"Amigo" (English: "Friend") is a popular song written by Brazilian songwriters Erasmo Carlos and Roberto Carlos (no relation) and originally recorded by the latter in Portuguese in 1977. As with many other of his songs, Roberto Carlos also recorded a Spanish-language version, with lyrics by Buddy and Mary McCluskey. The song, which praises a friendship that has overcome many difficulties, became particularly popular after a children's choir sang it for Pope John Paul II on his 1979 visit to Mexico.[1][2]
Roberto Carlos dedicated Amigo to his longtime songwriting partner, Erasmo Carlos. As with many of their other songs, Erasmo wrote the music and Roberto wrote the lyrics of the song.[3] In the lyrics, Roberto Carlos praises his friend for having been by his side through many journeys and difficulties and describes him as "a man with the heart of a child" whose "heart is a house with open doors".
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By this time, Roberto Carlos was already a very important figure in Latin music, and it had become usual for him to record Spanish-language versions of his songs so that they could be popular in the rest of Latin America. On this occasion, Argentine siblings Buddy and Mary McCluskey wrote the Spanish lyrics, which are mostly identical in meaning to the original Portuguese lyrics, and thus the song was released in Spanish with No te olvides de mi as the B-side.[4]
A year later, Pope John Paul II was to visit Mexico from 26 January until 1 February 1979; the event was of special importance, since it was the first time ever that a Pope would visit the country.[5] On 30 January, the Pope was scheduled to visit the Instituto Miguel ngel, a private Catholic school, where the Children's Rondalla of the Colegio Mxico (Rondalla Infantil del Colegio Mxico) and the Estudiantina of the Miguel ngel Institute (Estudiantina del Instituto Miguel ngel) would sing three songs for the Pope; two of those songs would be T eres Pedro (a hymn composed by Alejandro Meja) and Himno a la alegra, but the organizers couldn't decide on the third song. After having rehearsed many songs with the children, with only a few days remaining before the Pope's scheduled visit and with the organizers still unable to decide which should be the third song, one of the child singers, tired from the many rehearsals, shouted from the back: "Why don't we sing Amigo? The Pope says that us children are his friends". The child's proposal was accepted and thus the Roberto Carlos song was chosen as the third song.[6]
On January 30, the Pope visited the Institute, and the children sang the three songs as scheduled; the event was highly publicized and after it became known that Amigo had been one of the songs that the children sang for the Pope, public interest in the song resurged and radio stations began playing the song again. Shortly after, Musart Records released a studio recording of the song performed by the Children's Rondalla of the Colegio Mxico and the Children's Estudiantina of the Instituto Miguel ngel with the tagline "The children who sang for His Holiness John Paul II", featuring a photograph of the Pope on the record cover.[7]
Samba de Amigo: Party Central, as Sega is calling this new Switch version, takes the infectious rhythm-action of the Dreamcast original - which sees players following on-screen prompts to furiously shake their maracas in time with the music and in the desired position - but spices things up with a bunch of new mini-game-like interludes as songs progress.
This recording by the internationally acclaimed early music group Ensemble Alcatraz (Cheryl Ann Fulton, harps; Kit Higginson, recorders and psaltery; Shira Kammern, vielle and rebec; Peter Maund, percussion; and Susan Rode Morris, soprano) features KITKA singing four 13th century Galician-Portuguese love songs and two Cantigas in praise of the Virgin Mary. The other selections showcase Ensemble Alcatraz's exquisite artistry and imaginative approach to early music. Recorded for Dorian Records at Skywalker Ranch in November 1999. (2002)
For this franchise installment, players can challenge their dance skills at any difficulty level with any character. Although Latin music may not be at the heart of the game, the spirit of various music genres is showcased with dazzling characters players can select. Let's dive into some of the best songs on the game's track list.
With this addition to the track list, players can look forward to an iconic flashback to late 2000s pop anthems. Known as one of the era's most freeing and universally approved songs, Gaga's song is a tone-setter for fans to indulge in nostalgia while throwing down new moves with a 2023 flair. Let's hope that it's not just the TikTok moves that push players for the win regarding showdowns.
This one defines the "party" in Party Central. And no one puts the fun in "party" better than the legendary Pitbull himself. The Samba de Amigo franchise is well-versed in layering songs that build off the previous song's physical energy and musical vibes. In the Party Central installment, songs like 'Celebrate' stimulate an atmosphere of joy. Compared to other games like Just Dance, Samba de Amigo: Party Central centers itself on fun themes to entice players to rooms filled with fun.
