It is said that around the year 1000, at the height of the domination of the Moors in Sicily, in the Arab quarter of Palermo "Al Hlisah" (which means the pure or the elect) now called Kalsa, a beautiful girl lived her days in a sweet but solitary quiet, devoting his attention to the amiable care of the plants of his balcony. Yet the young man, who had made no scruple in abandoning himself to the sweetest loving profusions, in his heart concealed a burdensome secret: his wife and children indeed awaited him in the East, in that land to which he was now to return. Wounded in pride and betrayed by what she believed to be her great love, she planned her revenge. So in the night, while his Moro slept defenseless, he killed him and cut off his head so that his beloved could not only never return to that family, but stay with her forever. He decided that the face of that young man, still dear to her, should remain at her side forever, and created with his head an object similar to a vase where he placed inside a basil shoot a plant linked to a divine symbology and always associated with sacredness. He finally laid his head on his balcony, devoting every day to the care of basil that grew in it. Today every Head of Moro that is produced bears a crown, an element always present to propose the regal plant that originally embellished the head of the young Moro protagonist of the sad story.

Vivenzio seated himself on his bier. Then he knelt and prayed fervently ; and sometimes tears would gush from him. The air seemed thick, and he breathed with diffieulty; or it might be that he fancied it was so, from the hot and narrow limits of his dungeon, whieh were now so diminished that he eould neither stand up nor lio down at his full length. But his wasted spirits and oppressed mind no longer struggled within him. He was past hope, and fear shook him no more. Happy if thus revenge had struek its final blow; for he would havo fallen beneath it almost unconseious of a pang. But sueh a lethargy of tho soul, after sueh an exeitement of its fiercest passions, had entered into tho diabolieal calculations of Tolfi; and tho full artifieer of his designs had imagined a counteracting devieo.


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We are here in Madrid - for work, of course - but it is clear that work isn't the only thing bringing people to Spain right now. The streets, the stores and cafes are filled. In fact, millions of people, tired of being stuck at home, are splurging on the trip of their dreams this summer. Adam Raney reports from Rome, Italy, on what's being called the summer of revenge travel.

RANEY: "Many large tour operators have bought up tickets to the main museums," she says. On some days, guides can't even find tickets to the most popular sites, so they have to cancel tours. These are just some of the difficulties heading to Europe right now. It's the summer of revenge travel - going somewhere, anywhere, after being stuck inside for two years by the pandemic.

Sofia (Ginevra Francesconi) is a quiet teenager who spends her time between hockey games and off-road driving lessons. Until the moment when she, disobeying Santo, her father, secretly photographs him and uploads it to Instagram. The post is enough to change their lives forever. Following the computer trail, two criminals enter their home and brutally kill Sofia's mother and uncle, giving rise to a settling of scores that has been brooding for almost 20 years. Sofia will discover that the truth has always been withheld from her and that Santo hides a dark past as an affiliate of the N'drangheta. Not without conflict, Sofia will embrace a legacy of fury and violence and will ally with her father to seek merciless revenge. My Name Is Vendetta, originally Il Mio Nome  Vendetta in Italian, is directed by Italian filmmaker Cosimo Gomez, director of the films Ugly Nasty People and Io & Spotty, as well as lots of work as a production designer previously. The screenplay is by Sandrone Dazieri, Cosimo Gomez, and Andrea Nobile. Netflix will release My Name in Vendetta streaming on Netflix starting on November 30th, 2022 this fall. Intrigued?

Vendetta has been getting even in English since the 19th century, when it first was used to refer to feuds between different clans or families. It later extended in meaning to cover acts that are known to feature in feuds of all kinds. English speakers borrowed vendetta, spelling and all, from Italian, in which it means "revenge." It ultimately traces to the Latin verb vindicta, of the same meaning. That Latin word is also in the family tree of many other English terms related to getting even, including avenge, revenge, vengeance, vindicate, and vindictive.

The effect of Covid-19 post-emergency and the phenomenon of "revenge spending", which almost always occurs after a more or less long period of economic crisis, are certainly plaing an important role. These factors have greatly affected the significant growth in sales, especially if we compare the current data with those recorded before Covid-19. In fact, the numbers collected and published in the Vinitaly-Nomisma Wine Monitor report indicate an increase in sales (+ 6.8%) even compared to 2019, the year in which the pandemic was still a long way off.

Today, in particular with our mos-representative wines, we are at the center of the phenomenon linked to post-Covid revenge spending: a driving effect to be intercepted, in order to consolidate market shares even more.

Complete with revenge, bloody daggers, poisonings, and thick-walled nunneries, this new translation of Italian Chronicles includes four never-before-translated stories and a fascinating introduction detailing the origins of the book. It is sure to gratify established Stendhal fans as well as readers new to the writer. be457b7860

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