One of the best ways in which I think you do this in the book is the June 27th story. Even if you're familiar with these 37 minutes of amazing music, hearing directly from those people is amazing. How did that section in particular come together?


Well, the story's been told, to a degree, but I felt like there was a lot that I still wanted to know. I wanted to kind of come at it from a different angle and say, this is a story that a lot of people know, or maybe a lot of people think they know [or] have an idea of how this went down. But then there's other layers of people who maybe have heard about it and maybe know June 27th is important. So I have to set a foundational pallet for them, but I also wanna get deeper into stuff that maybe people haven't touched on. And oral history's so great for that because you pass the mic off and then somebody's talking about something and they're dropping in a couple of little facts they're not really thinking about. But I've chosen that quote very specifically because of, sometimes, a couple little things that they say, and it might be a couple little things that they say that are connecting to the piece of text afterwards. You want to kind of get a through line through there. And then just like, what am I getting in the end? Am I getting a sense of what this day was like? Was it during the day, or was it at night? 'Cause there were different ideas right there. Some people were talking about, well, I got over there in the afternoon. Other people were like, it was like four in the morning. So that's what I said earlier: you kind of have to make room for a couple different things to be true at once and move that information. 


The reality is that it was a classic Houston story, the bestselling Screw tape of all time, a tape that people went wild for and still go wild for. So how can I take the facts as we know them and just give it a fresh perspective. And there was still a couple of other people who were there that day that I didn't get to talk to and would've loved to. There's still more to go with that, but that section was a lot bigger. I had to cut down a lot of stuff in the book. I had to cut a section on "25 Lighters." Anytime you're working on a manuscript, you have to cut. There were a few entire sections I had to cut and there was a bunch on June 27th that I cut because that's the longest chapter in the book. And that was the longest section of the longest chapter.


DJ Screw  June 27th (Chapter012)


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