Silence is not an absence, but a presence. In silence, it is not the world that ceases to exist, but we ourselves who truly begin to be. Noise is the command of the outside world. Silence is the soul's own voice. Those who learn to dwell within it realize: silence is not an empty space, but the fullest form of presence. It is within this presence that the compulsion of time, the masks of personality, and the noisy demands of the world dissolve.

The Unity of Beauty and Silence

For me, beauty is nothing other than silence becoming visible. When a face, a landscape, a work of art, or a touch truly moves us, silence shines through the form. Therefore, beauty is never loud. It is one of the faces of silence, allowing the soul to find its way back home to itself.

Solitude as a Creative Space

Solitude is not a punishment, but a sacred workshop. Here, stripped of external voices, the soul confronts its own depths. Creativity, genuine thought, and honest emotion all grow from the soil of silence. Those who flee from solitude are fleeing from themselves. But those who embrace it slowly cultivate their own unique voice – both in life and in art.

Love as the Meeting of a Dual Silence

True love is the celebration of a shared silence between two people. It is not about words or noisy passion, but that rare state where two can be quiet together without ever feeling an emptiness. Longing and anticipation are also different faces of silence: the soul reaching out toward the other, even across the distance.

The Connection Between Man and the World

According to my philosophy, the highest task of human beings is not to conquer the world, but to experience silence more deeply within it. One must live in the noisy world, but find home in the silence. It is in this homecoming that true freedom is born – not as independence from external circumstances, but as the completeness of inner presence.

In Summary:

Silence is not an absence, but a presence. Beauty is the visible form of silence. Solitude is the workshop of silence. Love is silence meeting between two souls. And life is the art through which we learn to be in harmony with this silence.

This system is not intended to be a doctrine, but an invitation. An invitation to dare to fall silent. To dare to be truly present. And to preserve within ourselves, even in a noisy world, that sacred, pure silence in which all true things are born.

Gyorgy Nemeth (1959) creative writer | szigetingy creative writing | Szingy Gallery Budapest

Outlines of My Own Philosophical System | szigetingy philosophy

2. The Philosophy of Light | szigetingy creative writing

Light is not merely a physical phenomenon, but a carrier of meaning. Light does not just illuminate. Light speaks. In all true light, there is a hidden message. It does not simply make things visible, but endows them with meaning. The first rays of dawn do not just awaken – they bring hope. The golden light of twilight does not just paint colors – it whispers nostalgia and letting go. The flame of a candle in a dark room does not just provide light – it creates a presence and radiates protection. For me, light is meaning made visible. It is the bridge connecting the physical world with the spiritual world. When something is truly beautiful, light does not merely fall upon it – rather, light pours through it. It is as if beauty and light, for a single moment, become one.

The Unity of Silence and Light

Where silence is deep, light also appears differently. Silence prepares the space, and light fills it with meaning. Together, they create that sacred state in which a human being truly begins to see and to hear. Without silence, light becomes a blinding noise. And without light, silence degrades into emptiness.

Connection to Other Motifs:

Beauty is the result of the meeting between light and silence. Solitude is the place where we begin to notice our own inner light. Love is the mutual permeation of two people’s light and silence – when we love not only the other's body, but also the light within them.

Light teaches us that nothing is indifferent. Everything it illuminates gains meaning. That is why the light in which we view the world and people matters so deeply. The light of love gives a different color to the exact same reality than the light of fear or indifference.

According to my philosophy:

Silence is not an absence, but a presence. Light is not merely a physical phenomenon, but a carrier of meaning.

Together, these two shape the entire system: within deep, pure silence we learn to pay attention, and within the meaning-bearing light, we understand what we see. This philosophy is not a theory, but an invitation to see differently and to listen differently. To notice that the world is full of meanin – we only need the right silence and the right light to perceive it.

Gyorgy Nemeth (1959) creative writer | szigetingy creative writing | Szingy Gallery Budapest

Outlines of My Own Philosophical System | szigetingy philosophy

3. The Philosophy of Chaos | szigetingy creative writing

Chaos is not an enemy, but the source of creation. Chaos is not destruction. Chaos is the womb of creation. All true creation is born from the disordered. When forms do not yet shackle potential, when emotions swirl wildly, when thoughts are not yet lined up in military order – there, precisely there, lies the greatest power. Chaos is raw energy, the state of infinite possibility. Those who fear it and seek to immediately impose order upon it, kill creation before it can even be born. Within chaos resides that secret, throbbing life from which order can later emerge. Not against chaos, but from chaos. It is not the conquest of chaos, but its embrace that brings forth the true work, the true connection, the true life.

The outlines of my own philosophical system are already emerging:

• Silence is not an absence, but a presence – the space in which chaos becomes audible.

