How To Slide To Download App |VERIFIED|

Todays visitors can still enjoy the fruits of Pendley's labor. Historic cabins are available for viewing, and the creek offers the park's namesake slide for adventures seekers and those looking for a place to cool off.

Slide guitar is a technique for playing the guitar that is often used in blues music. It involves playing a guitar while holding a hard object (a slide) against the strings, creating the opportunity for glissando effects and deep vibratos that reflect characteristics of the human singing voice. It typically involves playing the guitar in the traditional position (flat against the body) with the use of a slide fitted on one of the guitarist's fingers. The slide may be a metal or glass tube, such as the neck of a bottle. The term bottleneck was historically used to describe this type of playing. The strings are typically plucked (not strummed) while the slide is moved over the strings to change the pitch. The guitar may also be placed on the player's lap and played with a hand-held bar (lap steel guitar).

How To Slide To Download App

Download 🔥 https://urllio.com/2y5U4S 🔥

Creating music with a slide of some type has been traced back to African stringed instruments and also to the origin of the steel guitar in Hawaii. Near the beginning of the twentieth century, blues musicians in the Mississippi Delta popularized the bottleneck slide guitar style, and the first recording of slide guitar was by Sylvester Weaver in 1923. Since the 1930s, performers including Robert Nighthawk, Earl Hooker, Elmore James, and Muddy Waters popularized slide guitar in electric blues and influenced later slide guitarists in rock music, including the Rolling Stones, Duane Allman, and Ry Cooder. Lap slide guitar pioneers include Oscar "Buddy" Woods, "Black Ace" Turner, and Freddie Roulette.

Most players of blues slide guitar were from the southern US particularly the Mississippi Delta, and their music was likely from an African origin handed down to African-American sharecroppers who sang as they toiled in the fields.[6] The earliest Delta blues musicians were largely solo singer-guitarists.[7] W. C. Handy commented on the first time he heard slide guitar in 1903, when a blues player performed in a local train station: "As he played, he pressed a knife on the strings of the guitar in a manner popularised by Hawaiian guitarists who used steel bars. The effect was unforgettable."[8]Blues historian Grard Herzhaft notes that Tampa Red was one of the first black musicians inspired by the Hawaiian guitarists of the beginning of the century, and he managed to adapt their sound to the blues.[9] Tampa Red, as well as Kokomo Arnold, Casey Bill Weldon, and Oscar Woods adopted the Hawaiian mode of playing longer melodies with the slide instead of playing short riffs as they had done previously.[10]

In the early twentieth century, steel guitar playing divided into two streams: bottleneck-style, performed on a traditional Spanish guitar held flat against the body; and lap-style, performed on an instrument specifically designed or modified for the purpose of being played on the performer's lap.[11] The bottleneck-style was typically associated with blues music and was popularized by African-American blues artists.[11] The Mississippi Delta was the home of Robert Johnson, Son House, Charlie Patton, and other blues pioneers who prominently used the slide.[12][13] The first known recording of the bottleneck style was in 1923 by Sylvester Weaver who recorded two instrumentals, "Guitar Blues" and "Guitar Rag".[14][15][a] Guitarist and author Woody Mann identifies Tampa Red and Blind Willie Johnson as "developing the most distinctive styles in the recorded idom" of the time.[16] He adds:

When the guitar was electrified in the 1930s, it allowed solos on the instrument to be more audible, and thus more prominently featured. In the 1940s, players like Robert Nighthawk and Earl Hooker popularized electric slide guitar; but, unlike their predecessors, they used standard tuning.[12] This allowed them to switch between slide and fretted guitar playing readily, which was an advantage in rhythm accompaniment.

Robert Nighthawk (born Robert Lee McCollum) recorded extensively in the 1930s as "Robert Lee McCoy" with bluesmen such as John Lee "Sonny Boy" Williamson (also known as Sonny Boy Williamson I).[17] He performed on acoustic guitar in a style influenced by Tampa Red.[18] Sometime around World War II, after changing his last name to "Nighthawk" (from the title of one of his songs), he became an early proponent of electric slide guitar and adopted a metal slide.[19] Nighthawk's sound was extremely clean and smooth, with a very light touch of the slide against the strings.[20] He helped popularize Tampa Red's "Black Angel Blues" (later called "Sweet Little Angel"), "Crying Won't Help You", and "Anna Lou Blues" (as "Anna Lee") in his electric slide style-songs which later became part of the repertoire of Earl Hooker, B.B. King, and others.[21][22] His style influenced both Muddy Waters and Hooker. Nighthawk is credited as one who helped bring music from Mississippi into the Chicago blues style of electric blues.[23]

