Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, known simply and more commonly as Dr. Strangelove, is a 1964 political satire black comedy film directed, co-written, and produced by Stanley Kubrick and starring Peter Sellers in three roles, including the title character. The film also stars George C. Scott, Sterling Hayden, Keenan Wynn, Slim Pickens, and Tracy Reed. The film, which satirizes the Cold War fears of a nuclear conflict between the Soviet Union and the United States, is loosely based on the thriller novel Red Alert (1958) by Peter George, who also co-wrote the screenplay with Kubrick and Terry Southern.

The story concerns an unhinged United States Air Force general who orders a pre-emptive nuclear attack on the Soviet Union. It separately follows the President of the United States, his advisors, the Joint Chiefs of Staff, and a Royal Air Force exchange officer as they attempt to prevent the crew of a B-52 (following orders from the general) from bombing the Soviet Union and starting a nuclear war.


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The film is often considered one of the best comedies ever made and one of the greatest films of all time. In 1998, the American Film Institute ranked it twenty-sixth in its list of the best American movies (in the 2007 edition, the film ranked thirty-ninth), and in 2000, it was listed as number three on its list of the funniest American films. In 1989, the United States Library of Congress included Dr. Strangelove as one of the first 25 films selected for preservation in the National Film Registry for being "culturally, historically, or aesthetically significant".[7][8] The film received four Academy Award nominations, including Best Picture, Best Director, Best Adapted Screenplay, and Best Actor for Sellers. The film was also nominated for seven BAFTA Film Awards, winning Best Film From Any Source, Best British Film, and Best Art Direction (Black and White), and it also won the Hugo Award for Best Dramatic Presentation.

In the War Room, Dr. Strangelove recommends that the President gather several hundred thousand people to live in deep underground mines where the radiation will not penetrate. He suggests a 10:1 female-to-male ratio for a breeding program to repopulate the Earth once the radiation has subsided. Worried that the Soviets will do the same, Turgidson warns about a "mineshaft gap" while de Sadeski secretly photographs the War Room. Dr. Strangelove declares he has a plan, then suddenly rises from his wheelchair and exclaims, "Mein Fhrer, I can walk!" The film ends with a montage of nuclear explosions, accompanied by Vera Lynn's rendition of the song "We'll Meet Again".

Dr. Strangelove is a scientist and former Nazi, suggesting Operation Paperclip, the US effort to recruit top German technical talent at the end of World War II.[18][19] He serves as President Muffley's scientific adviser in the War Room. When General Turgidson wonders aloud to Mr. Staines (Jack Creley), what kind of name "Strangelove" is, possibly a "Kraut name", Staines responds that Strangelove's original German surname was Merkwrdigliebe ("Strange love" in German) and that "he changed it when he became a citizen". Strangelove accidentally addresses the president as Mein Fhrer twice in the film. Dr. Strangelove did not appear in the book Red Alert.[20]

The wheelchair-using Strangelove furthers a Kubrick trope of the menacing, seated antagonist, first depicted in Lolita through the character "Dr. Zaempf".[25] Strangelove's accent was influenced by that of Austrian-American photographer Weegee, who worked for Kubrick as a special photographic effects consultant.[17] Strangelove's appearance echoes the mad scientist archetype as seen in the character Rotwang in Fritz Lang's film Metropolis (1927). Sellers's Strangelove takes from Rotwang the single black gloved hand (which, in Rotwang's case, is mechanical because of a lab accident), the wild hair, and, most importantly, his ability to avoid being controlled by political power.[26] According to Alexander Walker, Sellers improvised Dr. Strangelove's lapse into the Nazi salute, borrowing one of Kubrick's black leather gloves for the uncontrollable hand that makes the gesture. Dr. Strangelove apparently has alien hand syndrome. Kubrick wore the gloves on the set to avoid being burned when handling hot lights, and Sellers, recognizing the potential connection to Lang's work, found them to be menacing.[17]

Pickens, who had previously played only supporting and character roles, said that his appearance as Maj. Kong greatly improved his career. He later commented, "After Dr. Strangelove, my salary jumped five times, and assistant directors started saying 'Hey, Slim' instead of 'Hey, you'."[30]

