Winners will be announced and shown at the in-person Public Domain Day Celebration at the Internet Archive headquarters in San Francisco on January 24, 2024, as well as our virtual celebration on January 25. All other participating videos will be added to a Public Domain Day Collection on archive.org and featured in a blog entry in January of 2024.

How can I get access to stock footage from these films?

Access to the movies stored on this site in videotape or film form is available to commercial users through Getty Images, representing Prelinger Archives for stock footage sales. Please contact Getty Images. Please visit us at prelinger.com for more information on access to these and similar films. Prelinger Archives regrets that it cannot generally provide access to movies stored on this Web site in other ways than through the site itself. We recognize that circumstances may arise when such access should be granted, and we welcome email requests. Please address them to Rick Prelinger. The Internet Archive does not provide access to these films other than through this site.


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If you require a written license agreement or need access to stock footage in a physical format (such as videotape or a higher-quality digital file), please contact Getty Images. The Internet Archive does not furnish written license agreements, nor does it comment on the rights status of a given film above and beyond the Creative Commons license.

Why are there very few post-1964 movies in the Prelinger collection?

Largely because of copyright law. While a high percentage of ephemeral films were never originally copyrighted or (if initially copyrighted) never had their copyrights properly renewed, copyright laws still protect most moving image works produced in the United States from 1964 to the present. Since the Prelinger collection on this site exists to supply material to users without most rights restrictions, every title has been checked for copyright status. Those titles that either are copyrighted or whose status is in question have not been made available. For information on recent changes in copyright law, see the circular Duration of Copyright (in PDF format) published by the Library of Congress

The Internet Archive allows the public to upload and download digital material to its data cluster, but the bulk of its data is collected automatically by its web crawlers, which work to preserve as much of the public web as possible. Its web archive, the Wayback Machine, contains hundreds of billions of web captures.[5][6] The Archive also oversees numerous book digitization projects, collectively one of the world's largest book digitization efforts.

Brewster Kahle founded the Archive in May 1996 around the same time that he began the for-profit web crawling company Alexa Internet.[7][8] In October of that year, the Internet Archive had begun to archive and preserve the World Wide Web in large amounts,[9] though it saved the earliest known page on May 10, 1996, at 2:42 pm.[10][11][12][13] The archived content first became available to the general public in 2001, when it developed the Wayback Machine.

In late 1999, the Archive expanded its collections beyond the web archive, beginning with the Prelinger Archives. Now, the Internet Archive includes texts, audio, moving images, and software. It hosts a number of other projects: the NASA Images Archive, the contract crawling service Archive-It, and the wiki-editable library catalog and book information site Open Library. Soon after that, the Archive began working to provide specialized services relating to the information access needs of the print-disabled; publicly accessible books were made available in a protected Digital Accessible Information System (DAISY) format.[14]

In August 2012, the Archive announced[16] that it has added BitTorrent to its file download options for more than 1.3 million existing files, and all newly uploaded files.[17][18] This method is the fastest means of downloading media from the Archive, as files are served from two Archive data centers, in addition to other torrent clients which have downloaded and continue to serve the files.[17][19] On November 6, 2013, the Internet Archive's headquarters in San Francisco's Richmond District caught fire,[20] destroying equipment and damaging some nearby apartments.[21] According to the Archive, it lost a side-building housing one of 30 of its scanning centers; cameras, lights, and scanning equipment worth hundreds of thousands of dollars; and "maybe 20 boxes of books and film, some irreplaceable, most already digitized, and some replaceable".[22] The nonprofit Archive sought donations to cover the estimated $600,000 in damage.[23]

In November 2016, Kahle announced that the Internet Archive was building the Internet Archive of Canada, a copy of the Archive to be based somewhere in Canada. The announcement received widespread coverage due to the implication that the decision to build a backup archive in a foreign country was because of the upcoming presidency of Donald Trump.[26][27][28] Kahle was quoted as saying:

