I recently upgraded to CS6 so its throwing me off when I apply styles to that effect borders on shapes, when I select the layer for the shape and in choosing the layer it selects the outer edge of the shape to show me where the shape is, in previous versions of photoshop something like this usually occurs when I first create a shape or when I did a layer select while holding ctrl (I think it was) but in either event, click off the layer and then back on the highlighted edge would be gone leaving me to see what I am doing.

Ahh, figured it out on my own after getting annoyed enough by it, its actually a new option under "View > Show" menu. Its called "Target Path" by default its enabled apparently. This is not an option I have seen in past photoshops, and figured maybe it was a preference based thing or hot key, the simple answer evaded me, until I went to hide a grid and saw that.


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So basically it's not possible with your current version of Photoshop. See -the-difference-photoshop-cs6-vs-photoshop-cs6-extended.html for more details about the differences bewteen the Photoshop versions.

Adobe Photoshop is a raster graphics editor developed and published by Adobe Inc. for Windows and macOS. It was originally created in 1987 by Thomas and John Knoll. Since then, the software has become the most used tool for professional digital art, especially in raster graphics editing. The software's name is often colloquially used as a verb (e.g. "to photoshop an image", "photoshopping", and "photoshop contest")[6] although Adobe discourages such use.[7]

Photoshop functionality can be extended by add-on programs called Photoshop plugins (or plug-ins). Adobe creates some, such as Adobe Camera Raw, but most are developed by third-parties. Some are free and some are commercial software.Most plugins work with only Photoshop or Photoshop-compatible hosts, but a few can also be run as standalone applications.

Photoshop and derivatives such as Photoshopped (or just Shopped) have become verbs that are sometimes used to refer to images edited by Photoshop,[34] or any image manipulation program. The same happens not only in English but as the Portuguese Wikipedia entry for image manipulation attests, even in that language, with the trademark being followed by the Portuguese verb termination -ar, yielding the word "photoshopar" (to photoshop). Such derivatives are discouraged by Adobe[7] because, in order to maintain validity and protect the trademark from becoming generic, trademarks must be used as proper nouns.[citation needed]

I was being sarcastic. You can already do this with photoshop but you need to shoot two photos. One with the background completely out of focus and another with the foreground in sharp focus and merge two photos. It's a big hassle. For action shot like the dog, it probably is not that easy (but not undoable). This looks like an "automate" function. For macro, we can already do extended DoF by merge/stack several shots. Software solution for shallow DoF probably be inferior (actually all software solution is inferior than optical), but depends on what your needs and your threshold for quality, it can be helpful sometimes, if you don't mind compromise.

In this supplement to his recently completed 10-part series on landscape photography, photographer Erez Marom explores how the compositional skills developed for capturing landscapes can be extended to other areas of photography.

Image creativity has been given a new mode with Adobe Photoshop CS6 Extended, the colour range selection, the inclusion of different shades and 3D enhancements are most adorable features of the extended version. Another important thing which you might have noticed is, more buttons and tools have been introduced and the color panel is also resizable now.properties panel is blessed with more adjustment options to layers and to 3D controls. In fact, each and every tag is loaded with lots of options to customize your workspace quite professionally. Older Version..??? See Adobe Photoshop 7.0.

Adobe has claimed that CS6 is 1000 times faster for some operations. Adobe mercury graphics engine delivering optimum performance. Furthermore, In CS6 extended edition, user will experience faster rendering time.

Movies

The Movies section provides you with access to movie tutorials about the new features in the CS6 program, as well as older movies from the previous CS5 edition of the book. In all, there are 20 movies totaling just over 170 minutes of playback time. You will find that most of the movies cover features that are common to both the standard and extended versions of Photoshop CS6.


Ilomantis differs in the following ways: cranial vertical margin with pronounced bulges interior to the juxtaocular bulges, which are more elevated than the juxtaocular bulges themselves; pronotum narrow with a lateral margin that is very slightly extended around the perimeter; lateral cervical sclerites do not retain a horn-like marginal projection; ventral cervical sclerite not present; anteroventral tibial spines relatively erect, slanted; male wings hyaline; male genital structure lobo membranoso (loa) is smooth; male genital structure ventral sclerotization of the left phallomere complex (i.e., the ventral phallomere) (L4A) features variable granulation, without a sinistral lateral outgrowth; male genital structure right phallomere (R1) features a simple right arm (bm) without outgrowths.

Nilomantis differs in the following ways: cranial vertical margin straight; pronotum long and narrow with a lateral margin that is very slightly extended around the perimeter; lateral cervical sclerites do not retain a horn-like marginal projection; ventral cervical sclerite not present; anteroventral tibial spines relatively erect, slanted; male wings hyaline; male genital structure ventral sclerotization of the left phallomere complex (i.e., the ventral phallomere) (L4A) terminates posteriorly into two lobes; male genital structure right phallomere (R1) features a simple right arm (bm) without outgrowths.

The authors would like to thank Roger Roy of the Musum national d'Histoire naturelle, Paris, France for taxonomic advice and access to specimens. The authors would also like to thank Norm Penny and Rachel Diaz-Bastin of the California Academy of the Sciences, San Francisco, CA, USA as well as the National Museum of Natural History, Washington, D.C., USA for access to specimens. Gratitude is extended to Rebecca Konte (Cleveland Institute of Art) for illustrating the morphological plates. The authors thank Henrique M. Rodrigues (Cleveland Museum of Natural History (CMNH), Case Western Reserve University), Nicole L. Gunter (CMNH), and the reviewers for their constructive feedback and suggestions. This project was supported by the US National Science Foundation under the grant DEB-1216309 to Gavin J. Svenson. Any opinions, findings, and conclusions or recommendations expressed in this material are those of the authors and do not necessarily reflect the views of the National Science Foundation or the Cleveland Museum of Natural History. No conflicts of interest exist. be457b7860

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