• Light is not merely a physical phenomenon, but a carrier of meaning – the force that lifts and reveals new forms out of chaos.

• Chaos is not an enemy, but the source of creation – the raw material without which there is no true creation.

Together they form a living trinity:

• In silence, we listen.

• In light, we seek meaning.

• In chaos, we dare to be created.

Connection to previous motifs:

• Beauty is thus no longer a sterile harmony, but an order lifted from chaos, saturated with light.

• Solitude is not emptiness, but that sacred space where we can encounter our own inner chaos.

• Love is not a comfortable equilibrium, but the brave and tender meeting of two people's chaos, where new worlds can be born.

The three pillars of my philosophy are therefore:

1. Silence is not an absence, but a presence.

2. Light is not merely a physical phenomenon, but a carrier of meaning.

3. Chaos is not an enemy, but the source of creation.

This system is not a philosophy of stillness, but of living, throbbing, creative existence. It is an invitation not to fear chaos, not to flee from silence, and not to view light merely as illumination. For those who dare to experience these three will, sooner or later, find their own truest creative power.

Gyorgy Nemeth (1959) creative writer | szigetingy creative writing | Szingy Gallery Budapest

Outlines of My Own Philosophical System | szigetingy philosophy

4. Beauty as Perception | szigetingy creative writing

Beauty is not an ornament, but a form of perception. Beauty is not meant to cause pleasure. It is meant to provide knowledge. When something truly beautiful touches us, we do not merely admire it. In truth, we see through it.

Beauty is a unique path of knowledge, deeper than rational analysis. Where concepts and proofs falter, beauty can convey in a single moment what would otherwise take years to understand. The beauty of a face is not about the proportion of lines, but about the truth it transmits. The beauty of a landscape is not about the colors, but about the harmony that the soul recognizes within it. And the beauty of a work of art is not about technical perfection, but about the deeper reality it reveals.

Therefore, beauty is epistemic in nature. A tool of perception. A window toward the deeper layers of reality, which neither science nor logic can fully replace.

The Unity of the Four Pillars

Now the system clearly outlines itself:

• Silence is not an absence, but a presence – the space in which perception can begin.

• Light is not merely a physical phenomenon, but a carrier of meaning – the medium that makes meaning visible.

• Chaos is not an enemy, but the source of creation – the raw material from which the new is born.

• Beauty is not an ornament, but a form of perception – the gateway through which the soul arrives at true knowledge.

How do they work together?

• In silence, we become still.

• In light, we see the meaning.

• From the energy of chaos, we draw.

• And through beauty, we perceive all of this – not through concepts, but through lived experience.

Beauty is thus not the decoration of the system, but one of its most essential methods of knowledge. Through it, we come to know the meaning of the world, the essence of another human being, ourselves, and the secrets of existence.

The four pillars of my philosophy are therefore:

1. Silence is not an absence, but a presence.

2. Light is not merely a physical phenomenon, but a carrier of meaning.

3. Chaos is not an enemy, but the source of creation.

4. Beauty is not an ornament, but a form of perception.

This system is an invitation not just to look at the world, but to know it through its beauty – deeply, with a full soul, in pure presence.

Gyorgy Nemeth (1959) creative writer | szigetingy creative writing | Szingy Gallery Budapest

Outlines of My Own Philosophical System | szigetingy philosophy

5. Art as Connection | szigetingy creative writing

Art is not an end, but a connection between man and the world. Art is not meant to be perfect in itself. It is not an ornament on museum walls, nor a tool for success or fame. Art is a bridge.

A bridge between man’s inner world and outer reality. A bridge between the soul and the world. A bridge between the visible and the invisible. When a truly great work is born, the creator does not detach from the world, but connects with it more deeply. They do not flee from existence, but participate in it all the more intensely.

Through art, humans do not merely "express themselves," but they encounter. They encounter the hidden rhythms of nature, the soul of another person, their own shadows and lights, the throb of the universe. Therefore, art is never an ultimate end. It is a medium. A connection. An act of love between the soul and existence.

The Unity of the Five Pillars

Now the system clearly outlines itself:

• Silence is not an absence, but a presence – the space in which the connection can come into being.

• Light is not merely a physical phenomenon, but a carrier of meaning – the force that makes the connection visible and felt.

• Chaos is not an enemy, but the source of creation – the raw energy that gives the connection its depth.

• Beauty is not an ornament, but a form of perception – the language through which the connection speaks most purely.

• Art is not an end, but a connection between man and the world – the sacred act in which all of this becomes one.

How does the whole system work?

• In silence, we become still to hear.

• In light, we see the meaning.

• From the energy of chaos, we draw courage.

• Through beauty, we perceive.

