So I was listening to one of Lil Uzi Vert's new songs, Bust Me, and I thought I heard a hindu mantra playing in the background in the ending. My family is Hindu, so I've heard plenty of mantras before. Then my friends and I got into an argument over whether it actually was a mantra.

A bhajan is a Hindu devotional song, often of ancient origin. Bhajans are often simple songs in lyrical language expressing emotions of love for the Divine, whether for a single God and Goddess, or any number of divinities.[2] Many bhajans feature several names and aspects of the chosen deity, especially in the case of Hindu sahasranamas, which list a divinity's 1008 names. Great importance is attributed to the singing of bhajans with Bhakti, i.e. loving devotion. "Rasanam Lakshanam Bhajanam" means the act by which we feel more closer to our inner self or God, is a bhajan. Acts which are done for the God is called bhajan.[3]


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One intriguing line however, "See them move along the road in search of life divine/beggars in a goldmine" suggests a scene of pilgrims in Rishikesh or Haridwar. The song was recorded back in London in 1969.

I see some movies using Gayatri Mantra as the background song, is that allowed?I dont see any protests also regarding it, so is it commonly allowed? For example in recent Vijay Antony movie ( Bikli 2) have heard this as background song.

There is a rule given in scriptures that Vedas should not be recited where it is possible for Sudras or uninitiated persons to hear the recital.Going by this rule, playing Gayatri mantra (which is a Vedic mantra) as a song is not acceptable because there is no way to control who all will hear this chant.

Varsha Krishnamoorthy is a 21-year-old singer-songwriter of Indian descent. She's also one of the hundreds of musicians who submitted a song to this year's Tiny Desk Contest, and she was a standout for her song called "Woman."

PFEIFFER: She calls it fusion music. She blends the sounds of traditional Indian songs with American R&B. Krishnamoorthy says her music is influenced by having lived all around the world and regularly spending time with her family in India.

The song is about the experience of South Asian women and all of the different aspects of what it means to be a South Asian woman. And it's particularly told through the lens of Durghama, who is one of the most powerful, all-encompassing Hindu goddesses.

I always knew that I wanted to include it in the song because this specific prayer is for Durghama. And because I was writing it from the lens of all of her different incarnations and manifestations, I wanted to make sure that I included a prayer to her. It is basically saying, glory to Durghama in all of her auspiciousness and salutations to her. I know that recently there's been kind of a wave of Indian fusion artists that are coming up, and I think that's so exciting. And I think that that sort of representation is so important for Indian or Desi kids or South Asian kids growing up in the West to have that sort of representation and say that, oh, I can be from the U.S. or from a Western country and still be proud about my Indian identity. So that's why I think that it was so important to me that I do this song specifically for the competition.

Hinduism: mantra chanting and singing in spiritual transformation -- Buddhism: word, chant and song in spiritual practice -- Word, chant and song on the Islamic spiritual path -- Sikh spiritual practice: words, chants and song

Bhajan is the generic name for any kind of Indian, usually Hindu, devotional song. It is completely text-led, its devotional nature underpinned by the words rather than by any specific musical style. It can be something as straightforward as a recitation or chant (kirtan) of a given mantra (usually a word or sound repeated to aid concentration in meditation) all the way to something as complex and sophisticated as the Dhrupad of North India or the kriti form of Carnatic music, based on pure raag (melodic structure) and executed in a specific taal (rhythmic cycle).

They openly challenged the authority of the clergy and the learned teachers who had, thus far, enjoyed a complete monopoly over the interpretation of Hindu scriptures. Many bhakti songs came to be written in the vernacular or everyday languages of North and South India, making them easier to memorise and sing outside the normal ritualised temple context.

The video of the song was shot at Dasna Devi Temple in Ghaziabad, a district neighbouring Noida. The temple is managed by Yati Narsinghanand, a controversial Hindutva leader who was recently arrested for his hate speeches against Muslims. The music video features Narsinghanand brandishing swords with Rana.

On the other hand, Bawa is receiving praise for highlighting the plight of Dalits and challenging religious hypocrisy through this song. Several people trended #IStandWithRanjitBawa on Twitter in support of the singer.

Nawab Khan stands by the entrance of his shop vandalized by a mob on April 10 in Khargone, in the central Indian state of Madhya Pradesh, Tuesday, April 12, 2022. On April 10, a Hindu festival marking the birth anniversary of Lord Ram turned violent in Khargone after Hindu mobs brandishing swords and sticks marched past Muslim neighborhoods and mosques. Videos showed hundreds of them dancing and cheering in unison to songs blared from loudspeakers that included calls for violence against Muslims. (AP Photo/Kashif Kakvi)

It was the latest in a series of attacks against Muslims in India, where hardline Hindu nationalists have long espoused a rigid anti-Muslim stance and preached violence against them. But increasingly, incendiary songs directed at Muslims have become a precursor to these attacks.

The violence in Khargone left one Muslim dead and the body was found seven days later, senior police officer Anugraha. P said. She said police arrested several people for rioting but did not specify whether anyone who played the provocative songs was among them.

On Saturday, the same song was played in New Delhi during a procession marking another Hindu festival. TV broadcasts showed hundreds of Hindu youth, brandishing swords and homemade handguns, marching through a Muslim neighborhood as loudspeakers blasted the hate-filled music.

Within the song itself, the Christian references appear via the repetition of My sweet Lord, as well as using the call to faith phrase Hallelujah. Also in the lyrics are the phrases Hare Krishna and Hare Rama, which praise the Hindu god Krishna.

Hate music has been used by Hindu nationalists since the early 1990s, the journalist and Narendra Modi biographer Nilanjan Mukhopadhyay told the Associated Press last year, noting cassette tapes featuring adapted versions of popular Bollywood songs were distributed to appeal to young people at the time. Hindutva pop has upgraded the approach for modern times, adding electronic beats and auto-tuned vocals to draw new generations into the nationalist fold.

Several songs by this channel carry anti-Muslim messaging that should be clear to Indian moderators. But it is unclear how many country-specific human moderators are employed by YouTube and the number of moderators specifically checking Hindi language content.

This is why even those who are hearing impaired listen to music, as they can enjoy the vibrations generated from a song. Beethoven himself, after losing his hearing, continued to write and produce music by putting a pencil in his mouth and touching the other end of it to the soundboard of an instrument to feel the vibration of the note.

As such, the main goal of many types of Hindu musical expression is to help stir us out of our spiritual slumber by evoking feelings of love and connection that help us to better perceive the presence of the Divine within all. This, in turn, ignites our desire to further pursue that awareness. Examples of such expressions within Hinduism include shlokas (verse, or poem), mantras (sacred syllables repeated in prayer), kirtans congregational singing of mantras), and bhajans (devotional songs).

As sound vibration can affect the most subtle element of creation, it is interpreted in Hindu scriptures that spiritual sound vibrations can affect the atman (soul) in a particularly potent way. Such spiritual sound vibrations are said to have the ability to awaken our original spiritual consciousness and help us remember that we are beyond the ambivalence of life, and actually originate from the Divine. As such, the main goal of many types of Hindu musical expression is to help stir us out of our spiritual slumber by evoking feelings of love and connection that help us to better perceive the presence of the Divine within all. Some of the more popular examples of musical expressions within Hinduism include shlokas (verse, or poem), mantras (sacred syllables repeated in prayer), kirtans (congregational singing of mantras), and bhajans (devotional songs). You can find musical spiritual expressions through the US in temples, Mandirs, and community centers. ff782bc1db

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