As a peak COVID-19 pandemic hit that infused early 2000s influences from beat, lyrics, and even music video fashion, "XS" deserves a spot as one of the best songs on the Samba de Amigo: Party Central soundtrack. It's one of those songs that can bring a player out of self-isolation mode and into feeling fabulous. Players can use new funky outfits to switch up the mood when shaking around to this suave beat.
Samba-De-Amigo: Party-To-Go is an exclusive game for Apple Arcade, released in same date of the game Samba De Amigo: Party Central. This game includes the same Party Central song list including 3 exclusive songs
Now there is a Spanish program suited to the energy, developmental level, and fun-loving nature of your early-elementary (1st-3rd grade) students! Song School Spanish Book 1 is patterned after our best-selling Song School Latin curriculum and features weekly lessons peppered with songs/chants, enjoyable vocabulary, illustrations, handwriting practice, stories, games, and activities. A small amount of grammar is introduced mildly throughout the book, with the focus on relevant, everyday vocabulary to engage young students. Students who learn from Song School Spanish Book 1 will love learning Spanish and will be more than prepared to continue their studies with the Spanish for Children series.
The home game adds a "party mode," with minigames such as Guacamole (pronounced and played much the same as "whack-a-mole"), Strike A Pose (consisting of a long sequence of poses to make), and 1-2-Samba! (where spots must be hit in sequence - the Japanese version's name for this minigame, "Ichi Ni San-ba," is a pun on counting to three in Japanese). The home version also has features which can be unlocked, such as sound effects and hidden songs.
The most significant addition to Ver. 2000 is the new "Hustle Mode". In this mode, the player still must follow the dots and shake the maracas in the appropriate location, but this is done a lot less often. Instead, Pose-kun appears frequently, and in addition to making the player do static poses, he will be shaking his maracas in certain patterns that the player must mimic. These patterns include either shaking one or both maracas back and forth between two of the six positions, or doing a full 360 rotation starting from one position, and looping all the way back around. All the songs in the game, including the ones previously found in the first version, have both Original and Hustle Mode patterns, adding a whole new dimension to the game.
Version 2000 added a different mix of songs, many of which were contemporary hits. The songs were also of several different styles, and not just of the Latin variety. In addition, "Mambo de Verano" and "Vamos a Carnaval" were two original songs created just for the game by Wavemaster.
Both of these Cancioneiros also contain two other categories of cantigas, composed likewise in Galician-Portuguese, the Cantigas de amor (Love Songs) and the Cantigas de escarnho or de mal dezir (Songs of Ridicule and Insults). With these and the cantigas de amigo, the CBC has a total of some 1680 poems; the CV has over 1,200 poems. Many of the poets who figure in these Songbooks practiced all three kinds of cantigas.
Nevertheless, the difference between the cantigas de amigo and cantigas de amor is less than might appear at first. Traditionally the cantigas de amigo have been viewed as popular, spontaneous creations inspired by folk songs heard in rural areas, coastal villages etc. in the north west of the Iberian Peninsula. This is true for most but not means all.
Speaker, Addressee and Authorship.
1. The speaker in most of the cantigas de amigo is female, unlike the cantigas de amor where the speaker is male. This is perhaps the most common identifier of the cantigas de amigo. As speaker, she is a young, unmarried girl who reveals her emotions related in some way to love.
The four following cantigas de amigo belong to the popular kind inspired by folk lyrics/ songs. The following poem by Martin Codax (middle to last quarter of the 13th century) is a popular example whose every simplicity captures well the heartache of the young girl:
Conclusion.
The cantigas de amigo had an undeniable attraction for both cultured poets/musicians and a refined audience. Together with the cantigas de amor and cantigas de escarnho or de mal dezir, they constitute a major contribution to lyric poetry in medieval Europe. However, although the cantigas de amor and cantigas de escarnho or de mal dezir are clearly offshoots of Provenal, courtly poetry, the cantigas de amigo owe their originality and freshness to the folk lyrics of the north west of the Iberian Peninsula. Courtly elements do creep in, but as a body the cantigas de amigo are undeniably different and novel, and recognition must be given to those talented poets/musicians who were so able to capture the essence of the oral traditions by which they were surrounded. e24fc04721
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