Fantastic Voyage is a 1966 American science fiction adventure film directed by Richard Fleischer and written by Harry Kleiner, based on a story by Otto Klement and Jerome Bixby. The film is about a submarine crew who is shrunk to microscopic size and venture into the body of an injured scientist to repair damage to his brain.[4][5][6][7] Kleiner abandoned all but the concept of miniaturization and added a Cold War element. The film starred Stephen Boyd, Raquel Welch, Edmond O'Brien, Donald Pleasence, and Arthur Kennedy.

Asimov did not want any of his books, even a film novelization, to appear only in paperback, so in August, he persuaded Austin Olney of Houghton Mifflin to publish a hardcover edition,[27] assuring him that the book would sell at least 8000 copies, which it did.[28] However, since the rights to the story were held by Otto Klement, who had co-written the original story treatment, Asimov would not be entitled to any royalties. By the time the hardcover edition was published in March 1966, Houghton Mifflin had persuaded Klement to allow Asimov to have a quarter of the royalties.[29] Klement also negotiated for The Saturday Evening Post to serialize an abridged version of the novel, and he agreed to give Asimov half the payment for it. Fantastic Voyage (abridged to half its length) appeared in the February 26 and March 12, 1966, issues of the Post.[30] Bantam Books released the paperback edition of the novel in September 1966 to coincide with the release of the film.[31] Harry Harrison, reviewing the Asimov novelization, called it a "Jerry-built monstrosity", praising the descriptions of science-fiction events as "Asimov at his best", while condemning the narrative framework as "inane drivel".[32]


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Fantastic Voyage II: Destination Brain (1987) was written by Isaac Asimov as an attempt to develop and present his own story apart from the 1966 screenplay. This novel is not a sequel to the original, but instead is a separate story taking place in the Soviet Union with an entirely different set of characters.

Indeed, finding cures has taken an altogether different meaning today as the world currently stands, grappling under the grim reality of a global pandemic. COVID-19 cases are on the rise and life, as we knew it, has changed dramatically within a matter of weeks. Nearly everyone is affected in some way by the spreading novel coronavirus and multiple countries have gone into complete lockdown. Implementing social isolation is hard, and we appreciate that scientists are enduring the additional challenges of working from home, laboratories being closed and facing imminent funding issues. But clich as it may seem, the key is to not lose hope. We encourage you to dwell on those incipient research ideas, read extensively for inspiration and brush up the manuscripts that need finalising. And as we at Communications Biology embark on our own fantastic voyage, we would like to think of you as fellow travellers. Who knows if one of those research ideas may be the key to overcoming the current pandemic or other challenges to come.

#10178-702 on cover. Photo covers front and back and both inside covers. "Fantastic Voyage," script by Paul S. Newman, pencils by Dan Adkins, inks by Wally Wood and Tony Coleman; In order to save a scientist, a submarine is shrunken to microscopic size and injected into his blood stream, accompanied by a small crew. Based on the 1966 film starring Stephen Boyd, Raquel Welch, and Edmond O'Brien. 36 pgs., full color. $0.12.Cover price $0.12.

Who: Richard Fleischer (Soylent Green, Tora! Tora! Tora!, Conan the Destroyer) directs, Stephen Boyd (Ben-Hur) and Donald Pleasence (The Great Escape, Halloween) act, and the Oscar-winning production/design team makes some pretty cool human insides. (Fantastic Voyage won at the 1966 Academy Awards in Best Art Direction-Set Decoration, Color and Best Effects, Special Visual Effects.)

The science fiction film Fantastic Voyage was released in the United States in 1966. Its plotline, preceding nanotechnology by many years, begins with a scientist who needs emergency medical treatment for a stroke. However, this surgery can only be accomplished from inside his body. Intrepid medical personnel enter a submarine, which becomes miniaturized and is injected into a blood vessel. The submarine dodges red blood cells and macrophages as it sweeps through the heart, and thecrew exits the submarine and is tossed about in the winds of the lungs. The special effects were among the most creative (and psychedelic) of the time, winning the film two Academy Awards. The voyage through the body took viewers into an intimate adventure where biologic reactions controlled all events. Though the science was sometimes flawed, the models of the interior of a blood vessel were stunning. One could hardly find a better documented microscopic view of the cardiovascular system. be457b7860

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