During that time, San Francisco was experiencing the first devastating waves of AIDS, which led to chapters of ACT UP. In LA, she did pro-choice clinic defense then ACT UP became her new go-to home. She joined the women\u2019s caucus, helped organize a national action, fought against AIDS-related homophobia in Hollywood. She was all-in and doing queer activism with Queer Nation too. She helped form Puss \u2018N Boots, a 90s dyke visibility action group similar to the Lesbian Avengers in New York. She also co-founded the LA Dyke March and with the ACT UP National Women\u2019s Caucus helped organize the larger Washington, DC, national dyke march that drew 20,000 lesbians, in collaboration with Avengers chapters across the US. Along the way, she built the close dyke friendship circle that she\u2019s kept to this day. She also kept her day jobs all along, the ever-responsible punk.

I met Judy with a mutual friend, Kate Sorensen, who\u2019d been in Act Up before moving to Philadelphia. The two of them were members of Large Marge, an all-dyke punk band named after the truck driver in Pee Wee Herman\u2019s Big Adventure. Judy played the bass, an instrument she got about the time she got her Nikon. Her next dyke band, the Mudflap Girls, played at the LA dyke march a couple of times and at Al\u2019s Bar, Spaceland and house parties. They\u2019d changed the band\u2019s name to Mudflap Girls in cheeky celebration of the diversity of sizes and shapes of the band members. We just thought, we\u2019re gonna take that ideal of the mud flap and shake it\u2026we\u2019re gonna define it for ourselves. The band was a complete blast, Judy says. It\u2019s so immediate and gratifying, Judy says of playing music with others, like sex on stage\u2026 like group sex when you\u2019re playing and everyone\u2019s, you know, all together. Or even if not together, but it sounds great. To this day, she remains a living room post-punk bass player.


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Fast forward to the years just before Covid, when several friends had been encouraging Judy to pull together a show. She cut her teeth on a visual exhibition of LA dyke images and memorabilia, Lesbians to Watch Out For: \u201890s Queer LA Activism, co-curated with her pal, KPFK Feminist Magazine Radio co-cohost Lynn Ballen, held during Pride 2017 at Plummer Park. That show highlighted the activism of a number of lesbian groups in LA including Puss \u2018N Boots. (It also included a side exhibit of the Avengers 25-year anniversary show).

That same year she discovered a new favorite queer Latinx punk hangout, the monthly Club Scum, cofounded in 2016 by a friend of hers, the queer nightlife impresario Rudy Bleu, with his club partner Ray (\u201CHex-Ray\u201D) Sanchez, both east LA natives. They founded the club after growing tired of too-white queer spaces; it was a magnet for Latinx drag artists and bands. Club Scum took place at Club Chico in Montebello and expanded to offer pop-up Scum parties in San Francisco, New York and Mexico City. By now, Judy has a treasure trove of pictures devoted to Club Scum wild nights and creative debauchery. Sadly, the Club Scum party was cut short during the Covid epidemic, one of many LA bars that shut down in 2020, including the Latino gay Club Cobra in North Hollywood, an offshoot of Club Chico with a popular Thursday night party, Transfix.

Greer was raised Roman Catholic[9] and grew up in Redford Township and Livonia.[10] She attended Churchill High School,[10] where she was a part of the Creative and Performing Arts Program and graduated from The Theatre School at DePaul University in 1997 with a Bachelor of Fine Arts degree.[11] She later adopted her mother's maiden name for her stage name, as several other actresses are named Judy or Judi Evans.

Greer made her film debut in the horror film Stricken (1998), as a college student involved in a fatal prank.[12] This was followed by a small role in the Chicago-filmed drama Kissing a Fool (1998). She was cast in her first major role as Fern Mayo, a nerdy teenager who uncovers her classmates' murder of their friend, in Darren Stein's black comedy Jawbreaker (1999).[13] Greer followed this with small parts in the romantic comedy films, What Women Want (2000)[14] and The Wedding Planner (2001).[15] She was cast in a 2002 pilot for NBC alongside Stephen Colbert, Untitled Ken Finkleman Project (Imagine Entertainment), based on the Canadian show The Newsroom from Ken Finkleman. Colbert portrayed Finkleman and Greer played his sister.[8]

That same year, Greer also starred in the comedy-drama Jeff, Who Lives at Home, directed by brothers Jay and Mark Duplass, in which she and Ed Helms played a couple whose marriage is failing.[62] The film premiered at the Toronto International Film Festival to positive reviews, with Roger Ebert of the Chicago Sun-Times calling it "a whimsical comedy [that depends] on [...] the discontent of Helms and Greer."[63][64] For her work in both The Descendants and Jeff, Who Lives at Home, Greer received the John Cassavetes Award at the Denver Film Festival, becoming the first female actor to be the recipient of the award.[65] Greer then starred in the short-lived CBS sitcom Mad Love, about a group of people in their 30s trying to find love.[66] David Hinckley of New York Daily News felt that Greer played her role "perfectly" in the series, which was cancelled after one season.[67][68] Greer also hosted an online series of exercise videos titled Reluctantly Healthy, which was later adapted by Litton Entertainment as part of their Saturday-morning One Magnificent Morning block for The CW.[69]

