When it works, it works tremendously. Much has been made of Fiasco's love of comic books, and indeed there are stretches during this second half where you can feel him working a lot of the same angles; his predilection for stylized city-under-siege dystopia is so refined that it's not difficult to imagine these stories playing out in panels. The beautifully shaded rapper origin story "Hip-Hop Saved My Life" kicks off an evocative three-song stretch that includes the chilling "Intruder Alert" (which uses the title phrase to connect the stories of a rape victim, a drug addict, and a landed immigrant) and the doomsdayish "Streets on Fire". Elsewhere, though, tracks like the much-maligned "Gotta Eat" (on which Fiasco uses a cheeseburger as a clumsy metaphor for the high-calorie lifestyle of the streets, or something), the UNKLE-produced, rap/metal, sub-Linkin Parkisms of "Hello/Goodbye (Uncool)", and the jokey closer "Go Baby" render the album's final third a mixed, occasionally tedious, and anti-climactic affair that provides little in the way of satisfying resolution.
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