I Spit on Your Grave is noted for its controversial depiction of extreme graphic violence, particularly the lengthy depictions of gang rape, that take up 30 minutes of its runtime. During its wider release, it was branded a "video nasty" in the United Kingdom, and was a target of censorship by film commissioning bodies.[3][4] As such, film critic Roger Ebert became one of the most notable detractors of I Spit on Your Grave, calling it "a vile bag of garbage".[5] The film remains highly controversial to this day, even being considered to be one of the worst ever made. For some, it is this controversy which has led to it being deemed a cult classic.[6] Despite the controversy and overwhelmingly negative reviews, the performance of Keaton was praised by critics. In 2010, I Spit on Your Grave was included in Time magazine's "Top 10 Ridiculously Violent Movies".[7]

In the commentary for the Millennium Edition, Zarchi said he was inspired to produce the film after helping a young woman who had been raped in New York. He tells of how he, a friend and his daughter were driving by a park when they witnessed a young woman crawling out of the bushes bloodied and naked (he later learned the young woman was taking a common shortcut to her boyfriend's house when she was attacked). They collected the traumatized girl, returned the daughter home, and quickly decided it was best to take the girl to the police rather than a hospital, lest the attackers escape and find further victims.


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So, I've seen the original 70s film, the first remake and the sequel to the first remake, i just watched I Spit on your Grave 2 last night on Tubi, and i remember being disturbed by the first remake, but holy fuck.. the second one actually made me vomit, which almost never ever happens, what are your thoughts on these films?

According to the novel, this peculiar corner of America is full of uninhibited teenage nymphos so before you get out your maps to plan a trip, I have to dampen any enthusiasm and say that I Spit on Your Graves is not a bit realistic in its setting or in its characterisations and instead seems more of a curiosity than anything else.

Once Katie entered, however, she found herself facing the same trio of brothers who assaulted her, and afterwards, Ana turned heel by revealing herself as the boys' mother--spitting in Katie's face and snarling at her for trying to "hurt" her family. The villainess left Katie to be raped again by the boys and their family friend Valko; all the while, the evil Ana played her music at a loud pace to drown out Katie's pained screams--after which she cradled Georgy after they were done with Katie.

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Katie Carter Played by: Jemma Dallender And Now for Someone Completely Different: She is the first protagonist in the series other than Jennifer, and has nothing to do with her. Buried Alive: Her rapists put her in a box and bury it when they're done with her. However, the bottom of the grave collapses into a tunnel and frees her.

First film and remake Johnny  Adaptation Name Change: In the original his last name is Stillman, but in the remake it's Miller. Adaptational Villainy: The remake version has all references to a family removed, making him a lone psycho as well as a stereotypical gun-loving redneck. He also tortures Jennifer with a gun first instead of just raping her. Big Bad: He's the leader of the rapists in the original. Demoted to Dragon: In the remake, it's Sheriff Storch who's the leader instead of Johnny. Disc-One Final Boss: Being the leader, he's only the second to die. Even Evil Has Loved Ones: Despite being a rapist, he cares about his wife and children in the original, an element that gets removed in the remake.

Matthew  Adaptational Heroism: Matthew was always the most sympathetic of the rapists because his mental issues make it clear he's not in his right mind. But despite hesitating, he still joins in the rape and is even shown vaguely enjoying it, as well as helping Johnny's gang hold Jennifer down when Johnny rapes her. Also, the fact that he accepts Jennifer's flirtations in the scene leading up to his death, despite knowing his prior acts are wrong, removes a lot of sympathy towards him (especially since it's implied he was intending to kill Jennifer when he saw her). In the remake he absolutely did not want to participate in the gangrape but was bullied into it Johnny's group (who were armed with baseball bats and other weapons including guns), so he really had no choice, even without his mental disability. He's shown openly remorseful as he rapes her and when he meets Jennifer again post-rape, even though initially he comes armed, he drops his weapon and falls down at her feet weeping and begging for forgiveness, unlike the Matthew of the original film. The Ditz: The film portrays him as mentally disabled. Dumb Is Good: He is The Ditz and by far the most humane of the rapists. Tenfold for the remake where he was forced by Johnny's gang to join in under the presumed threat they would hurt or kill him, and was so remorseful for the act he was weeping as he begged for forgiveness. No Good Deed Goes Unpunished: He is killed by Jennifer after he spared her life. Much more impactful in the remake, where he was the only one of the criminals who (albeit with a weapon in his hand) sought out Jennifer specifically and sincerely to apologize. Peer Pressure Makes You Evil: He only takes part in the rape because his friends pressure him to. Justified in the remake because the gang of rapists were armed with weapons with Johnny wielding a pistol under the implied threat they'd hurt him if he doesn't rape Jennifer. Pet the Dog: When he spares Jennifer's life. Threefold in the remake in his meeting after the crime because he was really remorseful and crying as he asked Jennifer to forgive him.

