The Happy Time is a musical with music by John Kander, lyrics by Fred Ebb, and a book by N. Richard Nash loosely based on a 1950 hit Broadway play, The Happy Time by Samuel A. Taylor, which was in turn based on stories by Robert Fontaine. The story had also been made into a 1952 film version.

Producer David Merrick had initially asked Cy Coleman and Dorothy Fields to write the songs and Yves Montand to play the lead, but they were all busy with other projects and declined to participate.[1] Merrick then asked N. Richard Nash to write the script, but Nash suggested an original story of his own. Merrick, holding the rights to The Happy Time, asked that the setting be changed to Canada, and the deal was set. The final script had little of the Taylor play but did use the characters and some minor details from Fontaine's stories. Nash showed the outline of the story to Kander and Ebb, who agreed to write the music.[2]


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Merrick had approached Gower Champion to direct the new musical. Champion agreed, with the provision that it open in Los Angeles at the Ahmanson Theatre. Rehearsals began in September 1967 in Los Angeles, and the show opened on November 19 at the Ahmanson. Although the reviews were poor, the show was sold out.[3] The show ran to December 23, 1967.[4][5][6][7]

The Happy Time opened on Broadway at The Broadway Theatre on January 18, 1968. It received mixed reviews from the critics, who generally admired the performances but noted large deficiencies in the script.[8] It closed on September 28, 1968, after a run of 286 sparsely attended performances and 23 previews. It was the first Broadway musical to lose a million dollars.[9] The production was directed, filmed, and choreographed by Gower Champion, set design by Peter Wexler, costume design by Freddy Wittop, lighting design by Jean Rosenthal, film sequences created by Christopher Chapman, film technical direction by Barry O. Gordon, orchestrations by Don Walker, musical direction and vocal arrangements by Oscar Kosarin, associate choreography by Kevin Carlisle, and dance and incidental music arrangements by Marvin Laird. John Serry Sr. collaborated as the orchestral accordionist in the Broadway production.

Jacques Bonnard is a prize-winning photographer who travels the world. He returns to his 1920s French-Canadian village, after five years away, seeking the happy time of his childhood. His cantankerous but lovable father (Grandpere), two brothers and their wives, and their children all welcome him ("He's Back"). His stories of his travels have a profound effect on his nephew Bibi, who is having trouble at school and going through an especially rough puberty, inspiring the boy to want to live life to the fullest. Jacques goes to a nightclub and takes Grandpere and Bibi, where they are entertained by the dancers (Six Angels) ("Catch My Garter"). After their night on the town, Bibi begs Jacques to "Please Stay".

In May 2002, the Niagara University Theatre in Niagara Falls, New York staged a revival of The Happy Time. John Kander and Fred Ebb went to Niagara University to work with the cast, helping recreate the work. "They were here a few weeks ago for rehearsals and thought the show was just beautiful..."[12] Most notably, they incorporated five songs, originally cut from the musical, into the production, as well as making a few other minor changes. "This NU Theatre production, with Kander and Ebb's blessing, has reinstated several songs and restored text, prompting them to label this version 'definitive.'"[13]

The revised version was performed in New York City for the first time in 2007 in a staged reading by "Musicals Tonight!", as part of their season long tribute to George S. Irving, who returned to the show, this time playing Jacques' father, Grandpere.[14][15][16]

It makes the social media rounds every Sept. 21, per the lyrics, but this disco-R&B groover is an instant mood enhancer no matter the time of year. Want an even greater blast of serotonin? Watch comedian Demi Adejuyigbe annual music videos set to the song.

Bursting with faith-filled moments for preschoolers and parents, Happy Times provides stories, hands-on crafts, songs, and kid-friendly recipes for faith-filled family fun. Children love getting mail, so send them some Happy Times! Published 6 times a year.

In the 3 hour day, there is 1 hour and 40 minutes of free choice time inside or outside. There is a large variety of activities available including materials for group play as well as individual play; such as (inside) trains, blocks, puzzles, playdo, sensory tub, science, paint, animals, dollhouse play, play kitchen, fine motor manipulative play inside, and (outside) water play, science, sand, trikes, blocks, paint, climbing, etc.

In the 3 and a half hour day, there is 1 hour and 40 minutes of free choice time inside or outside. Children have access to a wide variety of materials and can move freely from one activity to the next, and flow from inside to outside and reverse.

