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I have the same problem with OP and i thought the same thing, that the songs I were listening to had no available lyrics. Then I tried it on other songs that have lyrics like Olivia Rodrigo, Paramore, Taylor Swift, etc and it still shows Quick Play (showing my playlists) instead of lyrics.

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Thank you for keeping in contact and for the shared info. 

To make sure this is not related to Lyrics availability, you can try with this song, or this one to see if you can see the lyrics or not.

If not, it would be great if you could add some screenshots or a short recording to have a better look. If it's a video, you can attach it to your next response by using the Insert Video option in the post editor. You can also upload it to YouTube or Google Drive and share the link with us (make sure the video has the permissions for anyone to watch it).

If you have the Music or iTunes app on your computer or device, you can enter lyrics for other songs and view them at any time. To open the app directly from Apple Music on the web, just click the link in the bottom-left corner.

The third season of I Think You Should Leave has arrived and with it, a new anthem that might make you wake up, move your head all around and realize that there just might be no rules. The song appears in the final sketch of the fourth episode and caps off the new friendship of a sartorially connected duo (played by Biff Wiff and Tim Robinson).

Additionally, Space School Musical may be produced as a play for performance. Production has been designed to be as intuitive as possible, requiring next to no producing, directing or performing experience. In the simplest terms, just watch the videos over and over and listen to the music over and over until the performers know their parts, their songs, and their dances. The students themselves can direct, act, make the costumes, etc. You may choose to do the entire play or a few selected numbers; it all depends on what works for you, your students and your structure.

The downloadable complete production guide includes such sections as How to Make the Set, How to Make the Costumes, Useful Theatrical Terms, Lyrics, and many more helpful tidbits to make this process as easy as possible. Also, download the Teaching Tips and Glossary for more help.

Over the past 50 years, NASA has sent its magnificent flying machines to explore the vast expanse of our solar system. Beginning with the Mariner 4 flyby of Mars in 1965 to the recent New Horizons flyby of Pluto in 2015 and countless missions in between, we now have close-up views of all eight planets, two dwarf planets, and many marvelous moons, asteroids and comets. How are they alike and how are they different? What have we learned, and what new questions arise from every image returned to Earth?

The performing arts offer a powerful way to engage students in science. Research suggests that content-rich songs enhance student understanding of science concepts by helping them develop content-based vocabulary, providing examples and explanations of concepts, and connecting to personal and situational interest in a topic.

The musical introduces young learners to basic space-science concepts in an engaging and non-intimidating way while also promoting creativity and offering students many ways to express themselves. The lessons encourage students to develop critical-thinking and decision-making skills. Performing the musical gives students opportunities for teamwork, collaboration and sharing their learning.

Writer Neil Simon, composer Burt Bacharach and lyricist Hal David take the stage after the opening performance of Promises, Promises. The musical is based on Simon's book, The Apartment. Andrew H. Walker/Getty Images  hide caption

Lyricist Hal David and composer Burt Bacharach began their collaboration together in 1957 after meeting in New York City's legendary Brill Building -- the home of dozens of music publishers, as well as songwriters such as Carole King, Neil Sedaka and Paul Simon.

But it was in 1961, when Bacharach and David started their collaboration with the sultry pop star Dionne Warwick, when they had their biggest string of hits. Between 1961 and 1981, Warwick charted 38 singles co-written or produced by Bacharach and David. Their song "Walk on By" became one of Warwick's classic numbers, along with "Do You Know the Way to San Jose?" and "Wishin' and Hopin'," which was also recorded by Dusty Springfield.

During the '60s and '70s, Bacharach and David also wrote for some of the biggest names in the recording industry, including Tom Jones, Gene Pitney, Bobby Vinton and Lou Johnson, who released the first version of their hit "(There's) Always Something There to Remind Me."

In 1966, the duo began to release movie theme songs, including Alfie, What's New, Pussycat? and The Look of Love. Their work in movies led to Broadway: A year later, they were asked by producer David Merrick to collaborate with Neil Simon on the musical Promises, Promises.

