A Mini Summer Nights Dream
A Mini Summer Nights Dream
Special FX & Crewing
For A Mini Summer Nights Dream
Meeting Minutes
Production Meeting 03.06.24
present: SF, CR, JJ, BK, HF, EB, MC, JG, RT, SG
apologies: N/A
Agenda:
Post half-term catch up
Plan/ Rehearsal schedule for today - It was agreed that the directors would meet with SF and agree the warm up exercises and plan for the rehearsal today. Stanislavski focus, magic if, actioning and emotion memory were raised as exercises.
Crew meeting - Crew to collect and return props and costume from theatre today. It was agreed that the crew (HF and BK) would manage the props and costumes and deliver them to the performance tent on the day (or on the Monday 17th if able to)
Choreography to be completed today under the guidance of EB
Run throughs with props
AOB - JJ and SF to talk to SH about power to tent, voice recordings. JJ to download SFX. MC to add cast list to programme design
Overview
I have spoken to SH about the power to the tent and we have 8, 13 Amps sockets in the tent, I have also received an email from SF about the pyrotechnics hire, and I have downloaded the Sound FX
Budget
Out if the £500 budget, I had used £121.44 on pyrotechnics, for the lighting and sound we already have the equipment so we are reusing what we already have keeping to the cost effective ways that we are used to, While trying to find equipment we already have a pyrotechnic kit but we are missing a wire which Spike (technician) rang up Le Maitre for a replacement wire which cost £600 pounds which was way over budget, so instead we looked at buying a new one which also is very costly so instead we looked into hiring the equipment, the reason for this is because it would be less costly, which it was as we found Chinnicks who are a local company who work in Stroud, who gave us the quotation that is below in the invoice.
When researching into different Special FX Companies and technologies, like Just FX and Elements FX and Stage Electrics which is a Bristol based firm, with Just Fx they gave a list of all the different types of stage special fx u can use and the lis is as follows. PYROTECHNIC FX, SPARK FX, STREAMER FX, CONFETTI FX, FLAME FX, CO2 FX, SMOKE FX, BUBBLE FX, SNOW FX, which was really interesting to learn all of the different styles that they use,
Our Show:
A Minisummers Nights Dream which is a small production of William Shakespeare's A Midsummer Nights Dream, In this show we are using pyrotechnics which we have sourced from a Local Company in Stroud named Chinnick Theatre Services, who will provide us a Pyrotechnic kit which includes a two way controller, 2x 10m wire and two firing systems, then we have bought 10 x smoke bombs which will include a couple for testing out before the day.
EFFECTS:
Effects on the audience
Special effects captivate the audience by giving more visuals to an performance because you can watch a show and yes it can be enjoyable to watch but if you add sparks, smoke or lighting effects it adds to the performance and brings the audience in and the audience will be able to see a different side to a performance, there are risks to this as people with epilepsy by the flashing of pyrotechnics or Lighting visually or people who are coughing due to the smoke or haze machine even though it isn't actual smoke and poses no risk to you.
Effects on a production
The effects on a Production enhances what you are watching, for example say if there is a scene where a place gets bombed the actors create a scene where they would fall back from the explosion and yes it would look like they have been bombed but if you add pyrotechnics into that you can make the scene look more realistic with a bomb effect then using a smoke machine to continue the facade.
Effects on the performers, if the performers are too close to the pyrotechnics this could cause serious harm or even death as you will be using explosives. on another side it also enhances the performance as pyrotechnics give more of a feel of realism for example again i will go back to my example of someone being bombed it feels more realistic as an explosion will actually be there.
Danger of Effects
The danger of the effects could be that the two firing systems go off at the same time and cause a risk to someone's life, they could cause epilepsy because of strobe if you have an effect on lighting,
This document was from the Heath and Safety government website.
Health and Safety Executive Special or visual effects involving explosives or pyrotechnics used in film and television productions HSE information sheet Entertainment Information Sheet No 16 Introduction This information sheet is one of a series produced by the Joint Advisory Committee for Entertainments (JACE). It gives specific guidance on the control of risks arising from the use of explosives and pyrotechnics used to produce special effects in the film and television industries. It is aimed at employers including production companies, freelancers and others in control of special effects during the production of film or television productions. Employees and others who may be exposed to risks to their health and safety from the effects of pyrotechnics or explosives will also find it useful. More guidance is available on many of the topics covered (see Further reading).
