Le Plastrier’s poetic ‘I’ is polyphonic, drawn from histories, and the lyrical, polyphonic voice reverberates and echoes through the pages and the mind of the reader, speaking too with the ancient wisdom of runes and dream. Le Plastrier's voice is with those who have suffered in history and who are suffering today. The poems are engaged in an act of bringing to the surface the unspeakable, and offer ways of resistance and ways of becoming.
– Ella Skilbeck-Porter
Jacinta Le Plastrier is a Melbourne/Naarm-based writer, poet, essayist, editor and publisher. Her writing, journalism, criticism and poetry have appeared in multiple anthologies, along with The Guardian, The Age, Sydney Morning Herald, Australian Book Review, ABC 24 Hours, The Wheeler Centre (Hot Desk Fellowship), sick leave journal, Cordite and Meanjin, among others. She is the former Chief Executive at the national poetry body, Australian Poetry, where she also sat as Publisher. This role included the co-founding of the Best of Australian Poems annual series with Toby Fitch and Ellen van Neerven.
Jacinta Le Plastrier is available for editing (poetry and non-fiction), both one on one for poets/writers themselves, and for multiple publishers. This is based on high-level experience. Jacinta is also resuming her sought after consultations on energetic transformation and creating intentionality. Please email to enquire for timing and fees.
Jacinta’s most recent book is her debut poetry collection, these memories require (P&W, 2025).
these memories require (rrp $27.00):
I entirely support independent bookstores, on the ground and online, so here’s some suggestions. these memories require is also available across a range of global platforms. Other independent bookstores will be added as their stock is confirmed.
Published by, and also available from Puncher & Wattmann
This book, these memories require, written over 12 years, means a lot to me, not personally but collectively. Its core thematics are around the extraordinary scholarship and thinking of a range of writers addressing what is known as ‘haunting’, a term created by Avery F. Gordon in 1997 in a treatise so influential it resides still across the world on curricula addressing traumas & ‘the unspeakable’. This latter term is by Judith Herman, who has also contributed seminally to thinking in these treacherous terrains; along with these two there is a range of other writers, and poets who together give me a sense of community, one that has literally kept me on the right side of the asylum door at times. I mean this.
The book is dedicated to my incredible daughters & Beloved, but also to all those who witness and fight for justice where there is usually no justice. This is where the magic of what writers can do, their writing, becomes the unerasable.
—Jacinta Le Plastrier
In these memories require, Jacinta Le Plastrier asks: "how might this new one self?" The query is asked in relation to birth and a child growing in utero, yet applies to many of the themes addressed in the book: the act of writing, the traversal of trauma, ptsd and atrocities, supernatural presences and guides. The poems are formed in relation and are often dedicatory. Le Plastrier’s poetic ‘I’ is polyphonic, drawn from histories, and the lyrical, polyphonic voice reverberates and echoes through the pages and the mind of the reader, speaking too with the ancient wisdom of runes and dream. Le Plastrier's voice is with those who have suffered in history and who are suffering today. The poems are engaged in an act of bringing to the surface the unspeakable, and offer ways of resistance and ways of becoming. Le Plastrier asks readers to go back, to wait, to revisit what has been silenced. With honouring and love, these poems are heliotropic: they face towards the light.
Ella Skilbeck-Porter
I have just read your wonderful book these memories require and I commend your generosity of spirit which allows the reader an introduction into their own internal expressions of buried intent. Like all good poetry it provides access into one’s own anaesthetised experience. It produced feelings such as I experienced on first reading Anna Akhmatova in 1969.
From Reader, J.
Interview, First Rabbit Annual (late 2025), Ed. Jessica L Wilkinson
Live poetry from Jacinta Le Plastrier, Panda Wong, Gareth Morgan, Hamish Danks Brown, and Jessica L. Wilkinson
Thursday November 27 | 5:30 pm with a 6:00 pm start
St. Kilda Library
Conversation: Emerging Across the Generations, Emerging Writers Festival, September, 2025
The Emerging Writers Festival 2025 event is a pay as you wish one so it can be attended for free but please do pay if you are able to; bookings are essential.
The Next Big Thing: Melbourne Writers Festival 2025 Edition
Launch of these memories require
Wednesday, May 28, 2025
Readings, Carlton