• And through art, we enter into a connection with everything – with nature, with the other, with ourselves, and with the whole of existence.

Art is thus not an elite thing, but a fundamental human attitude. Every person can be an artist who is capable of creating a deep, living, honest connection with the world – whether with a brush, with words, or simply by the way they live.

The five pillars of my philosophy are therefore:

1. Silence is not an absence, but a presence.

2. Light is not merely a physical phenomenon, but a carrier of meaning.

3. Chaos is not an enemy, but the source of creation.

4. Beauty is not an ornament, but a form of perception.

5. Art is not an end, but a connection between man and the world.

This system is an invitation:

Do not create for the sake of creating.

Create to be in a connection – more completely, more deeply, more truly.

Gyorgy Nemeth (1959) creative writer | szigetingy creative writing | Szingy Gallery Budapest

6. The Motifs of My Own Philosophical System | szigetingy philosophy

The Five Pillars | szigetingy creative writing

• Silence is not an absence, but a presence: The purest space where the soul truly begins to hear.

• Light is not merely a physical phenomenon, but a carrier of meaning: It is the force that makes the deeper meaning of existence visible and understandable.

• Chaos is not an enemy, but the source of creation: The raw, wild energy from which everything new and true is born.

• Beauty is not an ornament, but a form of perception: A distinct path of knowledge through which the soul understands the world and itself more deeply than through the language of concepts.

• Art is not an end, but a connection between man and the world: A sacred bridge between inner and outer reality, the visible and the invisible, between man and existence.

Together, these five pillars form the living core of my system:

• Silence creates the space.

• Light gives meaning.

• Chaos fills with energy.

• Beauty provides knowledge.

• Art connects.

This philosophy is not a rigid doctrine, but a dynamic, living perspective. It is an invitation to find silence even within a noisy world, to discover meaning-bearing light within superficial sight, to embrace creative chaos during turbulent times, and to know existence more deeply through beauty – ultimately remaining, through art (whether traditional or in the form of life lived as art), in a true, vibrant connection with the world.

Gyorgy Nemeth (1959) creative writer | szigetingy creative writing | Szingy Gallery Budapest

7. What is Szigetingy Philosophy?

Szigetingy Philosophy is a personal philosophical vision developed by György Németh (1959), built around five interconnected pillars:

• Silence is not an absence, but a presence.

• Light is not merely a physical phenomenon, but a carrier of meaning.

• Chaos is not an enemy, but the source of creation.

• Beauty is not an ornament, but a form of perception.

• Art is not an end, but a connection between man and the world.

At the heart of this philosophy lies the belief that reality cannot be fully understood through logic alone. Human beings also perceive through silence, beauty, creativity, and lived experience.

Silence creates the inner space in which we can truly listen. Light reveals meaning within the visible world. Chaos provides the raw energy from which new forms emerge. Beauty becomes a path of knowledge, allowing us to recognize truths that concepts alone cannot express. Art serves as the bridge that connects the inner and outer worlds, the visible and the invisible, the individual and existence itself.

Szigetingy Philosophy is not a doctrine, ideology, or closed system. It is an invitation to cultivate presence in a noisy world, to discover meaning in uncertainty, and to approach life itself as a creative act.

Its ultimate aim is not the conquest of the world, but a deeper connection with it – through silence, light, beauty, creation, and art.

Gyorgy Nemeth (1959) creative writer | szigetingy philosophy | Szingy Gallery Budapest

8. Platonic Aesthetics

According to Plato, beauty does not originate from this world; it is merely reflected here. True Beauty dwells in the Realm of Ideas – perfect, timeless, and immutable. Whatever appears beautiful in this earthly existence – a face, a body, a landscape, a work of art – is nothing but a faint shadow, a reflection of that eternal Beauty. Like the prisoners in the cave who see only shadows, we worship the shadow of beauty while the light itself shines bright above. This explains Plato’s dual relationship with art.

On one hand, he is suspicious: Art is imitation (mimesis). The painter imitates the visible world, which itself is already an imitation of the Realm of Ideas. Thus, art is doubly removed from the Truth. Furthermore, it appeals not to reason, but to emotions and passions – stirring the soul, softening it where it ought to remain firm. It is for this reason that in The Republic, he banishes poets from the ideal state.

On the other hand, he is exalting: In the Symposium and Phaedrus, beauty is the surest path to the ascension of the soul. The sight of a beautiful body awakens Remembrance (anamnesis) within us. Eros, the desire for the beautiful, cannot rest solely with the physical body. If guided correctly, it elevates us step by step: from a beautiful body to a beautiful soul, from there to beautiful customs, then to beautiful sciences, and finally to the Idea of Beauty itself.