The Association of British Theatre Technicians (ABTT) publishes a Code of Practice for the use of explosives and pyrotechnics in the theatre industry entitled Pyrotechnics and smoke effects (see Further reading). In this information sheet, ‘must’ is used only where there is an explicit legal requirement to take a certain action, ‘should’ is used to indicate what to do to comply with the law – although dutyholders are free to take other action if that would result in compliance. What the law says The Health and Safety at Work etc Act 1974 (the HSW Act) requires employers to take reasonably practicable steps to ensure the health and safety of all employees and anyone who may be affected by their work. This will include affected freelance staff and members of the public.
The Dangerous Substances and Explosive Atmospheres Regulations 2002 require employers and self-employed people to find out what dangerous substances are in their workplace, what the risks are, and to put measures in place to either remove those risks or, where this is not possible, control them. Roles and responsibilities The legal duties for health and safety rest with the employer. This normally means the production company. On a day-to-day basis, the overall responsibility for ensuring that the appropriate standards of health and safety are achieved and maintained throughout the production process normally rests with the producer. In this information sheet, the term producer is used to represent the person in overall control of the production activity.
The producer is responsible for ensuring appropriate communication, coordination and control of the overall event, taking into account any risk assessments from others, including any SFX and other specialist contractors involved in the production. The producer should make sure that:
■ the special effects personnel are competent for the work in question;
■ special effects personnel are provided with adequate information regarding the production;
■ adequate time and resources are allowed, including for rehearsals for the effect based on advice from the special effects personnel;
■ appropriate arrangements have been made for emergencies (such as firefighting and first aid);
■ additional time is provided within the schedule for misfires or changes of plan;
■ an overall risk assessment for the production is produced;
■ adequate arrangements are in place for communicating the risks and safety arrangements to all those involved;
■ appropriate facilities are available for the assembly, fusing etc of explosive effects prior to use. Hazards Explosives and pyrotechnics used in special effects Health and Safety Executive Page 2 of 4 present a number of hazards including:
■ premature firing due to mobile phone or other types of electromagnetic transmitting equipment, eg radios; ■ premature firing caused by extreme weather such as electrical storms;
■ flash or radiated heat;
■ high noise levels;
■ blast effects – this effect can be worsened in water or in confined spaces;
■ projectiles and other debris;
■ unplanned spread of fire;
■ release of toxic by-products;
■ clearing of misfires;
■ unstable equipment or substances caused by unsuitable transportation, storage and handling;
■ flash-over from high-tension electrical lines caused by airborne ionised particles following the firing.
Risk assessment The Dangerous Substances and Explosive Atmospheres Regulations 2002 (DSEAR) require employers and self-employed people to assess the risks to employees and others from the use of dangerous substances. This will include explosives and pyrotechnics used in film and television productions. This assessment will inform discussions about whether and how to proceed with the effect, what controls must be put in place and what circumstances would cause it to be halted or changed. The findings of any assessment and control measures implemented must be reviewed in light of new information and as the situation changes. This process is sometimes called dynamic risk assessment. More specifically employers and self-employed persons must:
■ find out what dangerous substances are in their workplace and what the risks are;
■ put control measures in place to either remove those risks or, where this is not possible, control them;
■ put controls in place to reduce the effects of any incidents involving dangerous substances;
■ prepare plans and procedures to deal with accidents, incidents and emergencies involving dangerous substances.
Further detailed information on DSEAR is available at www.hse.gov.uk/fireandexplosion/dsear.htm. Risk management Competence Effects using explosives or pyrotechnics will vary in size, complexity and the level of hazard created. Those in control of the production must ensure they use people that are competent to plan and safely execute the effects required. Help with determining competence in this specialist area can be obtained from industry bodies such as:
■ www.jigs.org.uk/special-effects;
■ standards@skillset.org. People working with pyrotechnics and explosives must continually assess the effectiveness of any controls they have in place and monitor their surroundings to make sure any changes will not affect the safety of their effect. They should, in consultation with those in charge of the production, make changes as necessary to ensure their own and others safety. Communication All those involved should be thoroughly briefed about the effect, the risks and required controls prior to any rehearsal.
