Ancient Greek legends tell of King Minos of Crete, who had the inventor Daedalus create a labyrinth beneath his palace in which was housed the Minotaur, a fearsome monster with the head of a bull and body of a man. The Minotaur was said to have been slain by the Greek hero Theseus, who then managed to find his way out of the labyrinth with the aid of a ball of thread that had been given to him by Ariadne, the daughter of Minos.

The Labyrinth Society, a U.S. nonprofit 501c3 organization, is an international group of labyrinth enthusiasts whose mission is to support all those who create, maintain, and use labyrinths, and to serve the global community by providing education, networking, and opportunities to experience transformation. Read more...


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What is a Labyrinth?

A labyrinth is a meandering path, often unicursal, with a singular path leading to a center. Labyrinths are an ancient archetype dating back 4,000 years or more, used symbolically, as a walking meditation, choreographed dance, or site of rituals and ceremony, among other things. Labyrinths are tools for personal, psychological and spiritual transformation, also thought to enhance right-brain activity. Labyrinths evoke metaphor, sacred geometry, spiritual pilgrimage, religious practice, mindfulness, environmental art, and community building.

Labyrinths are named by type and can be further identified by their number of circuits. Counting from the center, the drawing at right illustrates a seven circuit design. You begin a labyrinth walk at the entrance and proceed along the path. Lines define the path and often maintain a consistant width, even around the turns. Generally at the center you have travelled half the distance, where it is common to pause, turn around, and walk back out again.

An Ever-Evolving Typology

As our awareness of labyrinths expands, it is important to keep our terminology consistent. One example of a now outdated name is calling the Classical Labyrinth the Cretan labyrinth. Some people call the lines 'walls,' but as most labyrinths are two dimensional this can lead to confusion.

Launched in 2004, the World-Wide Labyrinth Locator has been designed to be an easy-to-use database of labyrinths around the world. Information about labyrinths you can visit, including their locations, pictures, and contact details, are accessible here, along with information about the many types of labyrinths found worldwide. Labyrinths occur in many forms, shapes, and sizes, and the Locator contains both historic and modern examples. At the current time the Worldwide Labyrinth Locator database contains more than 6300 labyrinths (including a few mazes) in more than 90 different countries around the world.

We hope this locator will help you find labyrinths in your community as well as point you in interesting directions as you travel farther afield. In order for the database to grow and continue to be as complete and up-to-date as possible, we encourage you to add your labyrinth to our listings - simply click the Add a Labyrinth button in the left-hand menu - and to keep your information current as an on-going resource by contacting us with your updates. Likewise, should you spot errors in the listings or have further information to improve current listings, please let us know via the Contact Us button to the left. For some hints on how to search for specific labyrinths and a range of search options, click the Locate a Labyrinth button in the left-hand menu, or use the quick search box to the right, and for more answers to questions you may have, visit the Help page.

This project is sponsored by The Labyrinth Society and Veriditas, Inc. through a generous grant from the Faith, Hope and Love Foundation. We are delighted to offer it as a service to the labyrinth community, and, indeed, to anyone whose imagination has been captured by this ancient symbol. If you feel that the World-Wide Labyrinth Locator has been helpful to you, please consider making a donation to support the work of these two non-profit organizations.

Veriditas is dedicated to inspiring personal and planetary change and renewal through the labyrinth experience. We accomplish our mission by training and supporting labyrinth facilitators around the world, and offering meaningful events that promote further understanding of the labyrinth as a tool for personal and community transformation. Our vision is that the labyrinth experience guides us in developing the higher level of human awareness we need to thrive in the 21st century.

The Labyrinth Society is oriented toward bringing labyrinth enthusiasts together in order to share their interest, energy, and expertise. Its mission is to support those who create, maintain and use labyrinths, and to serve the global community by providing education, networking, and opportunities for experiencing transformation. The Labyrinth Society maintains an extensive website with information about labyrinths, regional and national events, and forums for connecting with other enthusiasts. The Labyrinth Society also stages an annual Conference and Gathering, sponsors a global World Labyrinth Day, and other international events.