In 2018, Greer first played a supporting role in Clint Eastwood's biographical film The 15:17 to Paris, as the mother of U.S. Air Force Staff Sergeant Spencer Stone. As part of an overall negative response, Tim Grierson of ScreenDaily lamented that Greer and co-star Jenna Fischer were "trapped playing supportive-parent clichs."[121] Greer followed with Jim Loach's comedy-drama Measure of a Man. Mick LaSalle of the San Francisco Chronicle felt she was "wasted" in the role of a mother whose teenage son is experiencing bullying.[122][123] Greer co-starred in the biographical film Driven, in which she played the wife of a man (Jason Sudeikis), who gets busted by the FBI for trying to smuggle cocaine and subsequently becomes an informant. The film premiered at the Venice International Film Festival.[124] Guy Lodge of Variety remarked that Greer was "reliably game in a princess-to-patsy part," while Boyd Van Hoeij of The Hollywood Reporter felt that Greer was "especially good" in a scene where she finds a wire on her husband.[125][126]

In 2021, Greer starred in the comedy film Lady of the Manor, alongside Melanie Lynskey, Ryan Phillippe and Justin Long, who made his directorial debut in the film. Greer played Lady Wadsworth, a ghost who resides in a historic mansion, where a drug dealer is employed.[152] The film premiered at the Gasparilla International Film Festival.[153] Despite critics largely dismissing the comedy, Greer's performance earned praise.[154] Angie Han of The Hollywood Reporter found Greer's chemistry with Lynskey to be "warm and genuine", while Sarah Bea Milner of Screen Rant remarked that "Greer plays against type, mainly being the straight character to Lynskey's over-the-top antics [...] Greer imparts a lot of personality on a role that easily could have felt stilted or wooden in less capable hands."[155][156] Greer next provided the voice of Martha Washington in Netflix's adult animated film America: The Motion Picture, which received negative reviews from critics.[157]

Daughter of actress and singer Judy Garland and director Vincente Minnelli, Minnelli was born in Los Angeles, spent part of her childhood in Scarsdale, New York, and moved to New York City in 1961 where she began her career as a musical theatre actress, nightclub performer, and traditional pop music artist. She made her professional stage debut in the 1963 Off-Broadway revival of Best Foot Forward[3] and received the Tony Award for Best Actress in a Musical for starring in Flora the Red Menace in 1965,[4] which marked the start of her lifelong collaboration with John Kander and Fred Ebb. They wrote, produced or directed many of Minnelli's future stage acts and television series and helped create her stage persona of a stylized survivor, including her career-defining performances of anthems of survival ("New York, New York", "Cabaret", and "Maybe This Time").[5] Along with her roles on stage and screen, this persona and her style of performance contributed to Minnelli's status as an enduring gay icon.[6]

In 2006, Minnelli appeared on My Chemical Romance's album The Black Parade, providing backing vocals and singing a solo part with Gerard Way on the track "Mama". Minnelli was nominated in 2009 for Best Traditional Pop Vocal Album for her studio recording Liza's at the Palace...!, based on her hit Broadway show. Minnelli released an album on the Decca Records label titled Confessions on September 21, 2010.[25]

Jen lives with her two sons, defiant teen Charlie (Sam McCarthy) and introspective Henry (Luke Roessler). She works with real estate partner Christopher (Max Jenkins), until he decides to part ways, and she goes back to work with Lorna (Valerie Mahaffey), her mother-in-law and former boss.


Hilary Baskin

Hilary serves on the board of the Colorado Orthodontic Association. Last year she was selected to be one of 8 orthodontists in the US and Canada to serve on the Inclusion, Diversity and Engagement Committee of the American Association of Orthodontists. Her practice has set up mentoring programs for underrepresented groups and College prep programs. It was this passion that first led Hilary to NCJW as I was part of the Scholarship Committee. She has previously served on various boards and volunteer roles for my professional and personal interests throughout the community with Hadassah, JFS, Jewish Colorado, and Guide Dogs for the Blind. When Hilary is not in the office or volunteering, she enjoys traveling, hiking, camping, reading, cooking and recently took a ceramics class at the J. Her superpower is connecting people! Hilary and her husband, Rabbi Eliot Baskin, have 2 adult sons, Jonah and Gabe. They joke they are the blessings and braces or shul and drool team! be457b7860

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