I've owned this one for years and I love it! Even as a kid I realized that they had ripped off "Sounds To Make You Shiver." Funny side note...the other night my wife and I were watching a YouTube video of "The Jim Nabors Hour" from 1969 (as you do). I noticed in one scene there were some police dogs...and they had obviously dubbed the exact "Dogs" track from "Sounds To Make You Shiver." This special aired in 1969, so those tracks must've existed at least by then. Thanks for posting!!
Tried to comment on this one earlier, but couldn't for some reason.Anyway, once again you dug up an obscure memory!In 1992, I was living in Atlantic City NJ with my girlfriend who was a showgirl at the Coconut Ballroom in Resorts International.We attended a staff costume party as The Wicked witch of the west(her) and a flying monkey (me!).We won this tape as a door prize and played it on Trick or Treat night.I recognized the parts lifted from the Sounds to make you shiver LP but always remembered that other piece of organ music because I had never heard it before.
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I'll take the memory one step further.The "Monkey Mask" I wore that night was a novelty I bought years before at Six Flags'Great Adventure Theme Park.It was a blow molded plastic half mask with a lower jaw hinge that moved when you talk.This thing was hideous and always drew a crowd whenever I wore it.I would imagine a little searching online would find this mask easily,if youre curious(like George;p)
Remember I got this from a Thrifty's store( like Walgreens) on cassette in 1986. Thousand Oaks, CA. Played on my trusty tape player and was transfixed by the organ music. Across street neighbor used tape a sounds effects for adult Halloween party blasting in hi-fi speakers. Was crazy hearing my tape while hill bombing on skate board that night!!! ...a...and the next Halloween party, 1987.
The version I had of this was a slightly extended version (the package said "45 weird minutes" rather than 30). I'm not sure if the longer version was released before or after the 30 minute release. The few extra minutes consist mostly of more blowing wind (the "flying superhero" wind) and a few more sounds (chains, storm, etc).
Nothing remarkable but might be of interest to collectors of this one.
But that twittering shriek is nothing compared to the sound of a full-on raccoon fight. Territorial males occasionally engage in battles that include heavy breathing, grunting and the kinds of screams you hear in horror-movie torture scenes.
Male limpkins are well known for producing a repetitive, high-pitched wail or scream that sounds remarkably human-like when it wakes you up in the dead of night. According to the Cornell Lab of Ornithology, male limpkins have long, looping windpipes that allow them to produce these sounds, which are used to help the bird mark their territory.
Pigs, I told him. Really noisy pigs. He nodded and spent the rest of the night in my sleeping bag. The next day I took him to find the wallows where the pigs had been, and the ground was torn and churned like there had been some kind of battle.
I live in suburbs of Washington DC in a townhouse and heard a screaming hiss about midnight. Though I was safely inside, I needed to know the origin of such a sound.
The next day, a terrific co-worker who is a birder instantly knew it was a barn owl. Though we never found it nor did I ever hear it again, we knew that this had been farmland thirty years previously.
Tandy was working late one night alone in a supposedly haunted laboratory at Warwick, when he felt very anxious and could detect a grey blob out of the corner of his eye. When Tandy turned to face the grey blob, there was nothing.
Listen to all kinds of horror atmospheres in this scary category.
Get the creeps with scary nightly sounds, creepy sounds in the woods, the noises of wild animals out on the hunt, and the scary ambient of a dark dungeon, an abandoned prison, a mysterious cave or haunted houses. Here you can find all kinds of ambient mixes with scary sounds that will make you shiver in fear!
Also, enjoy and feel inspired by our YouTube video with scary sounds from a night in the wild. You can, of course, create your own horror mixes with this ambient sound maker.
If you've heard owl sounds at night around your neighborhood and are wondering about the caller's identity, you're in the right place. We've assembled a collection of different owl sounds below to help you better know these fascinating predators of the night.
Although owl calls are now commonly associated with Halloween, their cultural and historical significance extends far beyond a single spooky night. In North America, many Indigenous cultures consider hearing the call of an owl to be a bad omen, while Harriet Tubman used her imitations of owl calls as signals on the Underground Railroad.