For Plato, therefore, beauty is not about mere pleasure. It is about remembrance and ascension. Earthly beauty is not an end in itself; it is a gateway. A sacred door through which the soul can find its way back home to where it belongs. And perhaps this is the most exquisite message of Platonic aesthetics: beauty is not meant for the eyes. It is meant for the soul. Those who truly perceive it do not stop at the form – they journey onward toward the Light.

Gyorgy Nemeth (1959) creative writer | szigetingy creative writing | Szingy Gallery Budapest

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9. Aristotelian Poetics

Aristotle did not look down upon art from a Realm of Ideas; instead, he looked up at it from the earth – and he saw that art does not distance itself from reality, but rather penetrates deeper into it. For him, Mimesis is not copying; it is creation. Aristotle posits that art is imitation, yet it does not copy slavishly. The artist displays not what is, but what could be. He captures not accidental events, but the universal, the human, and the timeless truth.

Thus, poetry is more philosophical than history because it relates not what has happened, but what may happen in a probable or necessary way. Art, therefore, is not a lie, but a more complete, more ordered version of reality. From the imperfect raw material of nature, the artist creates order, form, and meaning.

Tragedy – The Great Purification of the Soul: The crown of Aristotelian poetics is tragedy. According to him, the purpose of tragedy is catharsis – the purification of the soul through fear and pity. When the spectator witnesses the downfall of Oedipus or the suffering of Antigone, they are not merely being entertained. They experience these emotions, only to be liberated from them. Tragedy does not weaken; it strengthens. It does not poison; it heals.

On Form and Structure: Aristotle placed immense emphasis on the internal order of a work of art:

Unity: one action, one protagonist, one complete story.
Plot is paramount, taking precedence over character.
A beginning, a middle, and an end – forming an organic, living whole.
Probability and necessity – leaving little room for mere coincidence.

For him, beauty is primarily order and proportion: a harmony in which every part serves the whole.

The Contrast Between Aristotle and Plato: While Plato viewed art with suspicion because it excites the emotions, Aristotle recognized its value precisely within that excitation. Art is not a trap; it is a tool. A tool for humanity to better understand itself, human nature, and the inner workings of the world.

For Aristotle, art is not an escape from reality, but a deeper comprehension and elevation of reality. Through art, humanity does not drift away from truth but draws closer to it – not via eternal Ideas, but through human stories, passions, and destinies. Thus, art in his view is not merely a source of pleasure, but simultaneous instruction and purification. It is a sacred practice in which humanity crafts order out of chaos, meaning out of suffering, and destiny out of chance.

Gyorgy Nemeth (1959) creative writer | szigetingy creative writing | Szingy Gallery Budapest

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Every Woman Possesses Beauty | szigetingy creative writing

Fundamentally, every woman possesses beauty. It simply does not always rush forward. It does not shout. It does not demand attention. It rests quietly, like a flower bud that knows its most beautiful moment has not yet arrived. Many men are in a hurry. They cast a single glance and instantly make a decision. But those who are capable of pausing, those who are capable of granting time, will suddenly begin to see.

They see how her smile slowly transforms when she truly feels safe. They see how her gaze deepens when someone finally, genuinely listens to her. They see how her movements grow softer, her voice warmer, her presence more complete. A woman’s beauty often does not reveal itself in the first moment. But rather in the twentieth. In the hundredth.

At that moment when there is no pose, no defense, no performance. When there is only her – pure, vulnerable, strong, and beautiful. Within every woman dwells a unique, unrepeatable beauty. For some, it radiates instantly. For others, it takes years before it ventures forth. But those who are patient, those who pay attention, those who truly want to see, will always find it sooner or later. Because true feminine beauty was not made for fast consumption. It was made for those who are capable of dedicating time to it. And whoever sees this hidden beauty in a woman once will never look at her the same way again. For they realize: it was not the woman who changed. It was they who finally learned how to see.

György Németh (1959) creative writer | szigetingy creative writing | Szingy Gallery Budapest

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The Subjectivity of Beauty | szigetingy creative writing

Beauty is not an objective law. Rather, it is a personal encounter. What makes one person's heart skip a beat leaves another completely cold. A face, a body, a landscape, a work of art – each awakens a different echo. For one, fragile, delicate lines represent the pinnacle; for another, it is a wild, powerful presence. Beauty is subjective because it arrives through the mirror of the soul. Everyone projects their own inner world onto what they see. And yet… there is something mysterious about it.

For while beauty is subjective, it is not entirely arbitrary. Deep down, in the quietest corner of the soul, we all long for something similar: harmony, truth, the pulsation of life. This is why it can happen that a picture, a melody, or a woman's smile suddenly touches thousands of people at the exact same moment – yet each of them sees something different in it. The subjectivity of beauty liberates us. It frees us from living according to the taste of others. It allows us to love and admire according to our own hearts. But it also imposes a responsibility upon us: we must see, we must feel, because no one else can see for us.

