initially failed to take off. Inoue then hired hostesses to ostentatiously sing on them, which successfully sparked interest. This also caused a great deal of friction with Inoue's fellow musicians, who saw it as drawing customers away from them. 152ee80cbc
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