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Image Processing and Analysis for
Archaeology & Film Studies
IAP4CH @ ICIAP 2023
Monday 11th September, Udine (Italy)
The main objective of the workshop is to gather contributions on the latest trends in Computer Vision for visual and material aspects of Cultural Heritage. It will be divided in two sessions devoted respectively to Land and Underwater Archaeology and Film Studies.
The emphasis will be on processing visual and spatial data and on the detection of relationships with their historical context, focusing on object detection, object segmentation, semantic scene labelling, image classification, visual relationships and content-based image retrieval system, common areas of technological innovation in the disciplines considered for the workshop.
The emphasis will be on processing visual and spatial data and on the detection of relationships with their historical context, focusing on object detection, object segmentation, semantic scene labelling, image classification, visual relationships and content-based image retrieval system, common areas of technological innovation in the disciplines considered for the workshop.
We highlight in particular the importance of an interdisciplinary work between Humanities scholars, with a strong connection between visual and historical factors, and Computer Science scholars, especially in the field of Computer Vision. This perspective of concrete collaboration between the two disciplines, which too often work in parallel, seems to us the only way to promote a technological advancement made more effective by the historical-cultural contextualisation of data and the concrete needs and peculiarities of material Cultural Heritage valorisation.
We highlight in particular the importance of an interdisciplinary work between Humanities scholars, with a strong connection between visual and historical factors, and Computer Science scholars, especially in the field of Computer Vision. This perspective of concrete collaboration between the two disciplines, which too often work in parallel, seems to us the only way to promote a technological advancement made more effective by the historical-cultural contextualisation of data and the concrete needs and peculiarities of material Cultural Heritage valorisation.
Particularly appreciated will therefore be 'twinning papers' conceived and/or presented by multidisciplinary groups or research initiatives composed of Computer Vision scholars and Humanities scholars in the field of Archaeology and Film Studies.
Particularly appreciated will therefore be 'twinning papers' conceived and/or presented by multidisciplinary groups or research initiatives composed of Computer Vision scholars and Humanities scholars in the field of Archaeology and Film Studies.
The workshop calls for submissions is addressing, but not limited to, the following topics:
The workshop calls for submissions is addressing, but not limited to, the following topics:
Computer Vision and Archeological Heritage:
Computer Vision and Archeological Heritage:
- Digital Archeology, digitization and on-site documentation
- Image Analysis and Processing for Land and Underwater Archaeology
- CV in Archaeometry and Data Analysis
- CV and simulations in Archeology and Cultural Heritage
- 3D artifacts reconstruction and classification
- MobileGIS workflow in archaeological prospection
- Digital Transformations in Maritime Archaeological Practice
- Ancient coins classification and analysis
Computer Vision and Film Studies:
Computer Vision and Film Studies:
- Film heritage, inclusivity (ethno-racial) and automatic AI visual identification
- Film heritage, automatic recognition and metadata production of visual data, interoperability with standard cataloguing systems
- AI for film and video analysis
Submission and review
Submission and review
We invite submission of papers describing work in the domains suggested above or in closely-related areas.
We invite submission of papers describing work in the domains suggested above or in closely-related areas.
Participants can choose between two formats:
Participants can choose between two formats:
1. Full paper: accepted submissions will be presented at the workshop, and published in the ICIAP 2023 Workshops volume, edited by Springer. The maximum number of pages is 10 + 2 pages for references. While preparing their contributions, authors must follow the guidelines and technical instructions provided by Springer.
1. Full paper: accepted submissions will be presented at the workshop, and published in the ICIAP 2023 Workshops volume, edited by Springer. The maximum number of pages is 10 + 2 pages for references. While preparing their contributions, authors must follow the guidelines and technical instructions provided by Springer.
2. Abstract and short presentation (1-4 pages) of ongoing projects presenting workflows for preliminary, mid-term or pilot projects are welcome, although they cannot be published in the conference proceedings.
2. Abstract and short presentation (1-4 pages) of ongoing projects presenting workflows for preliminary, mid-term or pilot projects are welcome, although they cannot be published in the conference proceedings.
Reviewing of submissions will be double-blind.
Reviewing of submissions will be double-blind.
Each accepted paper must be covered by at least one registered author. Registration can be either for the full event at a regular rate or just for workshops and tutorials (2 days).
Each accepted paper must be covered by at least one registered author. Registration can be either for the full event at a regular rate or just for workshops and tutorials (2 days).
Important dates
Paper Submission Deadline: June 23rd, 2023
Decision to Authors: July 21st, 2023
Camera ready papers due: July 31st, 2023
Submission site
Submissions must be in PDF format and will be handled via the Microsoft CMT Conference system at the following address: https://cmt3.research.microsoft.com/ICIAPDHH2023
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