Those who truly understand the subjectivity of beauty no longer judge. They simply wonder. They wonder at how this same world can be beautiful in infinitely many ways – as many souls, so many beauties. Beauty is subjective. But that is precisely what makes it a universal experience. Because in every true experience of beauty, what happens is that the world, for a moment, becomes personal. And we ourselves become more personal too.

György Németh (1959) creative writer | szigetingy creative writing | Szingy Gallery Budapest

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Ecological Aesthetics | szigetingy creative writing

Ecological aesthetics is not the beauty of nature alone. It is the beauty of nature’s relationships. It is the silent symphony where every leaf, every insect, every invisible microbe plays its part. Not for our eyes, but for the whole. When we truly see an ancient forest, we do not see separate trees – we see a living mind. A breathing community. A cathedral built not by stone, but by interdependence. This is ecological aesthetics: the deep beauty that emerges only when everything is connected, alive, and in balance. In human life, ecological aesthetics awakens a new kind of seeing. We move beyond the pretty postcard landscape. We begin to feel the quiet tragedy of a monoculture field and the sacred joy of a wild meadow buzzing with life. We understand that true beauty is not isolated perfection, but thriving wholeness. A river that runs clean. A coral reef pulsing with colour. A wetland that drinks the flood and purifies the water. These are not merely “environment.” They are living artworks of unimaginable complexity. The role of ecological aesthetics in our time is urgent and healing. In an age of rupture – climate wounds, species silence, plastic seas – it reminds us that beauty and health are not separate. A sick landscape may still look beautiful from a distance, but the sensitive soul feels the absence. The missing birdsong. The thinned web of life. Ecological aesthetics teaches us to fall in love with the invisible connections. With diversity. With resilience. With the slow, patient wisdom of natural systems. True ecological art does not merely depict nature. It reveals the hidden poetry of relationships. It shows us that the most profound beauty is not what stands alone, but what belongs. The moss on the rock is more beautiful because of the rock. The bird because of the forest. The human because of the Earth. Ecological aesthetics is beauty awake.

It is beauty that understands it cannot exist without the living world. It is the eye that sees the sacred in the interconnected. When we embrace ecological aesthetics, we stop admiring nature from outside. We begin to recognize ourselves inside her – as one thread in the great, breathing tapestry. And in that recognition, love is born. And from that love, perhaps, care.

György Németh (1959) creative writer | szigetingy creative writing | Szingy Gallery Budapest

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Beauty and Nature | szigetingy creative writing

Nature does not show beauty. Nature is beauty. She is the mother who never asks, “Am I beautiful?” She simply exists. She breathes, grows, destroys, and is reborn. In her, beauty is not decoration – it is essence. Not something added, but the only true value that can never be taken away. When a person steps out of the noisy world and looks deep into a forest, toward a mountain peak, or at the simple curve of a blade of grass, something ancient awakens within. As if returning home. As if, for a moment, they become the child again who still knew how to wonder. The beauty of nature does not entertain. It does not try to please. It simply is – vast, fragile, ruthless, and yet infinitely tender. Beauty in nature teaches. It teaches slowness. It teaches humility. It teaches presence. It shows that imperfection is often the highest form of order. The crooked trunk of a tree, the storm-beaten rock, the fading flower – all of them more beautiful than any sterile perfection. Because within them lies story. Lies time. Lies life itself.In human life, the beauty of nature is one of the greatest sources of healing. When the soul grows weary, when the city swallows all colour, it is enough to stop beside a tree. To touch its bark. To listen to the whispering of its leaves. And already a quiet miracle happens: the heart slows, the gaze deepens, and the soul remembers that it is not separate from the world – it is part of it. Nature does not try to be an artist. Yet she is the greatest artist of all. Because she creates without forcing. She gives without counting. And when an artist is truly great, he does not copy nature – he drinks from the same source.

The connection between beauty and nature is not a connection. It is unity. The same soul speaks in both – only in different voices. Whoever truly sees nature no longer sees only beauty. They see home. They see memory. They see Life itself, smiling.

György Németh (1959) creative writer | szigetingy creative writing | Szingy Gallery Budapest

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The Hope of Beauty | szigetingy creative writing

Beauty does not merely delight. Beauty elevates. It is that quiet, yet irresistible force that whispers: "You are more than who you are right now." When a piece of true beauty touches us – be it a face, a landscape, a melody, or a thought – something stirs within. The soul suddenly feels its everyday self to be too narrow. It wants to break free. It wants to fly higher. It wants to be better.

