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Through this, Flyn interrogates the ecological impact of human activity on each location and to what extent nature can bounce back in a truly engaging manner. By turns cautionary but with glimmers of hope, Islands of Abandonment is not only a compelling travelogue but also a fascinating insight into the relationship between man and nature.

Hambi mitlangu na vunyanyuri a swi avanyisiwile hi mfanelo; ku yimbelela, ku hleka na ku vulavula a swi tshikeriwile nomo; ku tsutsuma na bolo ya milenge; loko besibolo na basikitibolo swi nyikiwile mavoko, handle ka leswaku milenge a ku ri yona a yi ta tsutsumatsutsuma. Eka swa mitlangu, milenge a yi tshikeriwe swona. Ku avanyisa ka mitirho loku ku endlile leswaku miri wu va muchini wa matimba wa vutomi, wu tlula hambi swiharhi leswikulu hi leswi a wu kota ku swi fikelela hi ntalo na hi nkoka.

Huma Ka Swona Mp3 Download

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Leri ri hundzukile rona Risimu ra Rixaka ra Miri Hinkwawo. Miri wa ha ri yimbelela na namuntlha nakona leswi hi swona swi hlamuselaka ku hambana exikarhi ka vanhu na swiharhi, kumbe lava nga bakanyela etlhelo nhlungo wo thwixi.

Handle ka leswi hi swi voneke, swiharhi swa mune a swi pfumelanga nhlungo lowu. Ku yimbelela a ku ri mhaka ya vuphukuphuku. Nomo a wu endleriwile ku dya ku nga ri ku yimbelela. Swi vumbile nhlangano wo hlayisa xintu wa ntumbuluko kutani swi tshama eka tindlela ta swona swi nga hundzuli mikhuva ni maendlelo ya swilo.

There is human meddling and there is, of course, the natural. Another decidedly non-tourist trip is to the Caribbean island of Montserrat, where between 1995 and 1997 a series of volcanic eruptions left the town of Plymouth entombed under 40ft of ash, lava and mud. The place was evacuated, then abandoned. Now, only the top storeys of buildings protrude. Flyn notes how heaps of ash are colonised by shrubs, how vegetation creeps over destroyed buildings. Ferns grow within an old police station, lizards and bats have colonised empty churches and houses.

Cal Flyn's latest book, Islands of Abandonment: Life in the Post-Human Landscape tells the story of a dozen abandoned places around the world, from Chernobyl to the volcanic Caribbean, and looks particularly at how nature reclaims and rebounds after humans leave.

Ruined buildings and decaying remnants of human activity have a strange attractiveness and bewitching aesthetics to them. When ruination and decay was taken up by the Humanities and Arts Research Cluster (HARC), University of the Highlands and Islands, as the first of its annual research themes, I was immediately excited by the topic. Why should this be so? Why was I not repulsed?

I am mesmerised by looking at photographs of decaying structures from the relatively recent past. A well-known example is the Mark Twain Public Library in Detroit, which closed down due to budget cuts and lies abandoned with books and furniture still in it. There are Pinterest collections out there dedicated to urban decay, showing abandoned and decaying schools, factories, swimming pools and sports centres, mansions and churches, lecture halls and theatres. I have spent hours on Google Earth, looking at the town of Chernobyl, where trees and grass have taken over the apartment blocks and the Ferris wheel in the amusement park has become no more than a trellis for the returning plant life. My fascination with urban decay stems, I think, from the clashes between the familiar and the strange and between the temporal moment and vastness of time. It shows so clearly and unrelentingly that human structures are no more than temporary surface alterations and that however familiar we are with the music hall it is but a brief and temporary assemblage of materials which one day will be claimed back by Planet Earth. A mirage of civilisation and illusion of governance over nature.

Both for ancient ruins and more modern ruins, the following holds true: When human life in it, or human use of it has come to an end, the building nonetheless still has its own life. It continues to live and interact with nature and the world around it. Abandonment, ruination and decay is not about stopping time, but about transforming into something else. As Colin Richards put it: Decay is a generative process. Perhaps the root of my fascination lies here, in the notion of a ruin being alive. And perhaps this is why once the ruin is consolidated, made secure by Historic Environment Scotland and opened up to ticket-buying visitors, it loses some of its appeal to me?

In Islands of Abandonment, Scottish writer and journalist Cal Flyn is interested not so much in environments still under human control, but ones where humans have departed. It is about what happens after accidents, after carelessness has done its damage, after ignorance or blunder has decimated a place. What happens when colonialists abandon their projects; when industries collapse; when the last inhabitants leave or reactors meltdown, or when the white light of atom bombs has faded from the skies?

Loko a ha dyondza exikolweni xa le henhla, vuleteri bya vuhlayisi bya nhova byi vile byi endliwa entangeni wa Manyeleti. Hi ku va a tshama ekusuhi ni ndzhawu leyi vuleteri a byi teka ndzhawu kona, u swi lemukile ku fikela laha a nga lava ku tiva swo tala hi vuleteri lebyi ku suka eka vadyondzisi va swona.

One dominant bull remains with the herd while the mature banished bulls live away from the herd. The Swona cattle continue to survive with a lack of human intervention and are a good example of breeding through natural selection. 006ab0faaa