These tankers are designed to transport a variety chemicals including acidic, toxic or corrosive liquid products. These cargo types include Hydrochloric Acid, Sulfuric Acid, Pesticides, Mercuric Chloride and more; so careful driving is highly recommended.
The only reason why I included him as a target is that he drops jewelry as good as Andariel, but he can drop all rings and amulets and Rainbow facets, so he is the best source for farming them. The best TC he can drop is TC72.
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The number in ratio column means number of unique drops from appropriate TC equal to number of Pindleskin drops. For example for TC87 1 Baal run (including minions) is equal to 2.4 Pindleskin runs (You will get the same avg. number of TC87 uniques from 10000 Baal runs and from 24000 pindleruns). For TC84 Baal run is equal to 9.7 Pindleskin runs etc.
E3M5 -> E3M9. After accessing the main exit, in particular by pressing the four switches in the tower near the start, you must return to the place where the only teleport is located - this time it will move to the secret exit.
At the end of the level you need to stand on a square platform. Then run to the switch, then to the second switch - a passage to the main exit will open. After that you need to repeat the sequence, but after pressing the first switch go to the teleporter - after moving you will notice a section opened in the rock with another teleporter.
Today, a slightly unusual format - 3 maps of different spirit, from three different authors, @AleDoom, @Dee Legit, @RataUnderground, combined into one video. In the first doomguy got lost somewhere between the spaces and he has to get 3 keys in tough fights in order to return to his "usual track". In the second he will have to visit a fortress that combines medieval stylization and technogenic elements, get two keys and complete the process with a battle in a kind of arena, where monsters will teleport en masse. In the third, a skirmish with a cyberdemon awaits in one of the micro sections of the UAC bases, or rather, in a toilet in the 512x512 format.
1x1, presented by @VL2M STUDIO, stands out with an interestingly built structure, which fits well with the atmosphere characteristic of the PSX version of Doom. At one time, the original was included in the collection known as Maximum Doom.
About 2,5 years ago, I began reviewing the console theme with, at that time, a rather rare phenomenon - the release of a large, full-fledged wad for Doom 64, which was initially tied to a generally obsolete EX port that dates back to 00's. Later, a version for the 2020's remaster arrived, as well as other adaptations, including the CE port, which I talked about in detail in the before. I liked it for two reasons - the possibility of fine-tuning, in particular in comparison with the original EX port, and also compatibility with GzDoom, which I use by default for most of the wads.
2. The second one is on M9, "Dark Retrospect", where you need to press the switch in the room in front of the cave with teleporters, and then quickly run into the second one in order to pick up the artifact before the wall near one of the platforms closes.
+ The Ethereal Breakdown compilation is probably one of the three best megawads for Doom 64 ever created, along with Community Chest 64 and The UnMaking, as well as one of those in general, if we talk about the global top, including Doom I / II, Heretic, Hexen.
+ "Deja Vu". The map, which begins as another variation on the theme of the original E1M1, turns into a long journey through a mixture of man-made bases and demonic inclusions. Other familiar elements will also appear. Among the shortcomings, a certain repetition can be noted - in the final, once again, you have to fight four bosses. If you do not use items very wisely, without knowing this feature, as well as if you miss the secret with artifacts, then the battle promises to drag on. As a result, I entered the cheat code "god".
The fragment with puzzles was not included in the video due to recording problems, so I will describe it briefly here. You need to solve several puzzles while avoiding unkillable ghosts. In particular, run under the presses, from catching missiles, and also, in another place, to the switch. Walk correctly on the tiles to avoid activating the trap. Consistently, but quickly, block the mother of demons on four sides so that you can activate the next plate with symbols.
- "Ring of Fire". Another arena, another battle with waves of opponents. The map does not stand out in any way from the others presented in the selection, incl. two other bonus ones, one of which occupies the same niche. The only difference here is that the degree of hardcore here is significantly increased - a shortage of ammunition and a protracted battle with opponents cannot be avoided, and in the end you still have to dodge homing projectiles for quite a long time. In a word, it may be of interest only to those who have not had time to get tired of this kind of activity, incl. time to complete the main content.