The hope of beauty lies precisely in this: in the sacred restlessness it awakens. It does not allow us to be complacent. It does not let us settle for the mediocre. When we look upon something truly beautiful, for a brief moment, we step out of our own small stories and catch a glimpse of that larger, purer, nobler potential that slumbers within us. This is why beauty sometimes hurts.

Because it holds up a mirror to us. And in that mirror, we see how far we are from who we could be. Yet, at the same time, it grants us strength. For if the world is capable of creating such beauty, then so are we – within ourselves and from within ourselves. A beautiful woman, a great work of art, wild nature, a selfless act – they all remind us that the soul knows no upper limit. That human beings were not born merely to survive, but to transcend themselves. Over and over again.

The greatest gift of beauty is not the pleasure it gives. Rather, it is the hope that we are capable of surpassing ourselves. And as long as beauty exists, so does this hope. As long as it exists, there is a pull toward the higher. There is a reason to strive. There is a reason to live. Because beauty does not just show the way. It is the way itself – leading us outward from our pettiness, and inward toward our truest self.

György Németh (1959) creative writer | szigetingy creative writing | Szingy Gallery Budapest

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The Philosophical Foundations of Beauty | szigetingy creative writing

Beauty is no accident. It is not a matter of taste. It is not a trend. Rather, it is one of the deepest philosophical truths that a human being can ever touch. It is the point where the True and the Good merge into one. According to Plato, beauty is the reflection of the world of Ideas – a faint yet powerful memory of a time when we existed in pure forms. And according to Aristotle, it is the visible manifestation of harmony, proportion, and order.

But beauty is even more than that. It is the joy of existence made visible. The philosophical foundation of beauty is that the world is not indifferent. That within it lies a secret order, a hidden music, a meaningful structure. When we gaze upon a sunset, a human face, or a perfectly shaped curve, and our soul trembles, we are not merely perceiving. We are remembering. We remember that reality is deeper than what our everyday lives display.

According to Kant, beauty is the experience where the soul delights completely selflessly – it neither wishes to possess it, nor to use it. It simply abides with it. And in this pure presence, finite man, for a brief moment, connects with the infinite. Beauty, therefore, is not the surface. It is the depth that rises to the surface.

It is not an emotion. It is one of the faces of truth. It is not a luxury. It is a vital necessity. Because where there is no beauty, sooner or later, truth and goodness fade as well. Beauty is the gateway through which humanity believes in harmony once more, even when everything around us is falling to pieces.

The philosophical foundation of beauty is simple, yet profound: The world is not merely matter. The world is lovable. And this lovability occasionally becomes visible – and that is what we call beauty. This is why human beings seek it throughout their entire lives. This is why we create art. This is why we weep while listening to music. Because in beauty, we do not just see the world. We see that it is worth being a part of it.

György Németh (1959) creative writer | szigetingy creative writing | Szingy Gallery Budapest

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Beauty and Art | szigetingy creative writing

Beauty dreams. And art wakes up to embody this dream. Beauty hovers invisibly in the depths of all things – a vibration, a promise, a divine sigh. Art is that which reaches out and transforms this invisibility into flesh-and-blood reality, into color, shape, and sound. It does not create beauty, for beauty cannot be created. It merely invites it. It gives it a home. So that we, mortals, may touch it, smell it, weep over it. Art is the earthly lover of beauty.

Sometimes gentle, sometimes wild. It bows before it with humility, yet reaches after it in rebellion. For it knows: the greatest works are not about the talent of the creator, but about how completely they managed to surrender themselves to the force flowing through beauty. When a painter's brush touches the canvas, when a composer puts the first note on paper, or when a poet writes down that single word that contains everything – then, for a brief, sacred moment, beauty and art become one. At that moment, the work no longer belongs to man. It belongs to the world. To eternity. Without art, beauty would remain mute.

And without beauty, art would be mere empty decoration. Together, however, they are capable of what neither could achieve alone: to heal the soul, to awaken the sleeping human being, and to remind us why it is worth being here. Beauty is the source. Art is the river. And we, who watch, listen, and read – we are the ones who ultimately immerse ourselves in this sacred river, returning to the world for a moment purer, more complete, and more beautiful.