Becky  Ascended Extra: She only appears for two brief scenes in the first film but is the central antagonist of Deja vu. Beauty Equals Goodness: Inverted, she's a very ugly woman with buckteeth and is the first female rapist (or at least attempted rapist) in the series. Big Bad: She's the leader of the villains in Deja vu. Brawn Hilda: She's very muscular, mannish, and ugly. Characterization Marches On: She seems like a fairly normal woman in the original film but is shown to be an Ax-Crazy Depraved Bisexual in Deja Vu. Depraved Bisexual: She was married to Johnny but has no problems with trying to rape Christy. Double Standard: Rape, Female on Female: Averted, the scene where she tries to force herself on Christy is played for horror. Even Evil Has Loved Ones: Despite being a crazed and murderous Depraved Bisexual and attempted rapist, she did genuinely love her husband and their children. Evil Sounds Raspy: Her voice is very hoarse in Deja vu, despite being normal in the original. Older Than They Look: She should be in her 60s but looks to be in her 40s. Revenge Myopia: She wants to kill Jennifer before raping and killing Jennifer's daughter Christy as revenge for Jennifer killing her husband Johnny after he raped and tried to murder her.

Herman  Bald of Evil: He has no hair on top of his head and while he does have some shred of decency in him, much like his son, he still tries to kill Christy later on and played a part in the murder of her mother. The Ditz: He's mentally disabled to an even greater degree than his son Matthew was. Even Evil Has Standards: He ultimately backed out of raping Christy despite coming close to doing so, and he did stop Becky from raping her. He actually fights the group off for a bit, allowing Christy time to escape. Older Than They Look: He should be in his 80s, but he looks much too young. Outliving One's Offspring: His son Matthew died 40 years before him.

Kevin  Beard of Evil: He has a thick black beard and is a depraved sexual sadist. Older Than They Look: He should be in his 60s but looks to be far too young. Too Dumb to Live: He's foolish enough to believe Christy when she pretends to forgive him for raping her and playing a part in the murder of her mother. Revenge Myopia: He wants to avenge his brother Stanley, despite the fact that Stanley was a sadistic sex maniac who helped rape Jennifer and even recorded it so he could watch it over and over again.

Scotty  Beard of Evil: He has a neckbeard and is one of the rapists. Major Injury Underreaction: He barely reacts when shot in the groin, only whining about how unfair it was that Christy pulled a gun on him when he only had a knife. Older Than They Look: He should be in his 60s but looks more like he's in his 20s. Revenge Myopia: He wants to avenge Andy despite what Andy did to Jennifer when he raped her and tried to kill her.

This is a rare instance where the director of the original movie actually endorsed and embraced the remake, and was the executive producer. Was Meir Zarchi on the set a lot with you guys? Can you talk about any of your interactions with him?

Chad Lindberg: I don't know, enter at your own risk, man. I think curiosity is going to get people going. After awhile, it's going to be word-of-mouth like, 'Have you seen this?' Like I said, I had never heard it was a remake so I think there's a good possibility this could reach the younger generation these days. I'm hoping it just becomes one of those things, over time.

Most critics, including Ebert, agreed on two real issues with I Spit On Your Grave. Firstly, it was grizzly in its depiction of violence towards a woman, and secondly, it was just a plain bad movie. The leafy Connecticut location and general subject make it easy to draw comparisons to Last House on the Left, but the differences between the two are a basic lesson in competent filmmaking. Despite being an absolute beginner with no permits, barely any money, and formal training only in teaching and philosophy, Wes Craven clearly knew how to tell a story visually, and did a good job with his limited resources. Meir Zarchi on the other hand, seemed to set the camera down, roll it, shout "action," and hope for the best. 006ab0faaa

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