In collaboration with George, Kubrick started writing a screenplay based on the book. While writing the screenplay, they benefited from some brief consultations with Schelling and later, Herman Kahn.[39] In following the tone of the book, Kubrick originally intended to film the story as a serious drama. However, he began to see comedy inherent in the idea of mutual assured destruction as he wrote the first draft. He later said:

Dr. Strangelove was filmed at Shepperton Studios, near London, as Sellers was in the middle of a divorce at the time and unable to leave England.[43] The sets occupied three main sound stages: the Pentagon War Room, the B-52 Stratofortress bomber and the last one containing both the motel room and General Ripper's office and outside corridor.[14] The studio's buildings were also used as the Air Force base exterior. The film's set design was done by Ken Adam, the production designer of several James Bond films (at the time he had already worked on Dr. No). The black-and-white cinematography was by Gilbert Taylor, and the film was edited by Anthony Harvey and an uncredited Kubrick. The original musical score for the film was composed by Laurie Johnson and the special effects were by Wally Veevers. The opening theme is an instrumental version of "Try a Little Tenderness." The theme of the chorus from the bomb run scene is a modification of "When Johnny Comes Marching Home." Sellers and Kubrick got along well during the film's production and shared a love of photography.[44]

In several shots of the B-52 flying over the polar ice en route to Russia, the shadow of the actual camera plane, a Boeing B-17 Flying Fortress, is visible on the icecap below. The B-52 was a scale model composited into the Arctic footage, which was sped up to create a sense of jet speed.[47] Home movie footage included in Inside the Making of Dr. Strangelove on the 2001 Special Edition DVD release of the film shows clips of the B-17 with a cursive "Dr. Strangelove" painted over the rear entry hatch on the right side of the fuselage.

In 1967, some of the flying footage from Dr. Strangelove was re-used in The Beatles' television film Magical Mystery Tour. As told by editor Roy Benson in the BBC Radio Documentary Celluloid Beatles, the production team of Magical Mystery Tour lacked footage to cover the sequence for the song "Flying." Benson had access to the aerial footage filmed for the B-52 sequences of Dr. Strangelove, which was stored at Shepperton Studios. The use of the footage prompted Kubrick to call Benson to complain.[48]

Red Alert author Peter George collaborated on the screenplay with Kubrick and satirist Terry Southern. Red Alert was more solemn than its film version, and it did not include the character Dr. Strangelove, though the main plot and technical elements were quite similar. A novelization of the actual film, rather than a reprint of the original novel, was published by Peter George, based on an early draft in which the narrative is bookended by the account of aliens, who, having arrived at a desolated Earth, try to piece together what has happened. It was reissued in October 2015 by Candy Jar Books, featuring never-before-published material on Strangelove's early career.[49][50]

During the filming of Dr. Strangelove, Stanley Kubrick learned that Fail Safe, a film with a similar theme, was being produced. Although Fail Safe was to be an ultrarealistic thriller, Kubrick feared that its plot resemblance would damage his film's box office potential, especially if it were released first. Indeed, the novel Fail-Safe (on which the film is based) is so similar to Red Alert that Peter George sued on charges of plagiarism and settled out of court.[51]What worried Kubrick the most was that Fail Safe boasted the acclaimed director Sidney Lumet and the first-rate dramatic actors Henry Fonda as the American president and Walter Matthau as the advisor to the Pentagon, Professor Groeteschele. Kubrick decided to throw a legal wrench into Fail Safe's production gears. Lumet recalled in the documentary Inside the Making of Dr. Strangelove: "We started casting. Fonda was already set ... which of course meant a big commitment in terms of money. I was set, Walter [Bernstein, the screenwriter] was set ... And suddenly, this lawsuit arrived, filed by Stanley Kubrick and Columbia Pictures."

Kubrick argued that Fail Safe's own source novel Fail-Safe (1962) had been plagiarized from Peter George's Red Alert, to which Kubrick owned creative rights. He pointed out unmistakable similarities in intentions between the characters Groeteschele and Strangelove. The plan worked, and the suit was settled out of court, with the agreement that Columbia Pictures, which had financed and was distributing Strangelove, also buy Fail Safe, which had been an independently financed production.[52] Kubrick insisted that the studio release his movie first,[53] and Fail Safe opened eight months after Dr. Strangelove, to critical acclaim but mediocre ticket sales. be457b7860

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