György Németh (1959) creative writer | szigetingy creative writing | Szingy Gallery Budapest

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The Sublime and the Beautiful in Art | szigetingy creative writing

The Sublime overwhelms. Beauty invites you closer. It caresses the soul with harmony, proportion, and gentle light. It is the perfect curve of a hillside at dusk, the quiet balance of a classical sculpture, the warm glow of a Vermeer interior. In its presence we feel at peace. We feel understood. We feel home. Beauty whispers: “You belong here.” The Sublime, however, does not whisper. It roars. It stands before us vast, immense, sometimes terrifying. A raging storm at sea, a mountain range disappearing into clouds, the endless silence of a starlit sky that makes us feel infinitely small. The Sublime does not comfort – it shatters our comfortable limits. It fills us with awe mixed with fear, with exaltation born from insignificance. In front of the Sublime we tremble, yet we cannot turn away. Something in us grows larger precisely because we have been made small. In art, the difference is profound. The beautiful work of art resolves tension. It brings order to chaos, clarity to confusion. It heals and completes. We leave it feeling whole. The sublime work of art does the opposite: it opens an abyss. It leaves cracks in the soul through which the infinite pours in. Think of Turner’s wild oceans, Caspar David Friedrich’s lonely figures before endless landscapes, or Rothko’s glowing rectangles that seem to swallow the viewer. These works do not decorate life – they confront it with its own immensity. Yet the deepest art often dances between the two. The most powerful creations carry both: the beauty that draws us near, and the sublime that then overwhelms us once we are close enough. Beauty opens the door. The Sublime drags us through it into something greater than ourselves.In human life, we need both. Beauty sustains us day by day. It gives us courage to continue. The Sublime reminds us that we are more than our daily life. It tears us out of smallness and shows us the terrifying, magnificent scale of existence.

Beauty says: “I see you.” The Sublime says: “You cannot possibly see all of this – and yet you must try.” The true artist knows both languages. One without the other is incomplete. Beauty without the Sublime becomes mere prettiness. The Sublime without Beauty becomes mere shock. Together they create the highest art: that which both shelters the heart and sets the soul on fire.

György Németh (1959) creative writer | szigetingy creative writing | Szingy Gallery Budapest

Szingy Gallery | Budapest https://nemethgyorgy.wordpress.com/

Chaos in Art | szigetingy creative writing

Chaos does not destroy art. It is the very womb from which art is born. Art does not fear chaos. It dives into it. It drinks from it. It lets the storm tear it apart so that something truer can emerge from the fragments. The blank canvas is chaos. The silent mind before the first note is chaos. The raw, screaming material of life – pain, memory, desire, destruction – is chaos. And the artist is the one who does not run from it, but steps inside and begins to listen. In the heart of true art, chaos is not the enemy of form. It is the wild heartbeat beneath the form. Without chaos there is only decoration. With chaos there is depth, tension, life. The greatest works do not hide the crack. They make the crack sing. They let the fracture become light. A painting that looks perfect from afar reveals trembling, broken lines up close. A symphony that lifts the soul carries within it dissonances that almost break it. This is the secret: art does not resolve chaos. It reveals its hidden music. The role of chaos in art is liberation. It frees the artist from the prison of control. It teaches the hand to tremble honestly. It teaches the soul to speak before it understands. In the chaos the artist loses himself – and in that loss he finds something larger than himself. Something ancient. Something eternal. The creative act is always a small death and a new birth inside the whirlwind. Chaos in art is the echo of the universe. The stars were born in cosmic violence. New galaxies emerge from collisions. So too with every real creation. The artist who avoids chaos creates pleasant things. The artist who embraces chaos creates living things – works that bleed, breathe, and remember.

Chaos in art is not the absence of order. It is the birthplace of a deeper order. An order that does not command the storm, but dances inside it. True art does not tame chaos. It falls in love with it. And from that dangerous love, beauty is reborn – wilder, wiser, and free.

György Németh (1959) creative writer | szigetingy creative writing | Szingy Gallery Budapest

szigetingy art | szingy gallery https://nemethgyorgyphotography.blogspot.com

The Connection Between Beauty and Art | szigetingy creative writing

Beauty does not speak. Art is the one who gives it voice. Beauty hovers invisibly above the world – a vibration, a promise, a memory from eternity. Art is the hand, the eye, the soul that turns this vibration into matter. It does not create beauty. It only brings it home. It gives it a body so that we mortals can touch it. Art is at once the lover and the servant of beauty. It bows before her in humility, yet reaches for her with bold courage. The true artist knows: he is not the creator. He is merely the gate. The crack through which the invisible shines into the visible. One stroke of paint, one musical phrase, one line of poetry – and suddenly that which would otherwise remain hidden forever appears. In human life, the connection between beauty and art is one form of redemption. When the soul grows quiet amid the noise, art reminds us: there is depth. There is order within chaos. There is harmony within fragmentation. The painting, the sculpture, the melody is not mere decoration. It is a bridge. A bridge between the fleeting and the eternal. A bridge between solitude and shared human experience. Art sometimes hurts beautifully. Because beauty is not always gentle. Sometimes it is wounded, sometimes wild, sometimes a silent cry in an abandoned space. And yet – it is precisely this that makes it whole. Art is not cosmetics for reality. It is both mirror and window. A mirror that shows us who we are. A window through which we can glimpse who we might become. In the wider world, the connection between beauty and art is the continuation of creation. God (or the Universe) created the flower. The artist creates the moment when the flower is no longer just a flower – but a message. A reminder. A link.