As a teenager, Earl Hooker (a cousin of John Lee Hooker) sought out Nighthawk as his teacher[24] and in the late 1940s the two toured the South extensively.[25] Nighthawk had a lasting impact on Hooker's playing; however, by the time of his 1953 recording of "Sweet Angel" (a tribute of sorts to Nighthawk's "Sweet Little Angel"), Hooker had developed an advanced style of his own.[26] His solos had a resemblance to the human singing voice[27] and music writer Andy Grigg commented: "He had the uncanny ability to make his guitar weep, moan and talk just like a person ... his slide playing was peerless, even exceeding his mentor, Robert Nighthawk."[28] The vocal approach is heard in Hooker's instrumental, "Blue Guitar", which was later overdubbed with a unison vocal by Muddy Waters and became "You Shook Me".[29] Unusual for a blues player, Hooker explored using a wah-wah pedal in the 1960s to further emulate the human voice.[30]

Possibly the most influential electric blues slide guitarist of his era was Elmore James, who gained prominence with his 1951 song "Dust My Broom", a remake of Robert Johnson's 1936 song, "I Believe I'll Dust My Broom".[31] It features James playing a series of triplets throughout the song which Rolling Stone magazine called "one immortal lick" and is heard in many blues songs to this day.[32] Although Johnson had used the figure on several songs,[33] James' overdriven electric sound made it "more insistent, firing out a machine-gun triplet beat that would become a defining sound of the early rockers", writes historian Ted Gioia.[34] Unlike Nighthawk and Hooker, James used a full-chord glissando effect with an open E tuning and a bottleneck.[35][36] Other popular songs by James, such as "It Hurts Me Too" (first recorded by Tampa Red), "The Sky Is Crying", "Shake Your Moneymaker", feature his slide playing.

Rock musicians began exploring electric slide guitar in the early 1960s. In the UK, groups such as the Rolling Stones, who were fans of Chicago blues and Chess Records artists in particular, began recording songs by Muddy Waters, Howlin' Wolf, and others.[12] The Stones' second single, "I Wanna Be Your Man" (1963), featured a slide guitar break by Brian Jones, which may be the first appearance of a slide on a rock record.[43] Critic Richie Unterberger commented, "Particularly outstanding was Brian Jones's slide guitar, whose wailing howl gave the tune a raunchy bluesiness missing in the Beatles' more straightforward rock 'n' roll arrangement."[44] Jones also played slide on their 1964 single "Little Red Rooster", which reached number one on the British charts.[45][46][47] One of his last contributions to a Stones recording was his acoustic guitar slide playing on "No Expectations", which biographer Paul Trynka describes as "subtle, totally without bombast or overemphasis ... the perfect embodiment of the journey he'd embarked on in 1961."[48]

Ry Cooder was a child music prodigy and at age 15 began working on bottleneck guitar techniques and learned Robert Johnson songs.[55][56] In 1964, Cooder, along with Taj Mahal, formed the Rising Sons, one of the earliest blues rock bands.[57] His early guitar work appears on Captain Beefheart's debut Safe as Milk album (1967) and several songs on Taj Mahal's self-titled 1968 debut album.[58] Also in 1968, he collaborated with the Rolling Stones on recording sessions, which resulted in Cooder playing slide on "Memo from Turner". The Jagger/Richards song was later included on the soundtrack to the 1970 film Performance; Rolling Stone included it at number 92 on its "100 Greatest Guitar Songs of All Time" list.[59] In 1970, he recorded his own self titled debut album, which included the Blind Willie Johnson classic slide instrumental "Dark Was the Night, Cold Was the Ground" (re-recorded in 1984 for the soundtrack to Paris, Texas). Recognized as a master of slide guitar by 1967,[60] Rolling Stone magazine ranked him at number eight on their list of the "100 Greatest Guitarists of All Time" in 2003.[56]

The National String Instrument Corporation produced the first metal-body resonator guitars in the late 1920s (see image at beginning of article).[71] Popular with early slide players, these featured a large aluminum cone, resembling an inverted loudspeaker, attached under the instrument's bridge to increase its volume.[72] It was patented in the late 1920s by the Dopyera brothers and became widely used on many types of guitars, and was adapted to the mandolin and ukulele.

"Lap slide guitar" does not refer to a specific instrument, rather a style of playing blues or rock music with the guitar placed horizontally, a position historically known as Hawaiian style. This is a lap-steel guitar, but musicians in these genres prefer the term slide instead of steel; they sometimes play the style with a flat pick or with fingers instead of finger picks. [75] There are various instruments specifically made (or adapted) to play in the horizontal position, including the following: 17dc91bb1f