Born and raised in Los Angeles, my Dance career begins with the percussive American Dance form, Tap. Under the direction of Arlene Kennedy at Universal Dance Design (now demolished), I was able to join her internationally performing company. Moving along, I returned to concert dance training in high school at Los Angeles County High School for the Arts under the direction of Gina Buntz, and later Juilliard. In 2018, I began choreographing and dancing for artists such as Dorian Electra, Pussy Riot, Rachel Mason and JJ Stratford as well as presenting short form and evening length works. 

I enjoy the kinesthetic logic and intuition of movement invention.  Firstly, I am learning to foster egalitarian creative spaces by gathering artists together with diverse priorities and silenced imaginations to invent a complete and integral world that allows us to craft the shared release that comes from performance. Secondly, my movement celebrates exhaustion and physicalizes stories of pleasure and pain that can be achieved by glorifying the borderlines of human/nonhuman/inhuman/inhumane. I strive to present visions of muscular effort, discomfort, sweat, and elegant splendor to re-frame violent injustices and reflect the vulgar, natural world for a more united future.