A labyrinth is used for walking meditation. It is a single winding path from the outer edge in a circuitous way to the center. Labyrinths are used world-wide as a way to quiet the mind, calm anxieties, recover balance in life, enhance creativity and encourage meditation, insight, self-reflection and stress reduction. The practice of labyrinth walking integrates the body with the mind and spirit.

The labyrinth is not a maze. There are no tricks to it and no dead ends. Labyrinths are uni-cursal: one walks the same path going in and coming out. The path is in full view so there is no concern that you will get lost by walking. Instead, as you walk the path you can get lost in thought and, in doing so, find yourself.

There is no right or wrong way to walk a labyrinth; do what is right and natural for you while being respectful of others walking. Allow yourself to go the pace your body wants. Try to clear your mind and be open to thoughts and feelings. Children often enjoy the labyrinth and we ask that young children are supervised so all may enjoy the meditative aspects of the walk.

Each labyrinth experience is different. You may feel nothing, or unexpected emotions and memories may surface. Regardless, listen to your body and take the time you need. If you are excessively troubled by things that have surfaced, consider following up on your labyrinth walk with counseling.

The University has an indoor labyrinth which offers an alternative and more intimate space to the outdoor Edinburgh Labyrinth. Indoor labyrinth walks are usually upstairs in the Chaplaincy Centre (Bristo Square) in Room 1 and are avaialble on these dates.

The Lois B. Small and Gladys B. Hamilton Labyrinth is modeled after the medieval 11-circuit Chartres Cathedral Labyrinth in France that was built nearly 800 years ago. The labyrinth was made possible through a generous gift from Dr. Edwin B. and Nancy S. Hamilton in loving memory of their mothers, Lois B. Small and Gladys B. Hamilton. It was dedicated July 16, 2000, and has become a very popular tour destination since then.

A labyrinth is a one-way path that is laid out for contemplative walking, typically leading from an entrance to a center. In general, there are distinct patterns and elements of symmetry present. In any part of a labyrinth the view allows for a visual appreciation of its patterns.

The function of labyrinths has been largely ceremonial, although they are not restricted to this use. Labyrinths have been used for spiritual purposes in the great Gothic cathedrals of Europe, as magical talismans by fishermen in Sweden, and for fertility rituals by pre-Christian agrarian societies. The labyrinth symbolizes the cyclic journey that each of us must take daily, seasonally, in life, death, and rebirth.

In the waning months of 1997 the first phase of our labyrinth and surrounding gardens were installed based on a design by Jon Carloftis, a widely recognized garden designer. Jon was one of nine designers and artists who participated in the Chadwick Arboretum design charette. His design for the Arboretum, including the labyrinth, served our two defined purposes: it created an interactive destination point in the Arboretum and provided an enclosed area for private receptions/events in the Arboretum.

Another beneficial, physiological result of the many left-to-right and right-to-left turns experienced while walking the labyrinth is stimulation to the inner ear that can temporarily improve balance between the logical and artistic activities of the brain.

To provide a calming, quiet atmosphere, Chadwick Arboretum has created a white garden that encircles the labyrinth. White is both restful and restorative, while emphasizing a single color minimizes distractions and enhances meditation.

Cercis canadensis is a popular, small, ornamental tree. These beautiful white redbud trees ring the labyrinth with a profusion of small white flowers on leafless branches in early spring followed by heart-shaped green leaves which turn yellow in autumn. Redbud assets include youthful rapid growth and vased growth habit, somewhat ornamental bark, and picturesque branching character with age. These assets are contrasted with its tendency to have a short functional service life of about 15 years in many urban landscapes.

any confusingly intricate state of things or events; a bewildering complex: His papers were lost in an hellish bureaucratic labyrinth.After the death of her daughter, she wandered in a labyrinth of sorrow for what seemed like a decade.

Also called acoustic labyrinth, acoustical labyrinth .Audio. a loudspeaker enclosure with air chambers at the rear for absorbing sound waves radiating in one direction so as to prevent their interference with waves radiated in another direction. 2351a5e196

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