Art is not the prisoner of beauty. Art is the freedom of beauty. And where these two meet, something is born that outlives time. For true art never wants merely to show the beautiful. It wants the beautiful to look back at the world through us.

György Németh (1959) Creative Writer | szigetingy creative writing | Szingy Gallery Budapest

Beauty in Chaos | szigetingy creative writing

Beauty does not flee from chaos. She walks straight into it. She is the quiet flame that dances inside the storm. Not despite the storm – but because of it. Chaos tears the world apart, shatters forms, scatters meanings. And there, in the middle of the broken pieces, beauty appears. Not as order forced upon disorder. But as the hidden music that was always waiting beneath the noise. In human life, beauty in chaos is the deepest medicine. When everything falls – plans, certainties, the carefully built self – she remains. She shows herself in the cracked mirror of a tear-stained face still capable of smiling. In the trembling hand that still reaches for another. In the silence after the scream, when a single bird begins to sing at dawn. Beauty in chaos does not deny the pain. She embraces it. She whispers: even here, even now, something sacred is happening. We often fear chaos because we think it destroys. Yet beauty teaches us that chaos is the womb. The great destroyer is also the great creator. In the rubble of a burned-down life, a single wildflower grows. In the ruins of a heart, a new kind of love is born – deeper, quieter, truer. The role of beauty here is not to comfort falsely. It is to reveal. To show that within the swirling fragments there is still pattern, still rhythm, still grace.In the wider world, beauty in chaos is the eternal law. Galaxies collide and new stars are born. Forests burn and richer soil emerges. Civilizations crumble and fresh stories rise. The universe itself is ordered chaos – a cosmic dance where destruction and creation hold hands. Beauty is the eye that sees this dance. She is the heart that does not look away. She turns ruins into cathedrals of memory. She turns endings into thresholds. Beauty in chaos does not promise easy peace. She offers something rarer: meaning inside the madness. Presence inside the absence. Light that does not wait for darkness to leave, but shines precisely because darkness is there.

Beauty in chaos is not the absence of brokenness. Beauty in chaos is the courage to see the unbroken within the broken. She is the return home – even when home itself has been scattered to the winds. And still… she finds us. Still… she sings.

György Németh (1959) creative writer | szigetingy creative writing | Szingy Gallery Budapest

szigetingy art | szingy gallery https://nemethgyorgyphotography.blogspot.com

#szigetingy #SzingyGallery #CreativeWriting #GyorgyNemeth

Beauty | szigetingy creative writing

Beauty does not speak first to the eyes. It speaks to the soul. It is that sudden moment when something breaks through a crack in the world – something that goes beyond form, beyond colour, beyond perfection. It cannot be owned. It cannot be measured. It can only be experienced. Like a quiet homecoming to a place where we once belonged. The role of beauty in human life is both simple and infinitely deep. Beauty is the one who reminds us that there is order within chaos. When the pain has lasted too long, when the greyness of everyday life swallows all colour, beauty enters softly. It does not shout. It does not demand. It is simply there – in the curve of a flower, in the lines of a face, in a sunset slowly surrendering to night. Beauty heals without calling itself a healer. It restores depth to our gaze when we had grown used to seeing only surfaces. We often search for beauty outside ourselves. Yet it has always lived within. In the soul that is capable of truly seeing. Whoever has once truly seen a woman – not merely her body, but her presence – knows that beauty is a bridge. A bridge between lonely worlds. A bridge between fleeting time and the eternal moment. Every smile tells a story. Every movement hides a secret universe. And when we truly see, we understand: feminine presence has always shaped the reality around us. Not by force, but by its very being. In the wider world, beauty’s role is even quieter, yet greater. It is the counterpoint. When noise, destruction and haste try to erase everything meaningful, beauty remembers for us. It reminds us of what is precious. Of what is fragile. Of what nevertheless endures. Like light that finds its way even in the darkest shadow. Like a flower pushing through stone. Beauty is not an escape from reality. It is the revelation of reality’s deepest layers. It teaches us to look slowly. To feel deeply. And finally: to be grateful. Beauty does not promise eternity. But it gives us a single moment that carries the taste of eternity. It is the reason worth continuing. Because where there is beauty, there is also hope. There is return. There is a new beginning.

György Németh (1959) creative writer | szigetingy creative writing | Szingy Gallery Budapest

Szingy Gallery | Budapest https://nemethgyorgy.wordpress.com/

#szigetingy #SzingyGallery #CreativeWriting #GyorgyNemeth

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