From the very first lessons in Book 1, students are making music as they explore the piano keyboard through fun improvisation pieces called My Own Song. The beginning of the book introduces finger numbers, the black-key and white-key groups, and basic rhythm patterns.
Directional reading is taught first by finger number, then by note name, and then by interval (stop, skip, and repeat). Once the students are introduced to the staff, they learn reading guides Bass F and Treble G and read by interval in several different hand positions. This package includes a Piano Lessons Book with access to online audio and MIDI files of delightful backing tracks to give kids the joy of sounding great even as beginners! The online audio also features Playback+ features that let students slow down the tempo without changing pitch or loop challenging passages until they get it right!
Leonard Bernstein was born on August 25, 1918, in Lawrence, Massachusetts. He took piano lessons as a boy and attended the Garrison and Boston Latin Schools. At Harvard University, he studied with Walter Piston, Edward Burlingame-Hill, and A. Tillman Merritt, among others. Before graduating in 1939, he made an unofficial conducting debut with his own incidental music to "The Birds," and directed and performed in Marc Blitzstein's "The Cradle Will Rock." Then at the Curtis Institute of Music in Philadelphia, he studied piano with Isabella Vengerova, conducting with Fritz Reiner, and orchestration with Randall Thompson.
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Inspired by his Jewish heritage, Bernstein completed his first large-scale work: Symphony No. 1: "Jeremiah" (1943). The piece was first performed with the Pittsburgh Symphony Orchestra in 1944, conducted by the composer, and received the New York Music Critics' Award. Koussevitzky premiered Bernstein's Symphony No. 2: "The Age of Anxiety" (1949) with the Boston Symphony Orchestra, Bernstein as piano soloist. His Symphony No.3: "Kaddish" (1963), premiered by the Israel Philharmonic Orchestra, is dedicated "To the Beloved Memory of John F. Kennedy."
From the very first lessons in Book 1, students are making music as they explore the piano keyboard through fun improvisation pieces called My Own Song. The beginning of the book introduces finger numbers, the black-key and white-key groups, and basic rhythm patterns.
Directional reading is taught first by finger number, then by note name, and then by interval (stop, skip, and repeat). Once the students are introduced to the staff, they learn reading guides Bass F and Treble G and read by interval in several different hand positions.
Learning to play the piano takes hard work and commitment, but it should be a lot of fun too. With so much learning material available, finding the best piano books for beginners is a more complicated task than it should be.
Online piano education platforms prioritize videos and interactive lessons over text-based content because they are more engaging. With an audience used to instant information, watching a 10-minute video is usually more appealing than reading a 10-minute article.
Therefore, the amount of written information provided by online piano websites/apps is dwarfed by the amount of video/interactive content. So, I can simplify this topic further by saying it comes down to what you read versus what you hear.
Students can learn so much from the listen/watch and repeat method many platforms employ, and I encourage you to do so. But I also encourage you to turn to piano books to avoid the shortcomings of learning online only.
The more you play and understand these technical exercises, the easier it becomes to learn any song you like, even without sheet music. Damon Ferrante is a respected educator, and this book provides 140 step-by-step lessons that get progressively harder.
Bernstein grew up outside of Boston, born to Russian immigrant parents. His father, Sam, had every expectation that his son would follow him into the hair and beauty products business, to the point that he wouldn't pay for young Leonard's piano lessons. Nevertheless, Bernstein studied at Harvard and the Curtis Institute of Music, and spent summers at Tanglewood, the Boston Symphony Orchestra's seasonal home in the Berkshires. It was there that Bernstein came under the influence of conductor Serge Koussevitzky and composer Aaron Copland. The two of them had grand plans for their protg, says Nigel Simeone, who edited a volume of Bernstein's letters. ff782bc1db