Bass music is a term used to describe several genres of electronic dance music and hip hop music[1] arising from the 1980s on, focusing on a prominent bass drum and/or bassline sound. As one source notes, there are "many different types of bass music to fall into, each putting a different spin on one of music's loudest elements".[2] Typically, the bass sound is created using synthesizers and drum machines such as the influential Roland TR-808.
Hey guys! I was wondering if anybody had any tips on mixing dubstep and bass music (think Arius, Zomboy, Culprate, etc.). I've made a few sets in this set of genres, and I feel like there is a lot more in technique and tips to be gained.
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Also, integrating a sense of showmanship. I've always been really into scratching, but mixing that with this type of music is really difficult, I've done it here and there but finding other elements of showmanship (some sort of controllerism or something) is a big thing that I'm focusing on too. I know that it sounds a little ridiculous and out-of-the-norm for this genre but whatever I suppose.
Music is both heard and felt-tactile sensation is especially pronounced for bass frequencies. Although bass frequencies have been associated with enhanced bodily movement, time perception, and groove (the musical quality that compels movement), the underlying mechanism remains unclear. In 2 experiments, we presented high-groove music to auditory and tactile senses and examined whether tactile sensation affected body movement and ratings of enjoyment and groove. In Experiment 1, participants (N = 22) sat in a parked car and listened to music clips over sound-isolating earphones (auditory-only condition), and over earphones plus a subwoofer that stimulated the body (auditory-tactile condition). Experiment 2 (N = 18) also presented music in auditory-only and auditory-tactile conditions, but used a vibrotactile backpack to stimulate the body and included 2 loudness levels. Participants tapped their finger with each clip, rated each clip, and, in Experiment 1, we additionally video recorded spontaneous body movement. Results showed that the auditory-tactile condition yielded more forceful tapping, more spontaneous body movement, and higher ratings of groove and enjoyment. Loudness had a small, but significant, effect on ratings. In sum, findings suggest that bass felt in the body produces a multimodal auditory-tactile percept that promotes movement through the close connection between tactile and motor systems. We discuss links to embodied aesthetics and applications of tactile stimulation to boost rhythmic movement and reduce hearing damage. (PsycInfo Database Record (c) 2020 APA, all rights reserved).
This initiative gives an infusion of cash to diverse, talented artists with demonstrated financial need so that they can put money towards whatever is limiting their career growth. That could be production equipment, music software, rent, groceries, or other bills.
The selected artists will still need to do the work to take their music and career to the next level. We hope to contribute towards their success and allow them to commit more time to their music careers by relieving them of some of these financial pressures.
The initiative will provide funding to 10 artists of $10,000 each. We will be looking for applications with solid music and thoughtful answers. The goal is to give the winners a platform to help create a more diverse community of Bass Music artists.
At this time, brand new producers and producers who are not primarily focused on Bass Music will not be considered. We are looking for experienced artists who have already released music.
Orenda
DJ and producer
When I first heard and saw Charles perform, in 2016 at a festival in California, I was blown away and knew that this was the kind of sound and story I wanted to tell through my own music. He proved that you could play soft, raw, and emotional music in a bass music set and it would be received well by even the biggest crowds. This is something no one really knew was possible. The sky was suddenly the limit for us all.
Scott Morrill
Owner of Cervantes, board member of CrownTheFoundation
I had the privilege of being his first promoter in Denver and we developed a great friendship. He was always lifting up his musician friends who were just getting started by making sure they were included on lineups. One story his agent told me: [Ingalls] requested his name be smaller on a festival poster, because he wanted to be the same size as everyone else, which I have never heard of anyone doing. His music will live on forever, but I think perhaps the biggest impression he left on others was his kindness.
Double bassists at CSU are trained in a wide variety of performance styles, as bassists have the unique opportunity to work professionally in more genres than any other instrument. While all students receive rigorous classical training, each student is encouraged to pursue other musical styles, especially jazz. Students have the opportunity to perform in a number of CSU ensembles, including symphony, chamber orchestra, opera orchestra, wind ensemble, symphonic band, jazz big bands, and jazz combos. Many students also take advantage of performing in the flourishing Northern Colo. music scene, from jazz and classical to Ska and Bluegrass.
The LSU School of Music is pleased to present the 2023 Louisiana Bass Fest, a special event all about contribution, collaboration, inspiration and sharing our passion with all bassists, and creating educational and performance opportunities for young bassists.
We are grateful to the Interlochen Arts Academy for sponsoring a total of $30,000 scholarship awards for the age 15-18 division, which is given in addition to any need-based financial aid. Additionally, the Orchestral Competition winner will earn opportunities with the Indianapolis Symphony Orchestra, as well as a $20,000-$25,000 bass instrument on loan for one year from the Guarneri House. The Guarneri House will also generously donate $1000 store credit for the first prize of the Young Artist Solo Competition. We look forward to hosting a raffle for registered participants of the festival, with prizes provided by Pirastro Strings.
The 2023 Louisiana Bass Festival marks 12 years of gathering with the goal of sharing and connecting passionate bassists around the world. We are fortunate to have collaborated with the Interlochen Center for the Arts, Indianapolis Symphony Orchestra, Master Players Festival, and composers to commission bass quartets for the Louisiana Bass Festival in the past. We are also proud that our past prizewinners and participants also had great success in competitions such as the Stulberg International String Competition, National YoungArts Foundation, International Society of Bassists Solo Competition, Boston Symphony Concerto Competition, and Dallas Symphony Orchestra Lynn Harrell Concerto Competition.
Masterclasses, bass ensembles, and concert are free and open to the public. To see everything on offer during the festival, open the "Schedule of Events" section further down this page.
When pursuing double bass at CIM, students will study under Scott Dixon or Derek Zadinsky, members of The Cleveland Orchestra, and explore a blend of solo and orchestral bass playing. Studies at CIM will prepare musicians to excel as a contemporary professional bassist.
CIM double bass students participate in weekly private lessons and master classes conducted by international soloists. Students also have opportunities to take the stage and perform in solo recitals, orchestra concerts at Severance Hall and new music or chamber ensembles.
The Aspen Music Festival and School double bass department offers the opportunity to play premier assignments alongside artist-faculty from major U.S. orchestras or as principal in a variety of ensembles. All students 18 and older play in orchestra. Students under the age of 18 do not play in orchestra but may participate in private lessons and chamber music. For details on the student orchestral experience, please see the Orchestra/Instrumental program page.
Combining the benefits of a world-class conservatory and a leading research university, the USC Thornton School of Music offers students the opportunity to pursue a thorough music education in a real-world context. Thornton offers students a full range of musical disciplines across a demanding innovative curriculum, and the opportunity to work with a faculty of national and international renown. For more information, please visit us at
Principal duties will include private instruction in electric bass performance for up to four advanced students in the Popular Music Performance program at the undergraduate levels; additional instruction includes ensemble class, masterclasses and coaching sessions in various forums to students in the Popular Music Program; and participating in department activities, including juries, showcases, auditions and meetings. Additional related duties may be assigned, based on the needs of the department and the qualifications of the candidate. e24fc04721