Based on the Simon book The Apartment, the musical stars an insurance salesman named Chuck Baxter whose boss uses his apartment for romantic liaisons. The show originally featured Jerry Orbach, Jill O'Hara and Edward Winter and ran for several years in New York City before moving to London's West End. A revival opened on April 25 and stars Sean Hayes and Kristin Chenoweth as the musical leads.

Though Bacharach and David would create several more hits together -- Isaac Hayes' "Walk on By" and B.J. Thomas' "Raindrops Keep Fallin' on My Head" among them -- they ended their collaboration in 1973, shortly after the release of the critically panned movie musical Lost Horizon.

"I drove up to the opening-night theater having just read the Los Angeles Times review, and I just wanted to get out of town," Bacharach says. "And I wanted to go down to Del Mar -- I had a little beach house there -- and hide and not write and just play tennis every day. Even though my attorney said, 'You'll get in trouble with Hal if you don't write for Dionne Warwick ... I just ignored his advice. As far as responsibility, it's on me."

In 1993, the duo reunited -- after 20 years of working solo -- for a new Warwick song, "Sunny Weather Lover." They recently collaborated on another new song, "You've Got It All Wrong," for the revival of Promises, Promises.

As of 2006, Bacharach had written 70 Top 40 hits in the U.S. He recently performed at the BBC Proms with the BBC Concert Orchestra, as well as at the Walt Disney Concert Hall in Los Angeles. courtesy of Burt Bacharach  hide caption

Burt Bacharach: "I remember coming to New York, and we'd come to see the show after it'd been playing, and I'd go backstage and [original cast member Jerry Orbach] would say, 'Man, if I have to sing this song again...' Granted, it is very notey -- in other words, it is not an easy song to sing. My motivation is the urgency that makes it work, dramatically. Or you think it's going to work dramatically by the anger that comes through in that many notes, in that many words. But Jerry, after three months, he was saying, 'Why'd you have to make it so difficult?' "

David: "But we threw it out. That song didn't work. Everybody [working on the show] liked the song, but the audience didn't like the song. And while Burt was in the hospital, I started writing lyrics for that song. The famous lines, 'What do you get when you kiss a girl / You get enough germs to catch pneumonia after you do / She'll never phone ya'... I don't recall thinking that Burt was in the hospital and had pneumonia, but obviously that's what I wrote."

David: "The day you got out of the hospital, we played it for Neil [Simon] and David Merrick, and they put it in the show the next day. And it stopped the show like a Hollywood movie. It just stopped the show."

Bacharach: "If I hadn't gotten sick, I would have had a good time. By the time we did the cast album, I was just looking to get to Palm Springs and not touch a piano for a while. So we should have written another one, but shoulda, woulda coulda."

Bacharach: "It's a long story. I think we got involved with a motion picture that probably never should have gotten made. Making a movie musical with new songs -- it's not like you can go to Boston to try it out. The film is shot and the idea that you can replace a song and reshoot a scene [is not there]. The film was called Lost Horizon, and it presented its own set of problems and, I must say, I wrote the score and the background score as well as writing the songs with Hal. Songs sounded good. I mean, they still sound good to me."

Bacharach: "There's a song in the middle of the movie called 'If I Could Go Back' that Peter Finch's character sings. And it's about his longing -- whether he stays in Shangri-La or goes back to England. He has a chance to do either one. And when we made the song for that particular soundtrack, it sounded great. I thought, 'Jesus, it's beautiful.' And then when you see it in the movie, you're sitting there and you just don't care whether he goes back or stays. It doesn't make any difference. You don't care about him. ... I didn't want to write anymore. Period. I drove up to the opening-night theater having just read the Los Angeles Times review, and I just wanted to get out of town. And I wanted to go down to Del Mar -- I had a little beach house there -- and hide and not write and just play tennis every day."

Tuesday night, the Buckeyes unofficially got the 2022-23 season underway with a 101-57 win against an overmatched Chaminade team in the lone public exhibition of the preseason. Real games loom when the calendar flips to next week, and there are still so many things a team with eight new scholarship players is learning. 152ee80cbc

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