Hi! I want a Xylophone. I prefer wood. I found one at my music store, but the price tag was a big turn off for me (5999$). Do you have any suggestion for less than 1000$? I ask the question because I dont know what is a good and a bad xylophone. Thank you!

Marimbas use soft rubber and wrapped yarn mallets and sound like the Baja Marimba Band. They have a gorgeous tone and very large resonator tubes below each bar that's

tuned to the pitch of the bar. Some xylophones (expensive one also have resonator bars).

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The iPhone xylophone ringtone can be found in the Settings app under Sounds > Ringtone > Classic. A lot of iPhone users believe it is a familiar sound, perhaps from a TV show or movie. The most popular theory is that the ringtone resembles a song from the American Beauty score. The song most people are referring to is Thomas Newman's "Any Other Name" which you can hear in the YouTube video below.

An instrument's acoustic constraints narrow the ranges of emotions that can be conveyed. For example, the challenges in producing low pitched, slow moving melodies on the xylophone and banjo renders them ill-suited for conveying sadness.

Literature frequently played on the xylophone rarely exhibits minor keys. This sample contains frequent use of the minor mode for marimba, with 60% of the tonal pieces exhibiting minor keys (ignoring marimba solos with no tonal center). In contrast it contains few instances of minor key xylophone pieces, which appear only twice within this survey.

These findings extend experimental work manipulating parameters such as modality, timing, and pitch height (Quinto and Thompson, 2012; Eerola et al., 2013), offering new musical perspective. Specifically, they document (1) composers avoid writing minor key works for instruments restricted from playing low pitches and slow rhythms6; and (2) when writing minor key pieces, Bach and Chopin selected lower pitches and slower rhythms than when writing major key pieces. This unorthodox approach of exploring these cues' natural use led to unanticipated findings that could spark fruitful future research projects, such as performer's resistance to composers' attempts to introduce minor key pieces to the xylophone repertoire, and the surprising consistency of major/minor timing differences in Bach despite considerable editorial disagreement regarding the correct tempi.

I am grateful for financial assistance from the Social Sciences and Humanities Research Council of Canada (SSHRC), Ontario Early Researcher Award (ER10-07-195), McMaster University Arts Research Board, Canadian Foundation for Innovation (CFI-LOF 30101), and Natural Sciences and Engineering Research Council of Canada supporting this research, as well as a Society for Music Perception and Cognition (SMPC) student award to Matthew Poon. Jonathan De Sousza, Brian McNulty, Maxwell Ng, Geoffrey Nathan, Catherine Anderson, and Justin London (along with his students at Carleton College) all provided helpful feedback on the writing process. Finally, many thanks to Dr. David Huron for proposing our collaboration while I was a graduate student at the University of Virginia, and to my colleague and co-author Dr. Kris Keeton as well as Greg Loewer for their work in our 2008 survey of marimba and xylophone repertoire.

6The analysis of xylophone repertoire included only the most commonly performed pieces. It is possible that composers have written additional, lesser-performed minor key xylophone solos not captured by the survey.

In that role, he focused on major corruption trials, law enforcement, and local criminal justice policy. He helped lead NPR's reporting of Bill Cosby's two criminal trials. He was a guest on Fresh Air after breaking a major story about the nation's first supervised injection site plan in Philadelphia. In between daily stories, he has worked on several investigative projects, including a story that exposed how the federal government was quietly hiring debt collection law firms to target the homes of student borrowers who had defaulted on their loans. Allyn also strayed from his beat to cover Philly parking disputes that divided in the city, the last meal at one of the city's last all-night diners, and a remembrance of the man who wrote the Mister Softee jingle on a xylophone in the basement of his Northeast Philly home. 0852c4b9a8

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