Upon release, the album drew controversy regarding its violent content, especially from anti-obscenity campaigner Mary Whitehouse, who criticised what she felt was an "utter lack of responsibility" on behalf of the BBC. While this meant the album was briefly pulled from sale, it soon returned to stock, and the controversy encouraged it to sell some 20,000 extra copies, making it the first sound effects album to chart within the Top 100 of the UK Albums Chart. The album has been described as one of BBC Records' most memorable releases and writers have described its sounds as sounding authentic. It was re-released as a "blood-splattered" vinyl LP by Demon Records in 2016. Two sequels to the album had also been released in 1978 and 1981.
"A recording of horror sound effects? Who needs sound effects for executions and gory things like that? It's surely the visual aspect of any horror film which sends tingles down your back and makes your hair stand on end. Not true. Next time you stay up to watch the late night film on the T.V., turn the sound down and you'll find that not only does the speech disappear but also those all-important sound effects. So spare a thought for the men who make them. They deafen themselves banging tin sheets making thunder, soak themselves with water for a Chinese water torture effect and tramp up and down gravel pits for hours providing necessary creepy footsteps."[4]
Of the sounds on the album, Richardson worked with producer Mike Harding of the BBC Radiophonic Workshop in gathering many "classic" gruesome sound effects, many of which came from the BBC Effects Library and the Radiophonic Workshop, but most sounds were recorded by the pair especially for the album.[4][6] They recorded most of the grisly effects, such as the chopping of heads and breaking necks, by "mistreating" large white cabbages, which they cut with knives and cleavers and stabbed with pokers.[4][5] Richarsdon wrote that "[t]he results were highly realistic and we even had some coleslaw left for dinner."[5] The gullotine sound effect was achieved by sliding a metal bar down a coat rack and editing this to the sound of a cabbage being chopped into a basket containing straw.[4]
There are over 80 sound effects on the album, which is ordered into six sections: "Execution and Torture", "Monsters and Animals", "Creaking Doors and Grave Digging", "Musical Effects and Footsteps", "Vocal Effects and Heartbeats" and "Weather, Atmosphere and Bells."[6] Sound effects on the album noted in commentaries for their violence include "Neck Twisted and Broken", "Red Hot Poker in the Eye" and "Strangulation".[5][1] Most of the effects were recorded in mono, and while stereo echo was applied to some of them to enhance the effect, the liner notes instruct users to add their own stereo to the mono sounds to suit varied requirements, as well as suggesting that users dub sounds they find too short onto tape and edit the sounds to achieve a continuous effect.[4] The cover illustration was designed by Andrew Prewett.[4]
Roy Tempest, managing director of BBC Records, was pleased with Whitehouse's dissenting comments as he suspected they would help boost sales of the album. Indeed, sales figures for the album quickly rose after her comments.[1] Bilyard suspected that her intervention helped sell some 20,000 copies of the album,[5] while Billboard wrote that the album was selling almost 100,000 copies a week, and became the first sound effects album to enter the Top 100 of the UK Albums Chart.[1] Tempest said in 1977 that if sales of the album continued to be impressive, it could become the best-selling sound effects album of all time in the UK, overtaking an album containing the sounds of trains, whistles, the rain and wind.[1] Accusations that the BBC were wasting public money with the album were erroneous, with Tempest pointing out the label was a self-supporting profitable area which used its own money.[1]
Amar Ediriwira of The Vinyl Factory called the album one of the most memorable releases by BBC Records and felt Harding captured the themes of death and horror "brilliantly." He further compared the album to the 2012 horror film Berberian Sound Studio, due to its themes of torture being used to capture foley.[7] Billboard felt the sounds were "highly evocative,"[1] while Alex Marshall of the BBC felt that the contrast between an album of horror sound effects and "keep-fit music for new mothers" also released by BBC Records helped make the label stand out as "the world's weirdest record label."[5] Brian Cullman of Spin joked that the only issue with the album, and indeed its 1978 sequel, is that "it's tough to enjoy them in the privacy of your own home. If it's up too loud, your neighbour is going to call 911. If it's too low, it sounds like Leatherface is in your closet." They felt that "[t]herein lies the beauty and profound existential existential aesthetic dilemma of sound effects records," due to their authentic emulation of sounds tricking the human mind into believing their presence.[8] ff782bc1db
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