There should be effective means to warn and exclude people from any danger area. The producer, in consultation with the special effects personnel, is responsible for making sure adequate arrangements for managing and policing the controls are in place, for example an exclusion zone. The risk assessment should clearly identify those arrangements and also those responsible for enforcing and monitoring the exclusion zone. Any persons nominated should have adequate authority to ensure full compliance and should be dedicated to the task for the duration of the effect. There should be agreed systems or code words to stop the effect immediately if required. Cooperation and coordination Those involved in staging the effect should ensure that adequate information is exchanged and that they coordinate their activities to ensure risks are effectively controlled. Special effects contractors should liaise Health and Safety Executive with other contractors involved in the production.
Special consideration should be given to the procedures for misfires. Materials Nominated special effects personnel are responsible for: ■ the procurement and specification of the explosives, pyrotechnics and other materials to be used in the effect; ■ making sure all materials are fit for purpose; ■ ensuring the safe transportation of all materials; ■ storage and use of all explosives, pyrotechnics and other materials;
■ ensuring adherence to specific legislation which applies to the storage and handling of explosives and pyrotechnics.
Further information on transport, storage and use of dangerous materials is available at www.hse.gov.uk/ fireandexplosion/about.htm. Cueing There should be an agreed clear and unambiguous system for cueing an effect (this may need to incorporate both sound and vision). The special effects person responsible for setting off any explosive, pyrotechnic or firing the effect should have a clear line of sight to it. The cueing arrangements should be rehearsed in situ before the effect is performed. Rehearsal Safety can be improved by rehearsing the effect. Only essential personnel should be in the area. To ensure safety, there should be a thorough rehearsal of the entire action. All those involved in the sequence should be present at rehearsal or re-rehearsal and should be made fully aware of the action intended, the risks, control measures and emergency arrangements.
Execution The special effects person in control of an explosive, pyrotechnic or fire effect should have absolute authority over the safety arrangements during the execution of the effect. Before commencing any effect, checks should be made by the producer, supported by the special effects personnel, to ensure exclusion zones are in place, emergency plans are in place and that all appropriate personal protective equipment (PPE) is worn. The person supervising the effect should have unambiguous confirmation that danger areas are clear, for example that there is a line of sight, and they should be in direct communication with all key players. Firing circuits should not be connected or armed until the last possible moment to minimise the risks of accidental firing. Other control measures Where risks cannot be controlled by elimination or substitution by a less hazardous substance or process, a combination of the following measures will normally be required:
■ Plan adequate time to allow for unforeseen issues such as clearing misfires or changes to complex effects.
■ Determination of safe distances and exclusion zones.
■ Prohibitions on the use of mobile or other radio transmitting equipment.
■ Establish exclusion zones from mobile or other radio transmitting equipment.
■ Establish controls against flash or radiated heat.
■ Noise control.
■ Blast control.
■ Control of fragmentation particles and other debris.
■ Control of unplanned spread of fire.
■ Control of toxic effects.
■ Cueing arrangements.
■ PPE.
■ Emergency arrangements for dealing with effects that do not go according to plan or other foreseeable events such as fire.
■ Other specialist advice or support used, eg engineering advice about structural integrity or specialist dive contractor for work involving underwater explosions.
■ Misfires.
■ Specific responsibilities of special effects team and others directly involved in managing and coordinating the effect.
■ Risks to others (eg public, crew, divers, stunt coordinators, artists).
Health and Safety Executive Emergency procedures Those in control of the production should establish procedures to be followed in the event of an emergency. Those in charge of the special effects should be involved in and contribute to this process. Further information on emergency procedures is available at www.hse.gov.uk/toolbox/managing/ emergency.htm. Misfires The safety area around a misfired effect should not be entered by people not authorised directly by the person in control of the special effects until they have declared it safe. Only competent special effects personnel should be involved in clearing the misfire and the procedure for this should be set down during the planning and risk assessment stages. Risk assessment should take into account the possibility of misfire and controls for clearance should consider:
■ the pyrotechnics and/or explosives in the effect;
■ PPE required by the person and any assistants making the effect safe;
■ any further exclusion zones required;
■ the steps required to make the effect safe;
■ steps for disposal of the pyrotechnics/explosives recovered from the effect.
