Principal photography began with the filming of the song "Jingidi Jingidi" at VGP Universal Kingdom, Chennai.[7] Gautami was initially nervous dancing with Rajinikanth in "Jingidi Jingidi" because it was the first time they acted together so it was decided to film non-dancing scenes for two days then film the dance. Choreographer Puliyur Saroja trained Gauthami, who was able to dance convincingly.[17] Many of the film's scenes were shot in Mysore,[24] as filming in Chennai turned problematic.[8][3] Initially, the script did not have a fight scene for Prabhu.[11] At Rajinikanth's insistence, the fight scene intended for him was later given to Prabhu.[17][25] The song "Kandu Pudichen", picturised on Rajinikanth and Gauthami, was shot in a day.[26]

The climactic fight sequence was planned to be filmed in the Borra Caves at Araku Valley, but because Rajinikanth's call-sheet dates were nearing the end and a round-trip to Araku Valley would take longer, Chalam designed an identical cave set in Chennai.[17] The scene in which Raja and Babu escape through a tunnel while being pursued by a rolling boulder was based on a similar scene from Raiders of the Lost Ark (1981).[27] While Rajinikanth had given a call-sheet of 25 days, all his scenes were filmed in 23 days;[8][17] he stayed for the remaining two days, during which he moved the trolley for the song "Vaa Vaa Vanji", which was picturised on Prabhu and Seetha (who played Babu's love interest Chithra), and filmed at Brindavan Gardens.[11][17] The final length of the film is 3,996.19 metres (13,110.9 ft).[6]

Guru Sishyan 2010 Video Song 13

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Writing for Firstpost in 2014, S. Srinivasan said the film says people with "families and reputations and clean linen shirts to protect" should normally "avoid messing up with the poor, who have nothing to lose, or the rich, who can swat us like a fly".[37] In another Firstpost article, Apoorva Sripathi noted that the hand gestures Jayaram (Cho Ramaswamy) makes in one scene in which he is in deep thought were actually symbols of the AIADMK, Dravida Munnetra Kazhagam and the Indian National Congress. She called this an example of Ramaswamy making references to politics in his films.[38] Film historian Mohan Raman said, "Cho was one person who could spout political dialogues and display his brand of wit ... His comedy in [Guru Sishyan] was satire-driven ... maybe because he was essentially a stage actor".[39] Rajanayagam states that "Kandu Pudichen" replaying in part at the film's end signifies a trend in Tamil cinema wherein the last song to be played is usually heard earlier in the film.[40]

The music for Guru Sishyan was composed by Ilaiyaraaja.[41] Vaali wrote the lyrics of all songs except "Jingidi Jingidi", which Ilaiyaraaja himself wrote. The soundtrack was released by Echo Records.[42] "Kandu Pudichen" is set in the Carnatic raga known as Shubhapantuvarali.[43][44] Unlike most Shubhapantuvarali songs, which are composed with melancholic overtones, it was written to be "playful" and "fun".[44][45] The song attained popularity,[46] as did "Naatkaalikku Sandai" despite its anti-political lyrics,[32][47] and "Jingidi Jingidi" with its nonsensical lyrics.[48] be457b7860

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