Strummer had been developing a set of lyrical ideas that he was looking to match with an appropriate tune. Before hearing Headon's music, Strummer had already come up with the phrases "rock the casbah" and "you'll have to let that raga drop", as lyrical ideas that he was considering for future songs.[8][9] After hearing Headon's music, Strummer went into the studio's bathroom and wrote lyrics to match the song's melody.[6][7]
Joe Strummer had been toying with the phrase "rock the casbah" prior to hearing Topper Headon's musical track that would form the basis of the song. This phrase had originated during a jam session with Strummer's violinist friend Tymon Dogg. Dogg began playing Eastern scales with his violin and Strummer started shouting "rock the casbah!" Not hearing Strummer properly, Dogg thought that Strummer had been shouting at him to "stop, you cadger!"[8]
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The song gives a fabulist account of a ban on Western rock music by a Middle Eastern king.[5] The lyrics describe the king's efforts to enforce and justify the ban, and the populace's protests against it by holding rock concerts in temples and squares ("rocking the casbah"). This culminates in the king ordering his military's fighter jets to bomb the protestors; however, after taking off, the pilots ignore his orders and instead play rock music on their cockpit radios, joining the protest and implying the loss of the king's power.
The events depicted in the song are similar to an actual ban on Western music, including rock music, enforced in Iran since the Iranian Revolution. Though classical music and public concerts were briefly permitted in the 1980s and 1990s, the ban was reinstated in 2005, and has remained in force ever since. Western music is still distributed in Iran through black markets, and Iranian rock music artists are forced to record in secret, under threat of arrest.[12][13][14]
The soothing and poignant voices of famous Indian singers - classical or contemporary- have made Indian music famous worldwide. Whether it's meditative, festivals, folk songs, rock, hip hop, wedding songs, Sufi, retro, workout, ghazals, party, devotional or romantic songs- Indian music has it all.
Mr. Davis came of age in the be-bop era; many successive styles -- cool jazz, hard-bop, modal jazz, jazz-rock, jazz-funk -- were sparked or ratified by his example. Throughout his career he was grounded in the blues, but he also drew on pop, flamenco, classical music, rock, Arab music and Indian music. Musicians he discovered often moved on to innovations of their own. 006ab0faaa
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