How To Download [PORTABLE] Copyright Registration Certificate

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How To Download Copyright Registration Certificate

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No. In the United States, copyright protection applies automatically as soon as a work is created and fixed in a tangible form, such as on paper or saved electronically. No notice or registration is required for your copyright to be valid.

You can register your copyright anytime; however, there are significant advantages to timely registration, which means your application is filed either (i) within 3 months of publication or (ii) prior to any infringing activity.

If your work is a thesis or dissertation, when you submit your work through ProQuest, you will be given the option of having them file the application with the United States Copyright Office on your behalf. Registration is not required for you to retain ownership of the copyright in your work. If you decide to register your copyright, you may be able to do it through ProQuest ($75 fee), or you can file the registration yourself with the Copyright Office ($45 for a single application). If your work includes the work of anyone else other than quotations (e.g., images, charts, tables, or sections based on co-authored articles), the ProQuest option is not available, and you must register a standard application directly with the Copyright Office ($65).

Registration is a procedure for creating a record of your copyright with the U.S. Copyright Office. Upon registration, the U.S. Copyright Office will send you a certificate confirming your registration.

For example, to register a motion picture, you must deposit a copy of the motion picture and a separate written description of its contents. Details about these requirements can be found on the copyright office website or by writing or calling the copyright office.

Basic copyrights can be registered online. These include copyrights for literary works, visual arts works, performing arts works, sound recordings, and motion pictures. You can register a copyright online even if you are planning to mail a copy of the work to the copyright office.

If you register your copyright online, you will receive an email confirmation that your registration was received. If you register by mail, you will not receive a confirmation when the copyright office receives your registration.

The purpose of copyright registration is to place on record a verifiable account of the date and content of the work in question, so that in the event of a legal claim, or case of infringement or plagiarism, the copyright owner can produce a copy of the work from an official government source.

Before 1978, in the United States, federal copyright was generally secured by the act of publication with notice of copyright or by registration of an unpublished work.[1] This has now been largely superseded by international conventions, principally the Berne Convention, which provide rights harmonized at an international level without a requirement for national registration. However, the U.S. still provides legal advantages for registering works of U.S. origin. For example, a registration, or a refusal of registration,[2] is required before an infringement suit may be filed in a US court and registration is required for claiming statutory damages in most cases.

Some scholars and policy advocates (such as law professor and activist Lawrence Lessig and U.S. Representative Zoe Lofgren) have called for returning to a system of registration requirements and possibly other formalities such as copyright notice. The system of automatic copyright on fixation has been cited as one of the factors behind the growth of so-called "orphan works" in, for instance, the U.S. Copyright Office's 2006 report on orphan works.[4] UC Berkeley's Law School held a conference in 2013 on the question of "Reform(aliz)ing Copyright for the Internet Age?", noting that

"Formalities, which in the past three decades have largely disappeared from American copyright law, may be about to stage a comeback. ... [R]ecent research on formalities suggests that we can get many of the benefits that formalities promise for a more efficient and focused copyright law, without the problems that led us to do away with them in the first place."[5]

All United States copyright registrations and renewals registered since 1978 have been published online at theCopyright Office website. Registrations and renewals prior to 1978[10] were published in semi-annual softcover Copyright Catalogs. For films from 1894 to 1969, inclusive, Library of Congress published hardcover Cumulative Copyright Catalogs, each covering ten or more years.

The next step is an easy application that anyone can do. When your original work is ready to be copyrighted, you can find the copyright registration application on copyright.gov. Registering your copyright is also important if you need to file a lawsuit for copyright infringement. The filing fee for copyright registration ranges from $35 to $55.

While respecting the principles established in the Berne Convention, several Berne Union members have established voluntary national registration systems for copyright and sometimes also for related rights. In the view of these Member States, registration facilitates the exercise of copyright and related rights, by providing right owners with a simple and effective means to clearly establish authorship and/or ownership of rights. National registration and recordation systems often hold valuable information on creativity, both from a legal and economic standpoint. As an office of record, a copyright registry can make available certificates of registration, certified copies of registry documents that provide, with varying legal effect, important information on a work or other subject matter, its author or, through a documented chain of transfer, its present ownership. Registration can also help to delimit the public domain, and consequently facilitate access to creative content for which no authorization from the right owner is needed. The information contained in national registries is not only valuable in legal and economic relations but may also serve the public interest by providing a source of national statistics on creativity and culture. Finally, national registries may constitute a repository of cultural and historical heritage, as they represent collections of national creativity, including works and other creative contributions.

The absence of voluntary national registration systems, together with the lack of communication or interaction among them, results in a highly asymmetric international scenario. Moreover, voluntary registration is very different from one country to another including systems where the work is actually deposited (registration) and others where only declarations are submitted, without deposit of the work (recordation). Some countries have expressed the need of a greater interaction among voluntary registration systems.

The WIPO Committee on Development and Intellectual Property has approved, as a way to implement the WIPO Development Agenda a Thematic Project on Intellectual Property and the Public Domain, which provides inter alia for the elaboration of a Survey on Voluntary Registration and Deposit Systems under copyright.

Moreover, the role of Rights Management Information (RMI) has tremendous potential for identifying and locating content. RMI is increasingly used in the networked environment, which helps users to customize their searches, find the content they are seeking, and where appropriate, enter into licensing agreements with right owners. With the support of increasingly sophisticated RMI, a number of private entities collect data on copyright status and ownership for different purposes, including collective management societies and private registries. Different approaches to the data collected and its availability are followed as some entities, such as Collective Management Organizations (CMO), collect data for their members with the objective of managing the rights entrusted to them, while others undertake data collection as a commercial operation for third parties. In some cases the task of providing a record of transactions and declarations by third parties is limited to a closed number of stakeholders or to the digital environment.

As part of the Development Agenda thematic project on IP and the Public Domain a Survey of Private Copyright Documentation Systems and Practices: (a) Private Registries (b) Collective Management Organization's Databases, is also under preparation. This would cover the use of copyright documentation, including in the form of RMI, by entities such as collective management organizations or the Creative Commons System, and would examine how these systems identify, or might contribute to identifying, content that is protected or in the public domain. Also under the same Development Agenda project a Conference on Copyright Documentation and Infrastructure was organized following completion of the two Surveys mentioned above and other initiatives.

Answer: You may request a copy of your copyright registrations by submitting a request in writing clearly specifying the registration numbers you want. Please note there is a fee for obtaining a copies of registration certificates. For further information on requesting copies of Copyright Office records, see Circular 6 and Circular 4 for Copyright Office fees at 9af72c28ce