The Internet Archive capitalized on the popular use of the term "WABAC Machine" from a segment of The Adventures of Rocky and Bullwinkle cartoon (specifically, Peabody's Improbable History), and uses the name "Wayback Machine" for its service that allows archives of the World Wide Web to be searched and accessed.[47] This service allows users to view some of the archived web pages. The Wayback Machine was created as a joint effort between Alexa Internet (owned by Amazon.com) and the Internet Archive when a three-dimensional index was built to allow for the browsing of archived web content.[48] Hundreds of billions of web sites and their associated data (images, source code, documents, etc.) are saved in a database. The service can be used to see what previous versions of web sites used to look like, to grab original source code from web sites that may no longer be directly available, or to visit web sites that no longer even exist. Not all web sites are available because many web site owners choose to exclude their sites. As with all sites based on data from web crawlers, the Internet Archive misses large areas of the web for a variety of other reasons. A 2004 paper found international biases in the coverage, but deemed them "not intentional".[49]

A "Save Page Now" archiving feature was made available in October 2013,[50] accessible on the lower right of the Wayback Machine's main page.[51] Once a target URL is entered and saved, the web page will become part of the Wayback Machine.[50]Through the Internet address web.archive.org,[52] users can upload to the Wayback Machine a large variety of contents, including PDF and data compression file formats. The Wayback Machine creates a permanent local URL of the upload content, that is accessible in the web, even if not listed while searching in the official website.

In October 2016, it was announced that the way web pages are counted would be changed, resulting in the decrease of the archived pages counts shown. Embedded objects such as pictures, videos, style sheets, JavaScripts are no longer counted as a "web page", whereas HTML, PDF, and plain text documents remain counted.[53]

Created in early 2006, Archive-It[77] is a web archiving subscription service that allows institutions and individuals to build and preserve collections of digital content and create digital archives. Archive-It allows the user to customize their capture or exclusion of web content they want to preserve for cultural heritage reasons. Through a web application, Archive-It partners can harvest, catalog, manage, browse, search, and view their archived collections.[78]

In terms of accessibility, the archived web sites are full text searchable within seven days of capture.[79] Content collected through Archive-It is captured and stored as a WARC file. A primary and back-up copy is stored at the Internet Archive data centers. A copy of the WARC file can be given to subscribing partner institutions for geo-redundant preservation and storage purposes to their best practice standards.[80] Periodically, the data captured through Archive-It is indexed into the Internet Archive's general archive.

As of March 2014[update], Archive-It had more than 275 partner institutions in 46 U.S. states and 16 countries that have captured more than 7.4 billion URLs for more than 2,444 public collections. Archive-It partners are universities and college libraries, state archives, federal institutions, museums, law libraries, and cultural organizations, including the Electronic Literature Organization, North Carolina State Archives and Library, Stanford University, Columbia University, American University in Cairo, Georgetown Law Library, and many others.

In September 2020 Internet Archive announced a new initiative to archive and preserve open access academic journals, called Internet Archive Scholar.[81][82][83] Its full-text search index includes over 25 million research articles and other scholarly documents preserved in the Internet Archive. The collection spans from digitized copies of eighteenth century journals through the latest open access conference proceedings and pre-prints crawled from the World Wide Web.

In addition to web archives, the Internet Archive maintains extensive collections of digital media that are attested by the uploader to be in the public domain in the United States or licensed under a license that allows redistribution, such as Creative Commons licenses. Media are organized into collections by media type (moving images, audio, text, etc.), and into sub-collections by various criteria. Each of the main collections includes a "Community" sub-collection (formerly named "Open Source") where general contributions by the public are stored.

The Audio Archive is an audio archive that includes music, audiobooks, news broadcasts, old time radio shows, podcasts, and a wide variety of other audio files. As of January 2023[update], there are more than 15,000,000 free digital recordings in the collection. The subcollections include audio books and poetry, podcasts, non-English audio, and many others.[111] The sound collections are curated by B. George, director of the ARChive of Contemporary Music.[112] ff782bc1db

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