Three days have passed since you defeated the Cyber Prototype and closed the Triton portal for good. All that should have remained was grabbing a few snacks from the mess hall and catching a few movies in the rec room while waiting for the bus home, right? Right, so why did you receive a distress call from the evac ship just seconds before it was blown to pieces? Looks like you're not going home just yet - there's still some work to do. The captain said something about heavy fire, but there's no hardware on all of the Triton base capable of bringing down a starship from that distance. So where the hell did it come from? You head back to the lab complex to see if you can find anything that might give you a clue as to what's going on. Prizing a top-level access card from a dead scientist's grasp, you manage to gain access to the classified Triton files. You can't believe what you find. The files contain a schematic of the Gabriel - a large, heavily-armed orbital station which maintains a constant bearing above the main research facility - on the surface of Neptune itself! Turns out the Triton facility was just a front for what the UAC was really doing in the main facility on Neptune. They've been purposefully sending people through the portal there into Hell in the name of "scientific research". Except it gets worse - they found something. An artefact simply codenamed "U-1", believed to be a weapon of immense power that supposedly contains the souls of those who fell in some ancient war aeons ago. Could be bullshit, but if it's not, chances are those demonic bastards want to get their hands on it, and no doubt they plan to use it. The Gabriel's main purpose was to protect the Neptune facility, and has the ability to break orbit, blow the base to smithereens and act as a lifeboat if it ever came to it. If Neptune suffered the same fate as Triton, chances are the demons have control of the Gabriel, too. So, they get the artefact, ride the Gabriel all the way to Earth, and then - who knows? The files give directions to a seperate facility a few clicks away which houses the teleporter to the Neptune base, but it involves a trek across Triton's less than hospitable wilderness. Still, you know those bastards won't make their big play until they get rid of that one last fly in the ointment... However, just as you are about to grab your gear and set off, a huge explosion rocks the base. Looks like Triton's orbit has brought it into the Gabriel's range and now they're gunning for you. No time to stock up now, you're just gonna have to grab what you can find on the way...
M3 -> M10. It occupies the tenth map slot, although there are six levels in the game. It is not clear whether this is a trigger for accessing the secret exit, or whether this fact only affects the appearance of new opponents, but, one way or another, upon reaching the end of the level, you can go back and activate the teleporter marked in the screenshot.
One of the features that distinguished Doom for PSX from the original Doom for PC was the presence of 8 new levels (2 secret). Over time some things play the same as they did many years ago, while others become obsolete. The author of this wad, @Kan3, included the mentioned levels into the last category. The purpose of creating the wad itself was to bring them together specifically and give them a new look, acceptable by current standards. The list of innovations is as follows (hereinafter quoting the author):
Some will like the result, others will not, just as the idea of revising classic maps in general is not new, including, as you can see, in the context of Doom for PSX and Doom 64 in particular, but the fact itself has value, especially taking into account the fact that in general there are no more than a dozen PSX-style wads, as well as single cards within the same framework.
3. M6 -> Bonus 3. After finding the blue key, you need to press the switch on the east of the map. On this map there may be problems with selecting one of the keys due to the fact that the teleport trigger appears to have been set incorrectly - noclip will be required.
8. Bonus 5 -> Bonus 6. Having reached the main exit, you will notice that there are two switches - one is a regular exit trigger, and pressing the other will open a teleport leading to the section with the cyberdemon and the secret exit.
Added experimental support for the Optix denoiser. This denoiser runs on the GPU, offering faster denoising times. It also includes an experimental temporal component which tries to reduce flickering in denoised animations. When both the OpenImageDenoise and Optix plugins are loaded, use r.PathTracing.SpatialDenoiser.Type 0 (default - OpenImageDenoise) or 1 (Optix) to select the currently active denoiser. Please note that the Optix denoiser is only supported on Nvidia hardware and you must manually enable the plugin.
It is still possible to experience stalls if an object has to be rendered immediately after it's loaded. For the case of background streaming of distant objects, we've added the option to skip rendering the mesh until the PSO is ready, which trades stalls for delays in drawing these objects. Similarly, if a title needs to teleport the camera to a completely new location, or otherwise needs to display many new materials at once, there won't be enough time to compile all the PSOs. In this case, the game code needs to load the materials and meshes earlier, and hint the renderer ahead of time that it will need to draw them. be457b7860
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