Diving and explosives in water A specialist dive contractor and extraordinary controls will be required for all work involving underwater explosions or where, in the event of a misfire, live explosives could fall into water. Further reading Control of substances hazardous to health. The Control of Substances Hazardous to Health Regulations 2002 (as amended). Approved Code of Practice and guidance L5 (Sixth edition) HSE 2013 www.hse.gov.uk/pubns/books/l5.htm Dangerous substances and explosive atmospheres.
Crewing:
Departmental Hierarchy of a Theatre!!
Our Hierarchy
Directors - we have a directing team in our performance who will undertake how the performance should go by listening to others and leading the team by undertaking warm up exercises and putting their visions on how they would like the scenes.
Stage Manager/Lighting and Sound operator - We have a stage manager who will also be in charge of the lighting and sound operation and they will be in charge of the crew and making sure that the direction of the LED Lights are pointing in the right direction and making sure that they aren't blinding the audience, they will also be in charge of the sound making sure that the sound is to the governmental legal limit and that all ques are hit with the music played.
Pyrotechnic Operator - the pyrotechnic operator will be in charge of where they are placed safely and operating the firing of the pyrotechnics being used, making sure the kit is safe to use and making sure that the cast are keeping a safe distance away from the pyrotechnics.
Stage Hands - the stage hands will be preparing the set and props being used making sure they are kept safe and making sure that they are kept on the props table also making sure that before we go to the venue that the set is ready for the stage hands to take to the venue
Cast - the cast will be acting in the performance, they will be responsible for listening to the directors, learning lines, hitting ques and bringing the directors visions to life.
Skills for Crew
The skills you need for a crew are team working skills, one thing people have to learn is that even if you do not like someone you still need to work closely with them to make sure that all departments are working together, with this also comes time management when working in a theatre company you have to make sure you are working to those deadlines so that things are ordered on time making sure that people are keeping within that budget also making sure that lighting is cued, sound is ready and if you are using pyrotechnics that they are safe and ready to use, you also have to be good at problem solving so what happens if a light goes off? you need to be able to fix that problem within seconds of it happening, you need to be good at working under pressure Theatre Companies are stressful to work under and the management team need to see you working to the deadlines set and need you to problem solve when doing this. Using your initiative is a massive one because sometimes you will have to work independently so for example where would you put a pyrotechnics firing system, you would make sure it wasn't close to the actors or audience also making sure there's no trip hazards, also another example would be sometimes in theatre people don't always mean what they say for example 'black light', is that a blackout or a blue light to show that its dark, so u would have to use your initiative to change to what they mean and if not try again!!
Equipment
After going to Chinnicks in Stroud to pick up the equipment which had everything that we ordered I got to try out the pyrotechnics before the show to see how safe they are and how far up they shoot, while seeing this I had notice that they don't shoot that high and they fill the room with smoke straight after which is what we wanted which means we dont have to use the haze machine.
FIRST TEST OF PYROTECHNICS
This was how the Smoke bombs/Pyrotechnics looked the only problems I could see is where would the pyrotechnics be placed and what could they be placed in as they mark the floor when fired so we had realised that we could put them in a fire retardant wooden box so we took the top off and realised that it made the smoke bomb more contained.
Pyrotechnics
Here is a slow motion video of the pyrotechnics explosion in the box showing how it's safe and contained in the box and that no fire has been caused by the pyrotechnics as all safety measures were taken while filming this video. we will also be preparing a fire extinguisher just as a precautionary measure as we need to look at all risks as they are still class one explosives.
Equipment Check!!!
This is the equipment we had used before we put the wire matting down, the wires were wrapped around the staging/cubes as a precautionary measure so that it was safe for the actors to move around after the first show we had to change the set up of the explosives
EVALUATION TIME!!!!!!!
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