The directed activities include two whole group times (calendar, music, movement, theme discussions and story time, news time, show & tell), and three "table" activities, where the children divide into groups, and are guided in an activity aimed at skill development, working in small groups, sharing space, thinking skills, creativity, problem solving, following directions and completing an activity. The activities follow our theme based curriculum and generally include art, science, math and language/literacy development.

As a sidelight of Crosby's radio activities, he presided over two transcription sessions for the Standard Broadcast Corporation in 1950. Crosby had worked for Standard once before, when the last edition of the classic pre-war band cut about 60 titles in 1942. In Spring, 1950, Crosby was presumably in New York and recorded the tracks heard here with New Orleans-oriented Bob Crosby's Bobcats...The personnel was apparently not documented at the time, however, Charles Garrod and Bill Korst take a good stab at it in their Crosby discography Bob Crosby And His Orchestra, Joyce Publications, 1987. They list all New York players, supporting the assertion that these were east coast sessions. It's probably Yank Lawson on trumpet; his is one of the most distinctive attacks in all of jazz brass, with Cutty Cutshaw on trombone on the vocal date and a ringer in former bandleader Will Bradley on the second date.

Gtze, Carl. O happy time! O blessed time! O Schne zeit, o sel'ge zeit. [Place of publication not identified: publisher not identified, 1884] Notated Music. Retrieved from the Library of Congress, .

Christmas can be a tough time for lonely people as they reminisce about special days from the past, missing relationships and happier times, feeling left out. If you know someone struggling with loneliness, I would like to encourage you to make an effort to connect with them during this season. Send them a text or give them call, pay them a visit, pray with them, invite them to church, or bring them a meal.

From an album around 1974 - lyrics by Jill Jackson Miller - it had an adorable teddy bear on the front of the album - blue/gray. Just looking for a download!


"sleepy time is a happy time cuddle down cuddle down cuddle down. It's a quiet and __?peaceful?__ time, cuddle down, cuddle down, cuddle down."

It's often pop music that evokes memories from this time in our lives. Why? Well, for a start this music played in the background, whether we selected it or not. There is always something on the radio, in bars, clubs and bedrooms that is contemporary and is almost accidentally attached to a particular time. Pop music is also of the moment. Listen to popular music from the 1960s and 1970s, for example, and you think you know what that time sounded like. There is something more abstract about, say, western classical music, which has become more detached from its original time and may be harder to place.

1 There's a happy time a-coming, there's a happy time a-coming,

When oppressors shall no longer sit on high.

When the proud shall be as stubble, for their sins receiving double;

There's a happy time a-coming by and by.


Sixty's Happy TimesSixty's Happy Times60's Happy Times Faster60's Happy TimesGeneral informationComposer(s):Nicolas Carr

Barry Anthony

Year:2006Introduced:"All That Glitters"List of original music

The joy and light of Hanukkah is perfectly captured in these 25 fun, simple songs for preschoolers. With familiar tunes and easy-to-remember lyrics, little ones will delight in singing along to spinning dreidels, lighting candles, frying latkes, and opening presents. These Hanukkah songs teach about traditions, customs, and vocabulary while getting kids excited to celebrate. With singing and dancing, preschoolers will embrace the festive Hanukkah spirit. This collection of 25 songs is an easy way to infuse the sounds and spirit of the season into circle time, parties, or at home.

Singing is a joyful way for preschoolers to embrace the Hanukkah spirit. With catchy tunes, easy lyrics, and fun motions, these 25 songs introduce children to the history, traditions, vocabulary and excitement of the Festival of Lights. Kids will delight in singing about dreidels, menorahs, latkes, and opening presents while learning about the meaning of Hanukkah. These songs can be sung during preschool celebrations, circle time, or in informal sing-alongs to infuse classrooms with Hanukkah joy. Whether spinning dreidels or counting candles, singing allows little ones to actively participate in holiday customs. So gather round the menorah and sing the miracle of Hanukkah!

Yes! Singing along with children is a great way for families to celebrate Hanukkah at home. These songs teach about traditions in a fun, memorable way while getting kids excited about the holiday. Families can sing while cooking latkes together, before candle lighting ceremonies, during gift giving, or anytime! 006ab0faaa

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